What shows will we be watching in 2025? How are we going to consume them? Who will be the surprise winners this year? Those were just a few of the questions our illustrious panel tackled at our sell-out 2025 TV Predictions event last week. Thank you to our brilliant host Katie Razzall, who raced to the event after hosting the six o'clock news to host the lively discussion with Prime Video & Amazon MGM Studios's Chris Bird, Fremantle UK's Amelia Brown, GroupM's Josh Krichefski, Channel 4's Kiran Nataraja and the BBC's Kate Phillips. The phrase of the night was “cautiously optimistic” as broadcasters across the board continue to be in an “adjustment” period after the post-Covid boom in production and the following bust. Here’s a few of our panel’s predictions: AI ➡️ Brown says, at Fremantle everything will continue to “start with a human and end with a human,” but that they are excited about the use of AI to make things more time and cost-efficient. ➡️ Phillips says the BBC will continue to be transparent and responsible when using AI, although she “defies any AI programme to be better than our scheduling team.” Advertising ➡️ Krichefski predicts automotive advertising will be down whilst retail and utilities will be bouncing back, while addressability advertising will create more opportunities and is growing significantly, which will be good for TV. Gen Z ➡️ Phillips says YouTube, TikTok and gaming are the biggest rivals, with the younger generation becoming increasingly distracted by these other platforms. Still, “a good show is good on any platform”, it’s getting them to come and watch it. For 2025, they’ll be focusing on shows that appeal to the ‘3Gs’ (three generations) such as The Traitors. ➡️ Krichefski thinks broadcasters can learn from social media, “TikTok’s content is niche, interest led, and global - to compete we have to be experimental.” Budgets ➡️ Nataraja reminds that the nature of Channel 4’s business model leaves them exposed to ad market ebbs and flows. Although they’ve gone from “post-pandemic boom to the worst ad market recession in 15 years,” for 2025, a priority is to spend on content. ➡️ Phillips says the BBC’s “flat licence fee is tough when we’re seeing super inflation, and production costs have gone up a lot, so we’ve been commissioning less hours.” Still, the BBC is putting a lot of that budget into working with indies, and all their genres are open for commissioning. Key trends ➡️ Bird believes 2025 will be a great year for new talent, especially people transitioning from YouTube and social media backgrounds to television and streaming. ➡️ Krichefski predicts a significant year for women’s sport, while Brown believes there will be “a live event that’s going to surprise us all." ➡️ Nataraja says there's great opportunity for “producers who can crack lower-tariff drama." Watch the event in full on the RTS YouTube: https://lnkd.in/epK6BWWc
Royal Television Society’s Post
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