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🎱 Music, pool, and great company- team bonding at it's finest! Our Warsaw team enjoyed a memorable evening courtesy of Courtesy of Polish Pop group, Varius Manx, and fun pool matches. Shoutout to Sebastian for his impressive skills! Scroll to see more. .. #warsaw #poland #teamouting #teambonding #teambuilding #pool #poolskills #goodvibes #LiquidAdvertising #CreativeAdvertising #adagency #agencylife #advertising #mediaagency #gaming Sebastian Studentkowski

𝘓𝘢 𝘗𝘳𝘰𝘱𝘳𝘪é𝘵é 𝘐𝘯𝘵𝘦𝘭𝘭𝘦𝘤𝘵𝘶𝘦𝘭𝘭𝘦 – Intellectual Property considerations for the 2024 Olympic and Paralympic games https://lnkd.in/gqmBv95a As the 2024 Summer Olympic and Paralympic games (2024 Games) are due to kick off in Paris very soon, there are a number of rules and regulations that New Zealand businesses need to be aware of before using intellectual property relating to the 2024 Games in advertising and promotions. We have set out some guidance on how businesses can avoid getting caught offside, and ensure they are playing by the rules. Tania Goatley, Partner Kristin Wilson, Senior Associate Andrea Alford, Lawyer #IntellectualProperty | #Litigation | #ConsumerLaw | #NewZealand | #BellGully

What has social media taught you about motorsport and its community? I was recently sent this piece written by Estelle Clapham for The Female Drive about events happening the the Formula One world at that time - and realistically, these issues are ongoing. ‼️ Racist comments are being brushed off as “a joke” and “not abusive” ‼️ Progressive action was further pushed back when religious, political and personal statements were banned from being made ‼️If we’re going to control drivers and their statements, why shouldn’t we set standards and controls on the remarks and actions fans make and take? This leaves the lingering question of what next? What can we do to stop these awful issues from occurring? Standards need to be set, something needs to be done. #Motorsport #FormulaOne

Interesting read on how Redbull actually makes money and if you are a racing fan are so winning in F1.

To my fellow motorsport content creators: how do you get images to use in your motorsport related articles? I'd like to use recent and relevant images for some F1 blogs, but don't want to infringe on any copyright. I was wondering if anyone who works in motorsport or who also writes F1 related blogs could help with what we can and can't use? #f1 #formula1 #motorsport

How do I get synchs????? This is one of the most common questions I get asked by artists. Synch is seen by musicians as an easier way to get proper money, but is it really? Jasmin Tadjiky and I have done well out of synch in our careers but it took a long time to build that business. It involved a lot of research, connecting with music supervisors and synch agents, building trust, being available when the opportunities came and for Jasmin, she had to tap into different parts of creativity to make music that works for ads or tv or film. Its a new skill! I think a lot of artists make a track and think ‘oh I can totally hear this on Stranger Things’ and thats enough, but the market is competitive. Its rarely as easy as that. These are sole of my tips : 1. Do your research: learn who the music supervisors are and what they’re working on. They’re busy people flooded sith music so make sure you know their work and what they look for. 2. Send them music that’s relevant. Keep it personal, short and snappy. Send it on a link they can stream from and download. 3. Admin. Make sure your metadata on the track is clear, you have your instrumental versions and lyric sheets ready. Being one-stop helps when your starting out but if you have a collborator make sure youve agreed splits etc… 4. Form relationships with people. Go to synch conferences. Find out where they hang out and try to meet them. Be useful to them. This takes time! 5. Hone your craft. Practice writing music for ads and film. Make demos for synch in your own time. Find the creative part of your brain that understands the difference between a song for your artist project and a song for ads. Sometimes they will use a released artist project track for something but I have often found that stuff written with synch in mind is more successful. Music supervisors….. are there any more tips for artists trying to build a synch business? Or if I’m wrong in these please correct me!