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New Post: How can someone sign up and start using Deliver My Tune? - https://lnkd.in/ehdS7rhB Do give it a read [Deliver My Tune]

New Post: How can someone sign up and start using Deliver My Tune? - https://lnkd.in/gEgWF5DP Do give it a read [Deliver My Tune]

New Post: How can someone sign up and start using Deliver My Tune? - https://lnkd.in/g_Uf8Sr3 Do give it a read [Deliver My Tune]

New Post: How can someone sign up and start using Deliver My Tune? - https://lnkd.in/e9gshiQC Do give it a read [Deliver My Tune]

New Post: How to Sign Up and Start Using Deliver My Tune: A Comprehensive Guide - https://lnkd.in/e9gshiQC Do give it a read [Deliver My Tune]

Most producers worry if their music is good enough for Production Music Libraries. But the smart ones wonder which Production Music Library is good enough for their music. Let's jump in... 👇 🔍 The basic research (that takes <5 minutes): Not all libraries are created equal. Think of it like dating—don’t just settle for the first library that swipes right on you. You need to know who you're pitching to. Check out their history, reputation, and their catalog. What kind of music do they usually place? Is it more cinematic, upbeat, or quirky? Do their placements and clients line up with your musical skills? Example: If they place mostly trailer music and you make hip hop beats, don't pitch to them. Remember: don’t be the one that gets too eager and rushes in—pick libraries that genuinely match your skills and long-term goals. 📞 Judge Them On Their Communication: Libraries that get back to you quickly with clear, straight-up answers? That’s a good sign. They’re on top of their game and know how to treat their producers like rockstars. On the flip side, if their response time is slower than a dial-up internet connection, or their answers are vague, that’s a potential red flag 🚩 You want to work with people who are invested in you—not the kind that make you chase them like you’re in some weird musical scavenger hunt. ⚙️ Look Out For YOUR Interests First: Now for a pro move: work with 2 libraries at the same time. Why? We can't measure something unless we can compare it to something else. By working with more than one library, you can compare which one’s giving you more love. More placements, more opportunities, more royalties. With 2 Libraries, you’re not putting all your eggs in one basket, my friend—just like you wouldn’t want to put all your music in one library’s hands. Keep your options open! 📊 Judge Them By Their Results: Here’s the thing: you’ve got to be active in tracking how each library is doing for you. Don’t just sit back and wait for your royalties to magically appear. Check in on your placements, your royalties, and how much support they’re giving you. Over time, you’ll start to see which library is really pulling its weight. It’s like a business partnership—make sure you're getting a solid return on your investment. As an independent contractor, you’re basically the free agent of the music world. No one can chain you down to just one library—so use that freedom wisely! More gems on this stuff in today's video: 👇 https://lnkd.in/gXyMJkcK

One of the reasons I wrote this fun article last year for Tom's Guide was to show how quickly AI-empowered online services were being made available to consumers. And that pace has continued to accelerate! https://lnkd.in/e6GWTakX

New Post: How to Sign Up and Start Using Deliver My Tune: A Comprehensive Guide - https://lnkd.in/ehdS7rhB Do give it a read [Deliver My Tune]

In the high-stakes game of valuation, where spreadsheets meet storytelling, one golden rule stands above all: match your growth rate with your discount rate. Sounds simple, doesn’t it? But even seasoned attorneys, music publishers, and investors can find themselves in murky waters if they mix up nominal and real interest rates. Let’s clear the air:

What does a #recordlabel actually do? In this article, we’ll break down the top 10 tasks that record labels handle every day. 🎼 Dive in the full story: https://lnkd.in/dJ9xBpRU Michele M.