Basamento V. Ring Piero Manzoni's (1933-1963) Socle du monde (1961) is the conceptual reference for the Basamento V. ring. But the support designed by Carlo Scarpa (1906-1978) for the bust of Eleonora D'Aragona in the Palazzo Abatellis in Palermo, with its arched and elusive geometries, is also a reference. In short, a pretentious ring that becomes, when turned upside down, the biggest ring in the world, having as its 'stone' to display ... the world itself. Basamento V. Ring, cardboard, 2024, by Roberto Zanon #rzjewels #robertozanon #contemporaryjewellery #design #geometry #materials #necklace #structures #plotter #perception #jewellery #rzjewellery #cardboard #jewelleryandconcept #contemporaryjewels #gioielliitaliani #madeinitaly #amethodologicalstudyofthesignificanttopologicalform #gioielloeprogetto #approfondimentometodologicosullaformatopologicasignificante
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Profilo V. Ring A ring composed of two cardboards in contrasting colors that allows for interaction with the wearer. The two double contoured outlines are alternately "obscured" by the inner outline hinged in the finger that slips it on. The ring is conceptually inspired by Angelo Mangiarotti's (1921-2012) "Vera Laica" model, where the static "functioning" of the ring occurs only when it is worn. Profilo V. Ring, cardboard, 2024, by Roberto Zanon #rzjewels #robertozanon #contemporaryjewellery #design #geometry #materials #ring #structures #plotter #perception #jewellery #rzjewellery #cardboard #jewelleryandconcept #contemporaryjewels #gioielliitaliani #madeinitaly #amethodologicalstudyofthesignificanttopologicalform #gioielloeprogetto #approfondimentometodologicosullaformatopologicasignificante
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Necklace V. Sgionf The necklace V. Sgionf is composed of "sprung" elements that engage with each other, creating an eye-catching play of chiaroscuro and movement. Each module, repeating itself and changing color, creates a unique and customizable sequence. The three-dimensional structure of the modules expands outward, while inward, where it rests on the body, it remains flat, adapting gently and ensuring fit and comfort. Necklace V. Sgionf, cardboard, 2024, by Roberto Zanon #rzjewels #robertozanon #contemporaryjewellery #design #geometry #materials #bracelet #structures #plotter #perception #jewellery #rzjewellery #cardboard #jewelleryandconcept #contemporaryjewels #gioielliitaliani #madeinitaly #amethodologicalstudyofthesignificanttopologicalform #gioielloeprogetto #approfondimentometodologicosullaformatopologicasignificante
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Curious about how different settings can transform a diamond in jewelry that you adorn? Discover the intricate details and the unparalleled craftsmanship that go into each design in our latest blog: https://lnkd.in/dgKSTAh8 From classic solitaires to intricate halo settings, know how each style tells a unique story and showcases the diamond in its best light. Which jewelry setting is your favorite? Let us know in the comments! 💬 #Jewelry #DiamondSettings #Craftsmanship #Luxury #DiamondJewelry #JewelryDesign #LabDiamonds #Blog #BlogPosts #FineJewelry #FriendlyDiamonds
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1922... a year that marked the birth of #ValencianJewellery. It was in this year that Marco Moraglione began a large investment in precious stones and began to have them set in gold by skilled goldsmiths. Today, albeit in the name of continuity, while embracing innovation, both @Fabio Amelotti - partner and designer - and @Giovanni Bonzono, have revolutionised the guidelines of MORAGLIONE 1922 and given birth to new forms, having introduced silver and other innovative materials such as doublets and triplets of stones giving new light to the jewel. They too have mastered the use of Rutilated quartz superimposed on mother-of-pearl and topaz along with so many more masterful techniques. #Moraglione #Luxury #Jewellery #JewelleryDesign #InnovativeMaterials
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What do you see when you embrace the beauty of our designs? ✨ Timeless Elegance: Each piece is meticulously handcrafted, blending traditional Chinese materials with modern Western aesthetics. We use natural gemstones like pearls, agate, tiger's eye, and turquoise to create jewelry that feels both classic and contemporary. 🌿 Personal Stories: Our jewelry isn’t just about adornment; it’s about telling a story. From the vintage charm of our handmade agate stone bead necklaces to the sweet sophistication of pearl sterling silver earrings, each creation is a reflection of its wearer’s unique journey. 💫 Thoughtful Craftsmanship: We take pride in our slow crafting process, where every detail is carefully considered to ensure that each piece is not only beautiful but also meaningful. This deliberate approach allows us to offer designs that are as distinctive as the individuals who choose them. In a world full of mass production and fleeting trends, we stand apart by offering jewelry that is thoughtfully made and richly expressive. Our pieces are meant to be cherished and celebrated, carrying the essence of traditional craftsmanship and modern artistry.
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Beyond the Bling: Unveiling the Timeless Appeal of Rose Cut Diamonds In the world of diamonds, brilliance often takes center stage. But for those seeking something unique, the rose cut diamond offers a captivating alternative. A Diamond Steeped in History: Predating the modern brilliant cut, rose cuts were meticulously crafted for centuries. Their name reflects their resemblance to a blooming rosebud, with a flat base and unique faceting. A Whisper of Light: Unlike the dazzling fire of a brilliant cut, rose cuts offer a softer, more subtle light play. This captivating "internal glow" creates a mesmerizing effect, perfect for a vintage or antique aesthetic. Why Choose a Rose Cut Diamond? - Unique Beauty: Rose cuts stand out with their subtle glow and historical charm. - Budget-Friendly: The flat surface can create the illusion of a larger stone, making them a cost-effective option for a statement piece. - Versatility: They work beautifully in a variety of settings, from delicate to bold designs. More Than Just Jewelry: A rose cut diamond is a connection to a time-honored tradition. It's a chance to embrace a softer light, a touch of history, and add a truly unique treasure to your collection. #rosecutdiamond #diamonds #jewelrydesign #sustainableluxury #vintagestyle
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Tris V. Ring The "Tris" ring is a free reinterpretation of Gijs Bakker's "You can't have it" ring designed in 2005. The geometry of the referent ring has been disrupted, but the possibility of wearing it in three different ways has been retained. The holes change their valence from functional to decorative depending on how the ring is worn. A choice left to the user, who can customize in jewelry according to his or her needs or preferences. Tris V. Ring, cardboard, 2023, by Roberto Zanon. #rzjewels #robertozanon #contemporaryjewellery #design #geometry #materials #necklace #structures #plotter #perception #jewellery #rzjewellery #cardboard #jewelleryandconcept #contemporaryjewels #gioielliitaliani #madeinitaly #amethodologicalstudyofthesignificanttopologicalform #gioielloeprogetto #approfondimentometodologicosullaformatopologicasignificante
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YK V. Necklace From the serial repetition of circles in different sizes comes the YK V. necklace. A single optimized cutting outline gives life to these shapes, congruent with each other, creating an interplay of voids and solids. Symmetry on the vertical axis of the initial cutting profiles allows the shapes to close, enclosing an internal volume. The connection between these volumes is provided by “pointed” rings, obtained by rolling up the central waste shapes of the initial cut. The search for harmony of two-dimensional forms in three-dimensional expansion. YK V. Necklace, cardboard, 2024, by Roberto Zanon #rzjewels #robertozanon #contemporaryjewellery #design #geometry #materials #necklace #structures #plotter #perception #jewellery #rzjewellery #cardboard #jewelleryandconcept #contemporaryjewels #gioielliitaliani #madeinitaly #amethodologicalstudyofthesignificanttopologicalform #gioielloeprogetto #approfondimentometodologicosullaformatopologicasignificante
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Bracelet (and Ring) V. Ganasce Geometries harking back to stylistic features of the 1970s generate a bracelet with bold figuration and characterized shapes. The bracelet, symmetrical with respect to the diagonal axes, is composed of the coupling of two identical elements. The same element, however, reveals a surprise. Interpreted individually it becomes a ring to be worn on two adjoining fingers. Bracelet (and Ring) V. Ganasce, cardboard, 2024, by Roberto Zanon #rzjewels #robertozanon #contemporaryjewellery #design #geometry #materials #bracelet #structures #plotter #perception #jewellery #rzjewellery #cardboard #jewelleryandconcept #contemporaryjewels #gioielliitaliani #madeinitaly #amethodologicalstudyofthesignificanttopologicalform #gioielloeprogetto #approfondimentometodologicosullaformatopologicasignificante
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Associate professor of Italian Studies | author | entrepreneur | host & creator of the YouTube channel Italian Innovators
A few blocks away from Brunelleschi’s dome, you will find a significant 15th century palace, Palazzo Pucci, which once hosted the fortunes of a noble Florentine family and in the 20th century became the home of Emilio Pucci, aristocrat and #innovator, tailor and #sportsman, politician and founder of one of Italy’s most iconic #brands. At the time of the Pucci family’s early fortunes, the manufacture and printing of #textiles represented a major area of growth for the city, as the Medicis produced wool and the Rucellais developed an effective glue for dying fabric. The #renaissance was a by-product of this growth, and the expression of the city’s new wealth, also driven by the first establishment of banks. Differently from other cities, which displayed their power in the verticality of their cathedrals or the massiveness of their public buildings, the economic prosperity of Florence was manifested instead in #color, as seen in the chromatic carousel of jousts, in the use of expensive pigments in painting, in the different tonalities of marble adorning the Cathedral, or in the precision and detail of fabric dyes and prints. The secret of Pucci’s 20th century style, which I am sure you recognize, lies in his ability to retrieve and enliven this tradition in a modern key, not only by connecting color to its Florentine milieu, but also by animating it in a kaleidoscope of surprising waves and natural vibrations. You can learn more about Pucci in my #italianinnovators profile at 👉 bit.ly/innovatorspucci As for his Renaissance milieu, you might find some more context in my latest episode of the show. Check it out at 👉 https://lnkd.in/eR6Uw34h
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