Seth Resnick’s Post

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Photographer

I was prompted to share my workflow, and despite having authored numerous books on the subject, I'll do my best to distill it here. Upon arriving at a location, my very first step is to question my purpose for being there. What is my personal connection to this place? Instead of immediately raising my camera and indiscriminately capturing images, I strive to establish a rapport, a connection—be it with a person or an inanimate object. I seek an emotional bond and frequently refer back to my list of emotional keywords to reinforce that connection. As a photojournalist, I initially found myself in competition with television, which, in my view, aimed and still aims to depict for its audience what they would witness if they were physically present. Therefore, when working as a journalist and seeing my images published the following day or month, I was determined not to replicate what viewers had already seen on TV. My enduring objective has been and continues to be revealing to the world what they would likely miss if they were not physically present. When I encounter something remarkable, I consider whether it has a stage and an actor or actors. I often come across beautiful scenes that lack a central figure. To me, an image should resemble a Broadway production, complete with a stage and a lead actor or ensemble. Once I identify what I'm seeking, I process it in my mind's eye and then strive to capture it with that vision in mind. Upon completing the photography session, I promptly initiate the following routine: I transfer the images to Lightroom and consistently execute this step each time. Upon import, I embed my copyright details and assign the file names in the format of yyyy_mm_dd_customname_0001 and so forth. These files are then organized into a corresponding folder named yyyy_mm_dd_customname. Subsequently, I proceed to caption and add keywords to the images, following which I assign them rankings. Images rated as "1" denote a commendable attempt but fall short of expectations, leading to the deletion of most. Those rated as "2" are earmarked for potential future review, with the majority also being deleted. A rating of "3" indicates a promising start—a solid image, albeit lacking a truly captivating essence. I opt to retain only a select few of these. A rating of "4" signifies an exceptionally strong image, while a rating of "5" designates a prospective addition to my portfolio. It is worth emphasizing that I embrace the act of deletion, recognizing its pivotal role in maintaining an organized and efficient archival system amidst the wealth of accumulated data. FOR THE REST OF THE STORY https://lnkd.in/eXZB2TGq

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Thank you, Seth. Decades ago while in Chicago visiting my mother I caught an amazing photo workshop of yours over a winter weekend. Afterwards you invited anyone who wanted to join you for a glass of wine at a local blues bar. I still remember your love of Cabernet Sauvignon, and especially your love of photography generously sharing your professional tips with an eager audience. Thank you.

Jim Blecha

President, Jim Blecha Photography, Inc.

10mo

Denver, 13 years ago. Totally changed my workflow.

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Good workflow. I especially like your ranking system and emphasis on deletion of unnecessary files!

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Sultana Akthar .

Senior Marketing Specialist l professional Image editor.

10mo

Amazing photo. ❤️

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