Theatre Habit’s Post

Read my latest review: Fairview at Capital Stage directed by Anthony D'Juan

My latest episode of The Play Podcast.

You know it's going be a good day when an organization creates a new mission statement that is so powerful you can't help but think, "We ride at dawn!" Full day of work with Sound Theatre Company today! #StrategicPlanning #LeadershipDevelopment #MissionStatement #NewMissionWhoDis

Dismantling DEI: A Catastrophic Change in Theater Uncover the hidden truth behind the dismantling of DEI initiatives. SPEAKER_00 exposes the mainstream media's silence on this catastrophic shift and its potential to revolutionize the theater industry. A must-watch for those seeking insightful commentary on DEI. ['#DEIdismantling', '#DEI', '#SocialJustice', '#Theater', '#MainstreamMedia', '#CulturalChange', '#PoliticalCommentary', '#SocialIssues', '#ControversialTopics', '#PublicDebate']

In our latest blog post, we discuss whether star power can make or break a theatre production. Is having a big Hollywood name attached always a good thing, or are there other factors involved when it comes to the world of stage performance? Here, we take a look at the key factors in creating the West End's next big hit and what household names mean for a new show. Take a look at From Slave Play to Wicked: is star power a blessing or a curse? below. https://lnkd.in/eBpR7w2g Feel free to share your thoughts and comments too. And please be sure to Like and share with likeminded theatre people! #westend #blog #feature

@ stories about humans theatre company: The BARD Project, development workshop #4. Richard the Second is a richly complex play; an emotional roller-coaster too. Language is dense, often poetic and always robust and 'muscular' on the 'speak' of it; actors need to be astute to the text at every turn of the page. But that's not hard because there are such thrilling, brutal and belligerent moments threading all the way through the narrative. Moments so highly charged, possessed of huge stakes should it all go pear-shaped for anyone at anytime. The outcome is never assured, until the end-game at plays' end. And even then, it's not over. This development workshop will be zoning in on those key thrilling scenes, made even more exciting with the expertise and guidance of fight director, Blake Wells.

Uncover the transformative power of theatre in education with the latest article! Dive into how drama can reshape learning environments and ignite creativity. 🌟 Read now to see how theatre is making a difference in constructivist learning! Link: https://lnkd.in/d3JyUHCE  #TheatreInEducation #ConstructivistLearning #ReadMore

In our newest journal article, "The Intersection of Faith and Theatre in C.S. Lewis’ Works," we delve into how FPA uses theatre to deepen our engagement with Lewis' messages of faith. Read more here: https://bit.ly/4fISx3f

This week's sign of the week is Theatre! 🎭 Try and use it in a sentence this week 😁 To learn more signs, why not enrol on our Introduction to BSL course? https://buff.ly/3OCKyZF #BritishSignLanguage #BSL #IntroductionToBSL #BSLCourse #CompleteTraining

In the world of improvisational theater, especially within the framework known as "The Harold," edits are vital. These transitions are key to sustaining the flow and unity of the performance, effortlessly linking scenes and concepts. Skillful edits ensure the narrative advances seamlessly, keeping both the audience captivated and the performers nimble. Excelling in this skill is crucial for any improviser looking to boost their storytelling prowess and craft unforgettable shows. #ImprovSkills #TheHarold