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Of all the commemorations and celebrations we cover in this blog, Black Music Month has to be one of the most enjoyable to ponder. How did Black music affect the American culture? The answer has to be – profoundly and beautifully!! #fulfillment #ecommerce https://hubs.li/Q02CSfqP0

“Representation only matters when it’s power to our people. ‘Cause our life is our music, and that’s Power To The People.” It’s our commitment to authenticity, accountability, and generating opportunities for Black artists, providing space for Black storytelling and spotlighting the importance of representation in Production Music. Will you sync with purpose? https://bit.ly/3RsFzMz

It’s Black Music History Month! So, it’s only right we explore how Black music shapes marketing in our latest blog by LeeAnah James, MBA. From storytelling to brand loyalty, read on to discover how it’s had a profound impact on consumer behavior. #KulurGroup #DopeThinkersOnly Read: https://lnkd.in/erAVrQXv

Continuing our journey into the influence of Black Music on consumer trends, today's focus shifts to the authenticity and relatability of these genres and their strategic use in marketing. Jazz, blues, hip-hop, and R&B not only shape brand identities but also foster a genuine connection with the Black community by reflecting their real-life stories and emotions. However, leveraging this influence in marketing demands a careful balance to avoid cultural appropriation and ensure representation feels respectful and authentic. Successful integration involves understanding the music's cultural significance, engaging with Black artists, and aligning choices with brand values. This respectful approach enhances brand relevance, supports economic empowerment, and avoids stereotypes, demonstrating the power of Black Music in creating meaningful consumer engagement while honoring its rich cultural legacy. #BlackHistoryMonth #BlackMusic #MarketResearch #ConsumerTrends #MRX #Marketing 

Join us this June as we celebrate Black Music Month, a time dedicated to honoring the profound impact of Black American artists on the music industry. Meet GEORGE CLINTON! There were tacit protocols for US Black music in the late 60s: artists had to be slick and sing soul or funk, ideally while wearing suits and dancing in a line. Romantic lyrics were acceptable, as was the occasional protest song, as long as it sounded like it was religious. There were exceptions, such as Sly And The Family Stone, but they were of mixed heritage and from San Francisco, where anything goes, baby; and Jimi Hendrix, who had to leave the US to win recognition. But when the Parliament and Funkadelic groups beamed down from planet Loose Booty in 1968, they laughed at such protocols. They’d tried that smooth shit already, it didn’t work. That they laughed was another taboo-breaker: music was meant to be serious because life was serious. But they mocked anything and everything. They were funky – at times earnest – but, as a bunch of Black hippies, they knew life was tilted against them, so how could they play by its rules? Each day, we'll feature a different musician, producer, or songwriter who has made significant contributions to various genres, from jazz and blues to hip-hop and R&B. Check our website to learn more about our services! 🌐 www.rischerconsulting.com Follow us on social media and send us a message: 👤 Facebook: Rischer Consulting, LLC 📷: Instagram: Rischer_Consulting 💼: LinkedIn: Rischer Consulting #RischerConsulting #georgeclinton #June #BlackMusicMonth #AfricanAmericanMusicAppreciationMonth #BlackMusic #CommunityCelebration #DiversityAndInclusion #Empowerment #SpotlightSeries #fyp #explorerpage #explorepage

Join us this June as we celebrate Black Music Month, a time dedicated to honoring the profound impact of Black American artists on the music industry. Meet GEORGE CLINTON! There were tacit protocols for US Black music in the late 60s: artists had to be slick and sing soul or funk, ideally while wearing suits and dancing in a line. Romantic lyrics were acceptable, as was the occasional protest song, as long as it sounded like it was religious. There were exceptions, such as Sly And The Family Stone, but they were of mixed heritage and from San Francisco, where anything goes, baby; and Jimi Hendrix, who had to leave the US to win recognition. But when the Parliament and Funkadelic groups beamed down from planet Loose Booty in 1968, they laughed at such protocols. They’d tried that smooth shit already, it didn’t work. That they laughed was another taboo-breaker: music was meant to be serious because life was serious. But they mocked anything and everything. They were funky – at times earnest – but, as a bunch of Black hippies, they knew life was tilted against them, so how could they play by its rules? Each day, we'll feature a different musician, producer, or songwriter who has made significant contributions to various genres, from jazz and blues to hip-hop and R&B. Check our website to learn more about our services! 🌐 www.rischerconsulting.com Follow us on social media and send us a message: 👤 Facebook: Rischer Consulting, LLC 📷: Instagram: Rischer_Consulting 💼: LinkedIn: Rischer Consulting #RischerConsulting #georgeclinton #June #BlackMusicMonth #AfricanAmericanMusicAppreciationMonth #BlackMusic #CommunityCelebration #DiversityAndInclusion #Empowerment #SpotlightSeries #fyp #explorerpage #explorepage

We could not let this month pass without wishing the incredible Vaughnette Bigford a Happy Black Music Month!!! In case you didn't know, June is the month to celebrate Black musicians' enduring impact and legacy and their creativity on music, culture, and history. We love you Vaughette!! Thank you so much for all your support and for gracing the world with your talent!! __________________________________________________________________________________ Want a way to keep up with all these special dates and occasions, DM and ask about getting your very own copy of the 2024 Caribbean CEO Publicity Calendar

Beyoncé became the first Black woman to hold the No. 1 spot on Billboard’s Hot Country Songs chart with her single “Texas Hold ’Em.” Country music is big business. According to a report by Economists Incorporated, the music industry creates $170 billion in value annually to the US GDP, supports 2.47 million jobs across a wide range of professions, and accounts for $9.08 billion in export sales. The report also states that revenues in the music industry have a 1.5x multiplier on the broader economy, and there are 236,269 music-related businesses across the country. In Nashville, the music industry contributes $5.5 billion to the local economy, for a total output of $9.7 billion within the Nashville area. Music events are also an essential part of the local economy, bringing in tourists, creating jobs, and generating income for local businesses. Overall, the music industry has a significant economic impact on the US and local economies.

#MKEPD #BlackHistoryMonth starts today. The theme set for 2024 is, “African Americans and the Arts,”. This spans the many impacts Black Americans have had on visual arts, music, cultural movements, and more. Learn how you can celebrate this year's theme at https://lnkd.in/g-9upeNH

I had a chance last week to join Cara Kneer and her incredible team at Atlanta & Co. to talk about Black Music Month and Atlanta's musical contributions. The conversation around equity has to continue beyond June. Here are my big takeaways on the issues in the industry as it stands for black artists and professionals and my proposed solutions to help make the music industry a more successful industry for all. The Issues:  We have little to no control of how the music comes out and is shared/framed with the public, the labels and system do. This prevents us from moving culture in a positive way. We have little to no control over finances. This creates opportunities where young people and young leaders can be taken advantage and "pimped out" for short-term corporate profits.   We have little to no control of the people. Sure, we are seeing more black executives than in the past, but in the system they are reinforcing the institution. When I was in this system I gave up my freedom to be able to create systemic change and I knew that. That change has to be done by means of getting the full trust that other groups have over their music (Latins running Latin music, Nashville people running country music) I KNOW all of this is because I was in this and lived this and when I tried to change things I got the boot. The Solutions: Grassroots community building - we as a black community need to start investing in each other and passing our knowledge on in an impactful way to the generation behind us. We need to bring awareness to our non-black friends to understand what we are up against and how this is actually preventing moving culture forward for all of us. Real ACTUAL inclusivity, not empty titles/positions where black leaders can't actually lead https://lnkd.in/er-kD3jS #blackmusicmonth #dei #diversity #equity #blackprofessionals #blackbusiness #musicindustry #music #entertainment #entrepreneurship #raydaniels