Attended a discussion between Susette Min and Joshua Chambers-Letson last night at NYU's Institute of Fine Arts about the state of Asian American art exhibitions. It was a pretty heady conversation, but my takeaway was that we will keep having to wrangle with the same questions—how to have representation without ossification, how to have our work considered in an appropriate context, how to make common cause with other marginalized folks, etc.—as long as academic structures and disciplinary boundaries remain in place that were created and enforced by and for WEBCCCHAM. By this, I mean the essentialism of a category called "Asian American art" (or "AAArt") even as we wrestle with the invisibility of many AA artists in art history.
It's the same for archives, museums, and all these old institutions where empire continues to echo (like the double-height, filigreed-to-death parlor we sat in last night) through our discussions. There's too much $, prestige, and stability to lose by doing something different. Sigh.
Producer Grade 2 at Playground Games
1moThat's fantastic Georgia Low and Janice Leng, miss working you both ❤️