We're #hiring a new Broadcast Engineer in California. Apply today or share this post with your network.
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We're #hiring a new Broadcast Engineer in California. Apply today or share this post with your network.
Technical Recruiter @ Vantage Point Consulting | Career Match-Maker | Helping Companies Find Top Talent
6mo#cfbr
Technical Recruiter @ Vantage Point Consulting Inc. | US IT Recruiter Exciting Opportunity Alert! We're on the lookout for exceptional Network/System/Security Engineers #SDWAN #SDLAN #NOC #Cisco #TechJobs #Recruitment"
6mo#CFBR
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New Post: Camera Operators, Television, Video, and Film - https://lnkd.in/e24z_STh operators in the fields of television, video, and film are the creative minds behind capturing captivating visuals that bring stories to life on screen. In this comprehensive guide, we will explore various aspects of the camera operator profession, including job titles, tasks, technology software, tools used, occupational requirements, work activities, work context, experience requirements,…
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No amount of technology can replace the hands-on expertise of broadcast engineers, and yet they are increasingly absent from where they are needed; so what can broadcasters do? Wheatstone Corporation’s Dee McVicker looks at ways to navigate the engineering shortage. #Audio #Radio #Engineering #Recruitment
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Behind the Scenes: A Day in the Life of a System Engineer In every media production, there’s a world that exists behind the scenes—often unnoticed, yet absolutely crucial. As a Systems Engineer in the fast-paced world of media, my role begins long before the cameras start rolling. Preparation is key. It all starts with powering up the servers, making sure every piece of equipment is ready for action, and gathering all the technical materials necessary for a smooth production. On production day, particularly the first, it's all hands on deck. Cameras are deployed, tripods set up, cables run, and the stage is meticulously prepped. But it’s not just me—it’s a team effort. I work alongside talented professionals: cameramen, floor managers, sound engineers, vision mixers operator, CCU operators, teleprompter operators, EVS operators, and directors, just to name a few. My primary responsibility is ensuring that every piece of equipment is fully operational, so the team can perform at their best. With over 200 pieces of equipment in the chain, any breakdown must be addressed immediately. Downtime is never an option. From the studio floor where the action unfolds, to the central apparatus room on the ground floor, I’m constantly on the move, troubleshooting, fixing, and fine-tuning systems to keep everything running smoothly. As the cameras capture the magic, I’m working behind the scenes, ensuring every second is technically flawless. When the host and cast are ready, the sound engineer wires the mics, and the crew takes their positions, communication flows seamlessly between the Director and the team. Every detail matters—if one system fails, it impacts the entire production. Once the shoot wraps, my day isn’t over. I’m responsible for transferring all the recorded footage to drives, so the client can move forward with post-production. It’s a long, exhausting day, but I wouldn’t trade it for anything. What drives me? Passion. Passion for the craft, for the technology, and for the unseen effort that brings these productions to life. Even though my face is never on camera, when I watch the final product on TV, I see my hard work in every frame. Being behind the scenes doesn’t mean being in the shadows—it means being part of something bigger. Stay resilient, stay passionate, and your dedication will pay off. After all, the real magic often happens where no one’s looking.
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Open for Opportunites | Multi Sports Broadcaster | 700 + games and counting in All sports | Lifelong Learner
without this seamless understanding, Live broadcast is not possible.
Technical Director / Vision Mixer, Live Streaming, Events, Environmentalist, Green Ambassador, Cybersecurity Intern
Title: The Dynamic Duo: EVS Operators and Technical Directors in Live Broadcast In the dynamic world of live broadcast production, the partnership between EVS Operators and Technical Directors (TDs) is essential for delivering seamless and captivating shows. EVS Operators are highly skilled technicians specializing in managing EVS machines, which are critical for live events. They excel at tasks such as live replay management, clip creation, and data organization, ensuring smooth transitions and enhancing the visual storytelling of broadcasts. The relationship between EVS Operators and TDs is symbiotic and collaborative. While EVS Operators focus on managing video content and ensuring flawless transitions, TDs oversee the overall technical execution of the production. TDs coordinate camera operations, audio mixing, graphics, and lighting to ensure that all elements align harmoniously and deliver a polished broadcast. During live broadcasts, TDs rely on EVS Operators to seamlessly integrate replays, graphics, and pre-produced content into the broadcast flow. The TD's decisions on camera angles and cueing are synchronized with the EVS Operator's timing and content selection, resulting in a cohesive and engaging viewer experience. This partnership exemplifies the collaborative nature of media production, where each role contributes uniquely to the success of the final product. The synergy between EVS Operators and TDs ensures that live broadcasts captivate audiences and deliver high-quality content in real-time. #MediaProduction #BroadcastTeam #LiveTV #EVSOperators #TechnicalDirectors
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Audio Engineer (stereo and dolby atmos) | Record Producer | SFX & Sound Design | Nerd about technology, literature and languages.
I have a question for you, especially for those who manage post-production and hire talent in the field of audio post-production: • Why does the lower pay for sound engineers often stem from comparison to other post-production roles?
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"Hello LinkedIn community! I'm looking to connect with event organizers, production companies, and individuals seeking skilled professionals in the live events industry. If you're looking for a: - vMix Operator - Audio Visual Technician - Live Event Video Engineer -Video Editor Let's connect! With my expertise in live event production, streaming, and broadcasting, I'm eager to collaborate on upcoming projects. Whether you're planning a conference, concert, or corporate event, I'd love to discuss how my skills can support your technical requirements. Let the algorithm connect us! Share this post with your network, and let's make some meaningful connections in the live events industry. #LiveEvents #vMix #AudioVisual #VideoEngineering #EventProduction #Collaboration"
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One surest way to have a superb broadcast that no one has ever told you is…. - Fostering a culture of intentionality and accountability within your team. When every member of the broadcast crew is genuinely committed to the success of the production, it elevates the entire process and leads to outstanding results. Ownership of Roles: Every team member understands the importance of their specific role and how it contributes to the overall success of the broadcast. Whether it's a camera operator, sound engineer, or director, everyone takes ownership of their tasks, knowing that the success of the broadcast depends on their performance. Proactive Problem-Solving: A team that is intentional about the success of a broadcast doesn't wait for issues to escalate. They are constantly on the lookout for potential problems and address them immediately, whether it's a technical glitch, a framing issue, or an audio imbalance. By cultivating an environment where every team member is deeply committed to the success of the broadcast, you create a foundation for delivering consistently high-quality productions. This collective effort ensures that no detail is overlooked and that every challenge is met with a proactive solution, ultimately leading to a superb and seamless broadcast.
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I help empower sound pros to navigate, believe, and thrive in the post-production sound industry | Emmy® Nominated Sound Re-Recording Mixer | Supervising Sound Editor | Founder Mastering Post-Production Sound.
Ever wondered how many different sound jobs it takes to create a film or TV show? 🎬🎧 This week, I’m breaking down all the roles in post-production sound—from dialogue editors to Foley artists. Whether you’re new to the industry or a seasoned pro wanting to understand more about the various specializations, this video is for you. When I first started, I did it all myself—cutting dialogue, sound effects, even scoring projects. But as I grew, I realized the power of working with a sound crew. It’s a total game-changer. By the end of this video, you’ll have a clearer understanding of each role and how knowing this can benefit your journey in the industry. You don’t have to do it all; find the role that calls to you and get going! 🔗 Check out the full video here: https://lnkd.in/gkhd2Zxh If this video helps you out or sparks your interest, share it with someone who might benefit. Let’s keep building the most curious, hard-working, relationship-centered sound communities together! 🌟 #PostSoundMixing #SoundCommunity #AudioMixing #SoundCrews #MasteringPostProductionSound #SoundRoles #MasteringPostProductionSound
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Preparing your office for a video shoot: our production assistants do a great job of managing the shoot and it’s much easier if everyone in the office knows that video production is happening. This will ensure that employees not in the video don’t make an unexpected cameo. This will also keep noise (talking and phones) at a minimum during the shooting.
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Remote monitoring is 🎬 essential 🎬 for film and broadcasting! Want to learn more? In our latest blog, Dan breaks it down: - The remote monitoring process for filmmakers - Why filmmakers 🧡 using Switcher for remote monitoring - How to create your own remote monitoring setup. #videocontent #videoforbusiness #smb
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