VIVERSE’s Post

DLSS 3.5 Ray Reconstruction makes games look better than ever. 🙌 #AIonRTX leverages DLSS 3.5 technology for improved ray-traced lighting effects like reflections & shadows. Learn more here: nvda.ws/3Wdfi8s

New Cesium releases are available! - CesiumJS 1.115 added support for I3S Building Scene Layer. - Cesium for #Unreal 2.4.0 significantly reduced CPU memory used by glTF and raster overlay textures. - In Cesium for #Unity 1.8.0, feature IDs and metadata are now parsed through the EXT_mesh_features and EXT_structural_metadata extensions respectively. - Cesium for #Omniverse 0.18.0 improved tile streaming performance by 35% by switching to UrlAssetAccessor from vsgCs. - Cesium ion’s imagery tiling is up to 5x faster. See all the release highlights and download: https://bit.ly/3uWLzFx

Take a look at how virtualized geometry – and Virtuos' approach to this technology – enables developers to create assets more efficiently while preserving game performance. Details: https://lnkd.in/dhVVeGxm #gamedev #3d #3dart #gamedevelopment #videogames #virtualizedgeometry

𝐀𝐑 𝐢𝐬 𝐧𝐨𝐭 𝐭𝐡𝐞 𝐅𝐮𝐭𝐮𝐫𝐞, 𝐢𝐭'𝐬 𝐍𝐎𝐖! 🔥 | 3D Spatial Computing! Sony Announces Development of Spatial Content Creation System, Equipped with High-Quality XR Head-Mounted Display and Controllers Dedicated to Interaction with 3D Objects https://lnkd.in/grmSiCXV #ar #augmentedreality #augmentedrealityapp #3dmodel #spatialcomputing Apple Meta

In the fast-evolving digital era, Photorealistic Rendering Algorithms are redefining the visual standards of games and films! In 2024, we are witnessing how innovative technologies, such as ray tracing, path tracing, and virtual particles, are enhancing visual effects to make every detail come alive. The stunning visual effects of "Black Myth: Wukong" leverage the latest Nanite and Lumen technologies in Unreal Engine 5, enhancing realism and opening up new opportunities for the mobile gaming market. Learn more about the advancements in photorealistic rendering technology and how it's shaping the future of the gaming industry. Read our latest article to stay ahead with the industry's cutting-edge tech insights! https://lnkd.in/gkGuYX-J #PhotorealisticRendering #RayTracing #GameTech #VirtualReality #BlackMythWukong #GameDevelopment #DigitalTransformation #UnrealEngine5 #Nanite #Lumen

A few months ago, I had the privilege of collaborating with the talented teams at Meptik and The AV Crew , VP🧢 /VAD👒 /VFX🎩 supervising two incredible spots directed by Andy Vallentine and shot by the brilliant Oren Soffer for the Veterans Affairs. These projects showcased the seamless fusion of artistry and cutting-edge technology, with one spot filmed entirely at XR Stage and the other on location. The LED volume shoot was a standout example of the power of In-Camera Visual Effects (ICVFX) and virtual production. From pre-production to wrap, it was a true collaborative effort. We had just three weeks to design and create five photorealistic virtual environments that could perform dynamically at 30fps on the wall – no pixels were baked in the process. This gave us incredible flexibility for lighting, set dressing, and set orientation, which was crucial for keeping the creative vision intact. The team embraced the technology fully, with a clear understanding of every shot long before stepping on set. And the results? We finished the shoot five hours ahead of schedule, hitting every shot we set out to capture and, may I say, under budget on the VP side – a testament to the efficiency and precision of the entire crew. Except for the practical bedroom set (minus the window exterior) and some minor cleanup and transition edits, what you see is 100% true ICVFX – exactly as it appeared on camera. This project is a testament to the hard work, creativity, and collaboration of everyone involved. A huge thank you to Julianna Mercado , Carlos Perez, Joss Abaco, and Gemma Campbell for being absolute rockstars, and to Andrew Amato for your vision in assembling such a talented team. This project should serve as a blueprint for how to execute Virtual Production flawlessly. More to come, including the second spot with the great work by NEXODUS. Unreal Engine, Epic Games, AMD, NVIDIA, Disguise, #virtualproduction #ICVFX #realtime #VirtualArtDepartment #filming #technology #LEDvolume #

Exciting news from NVIDIA ! They’ve just introduced "James," a groundbreaking interactive digital assistant built on the NVIDIA ACE platform. James isn't just another virtual assistant; he’s equipped with the ability to communicate, express emotions, and even crack jokes—all while showcasing hyper-realistic animations powered by advanced NVIDIA RTX rendering technologies. His voice, developed by ElevenLabs, adds an impressive layer of realism.While this might seem like just another avatar, James opens up new possibilities for interactive technology. If you’re curious, you can already chat with him in real-time on the website. What are your thoughts? Is this a game-changer or just another step in digital innovation? #NVIDIA #DigitalAssistant #Innovation #TechNews

Canon developing RF-S7.8mm F4 STM DUAL lens for Apple Spatial Video

"Genie", one of Voxon Photonic’s 3D Unity applications, is an interactive Volumetric Avatar. Genie is visible from 360 degrees, and from the opposite side, you even get to see the famous "hollow mask illusion", described by Wikipedia as a " when the bias of seeing faces as convex is so strong it counters competing monocular depth cues"... The demo is running on a pre-production Voxon Photonics VX2 display. Thanks to Reallusion for the excellent face rigs. The VX2 supports Unity, C, C++ and ships with a variety of exciting demos. Video Credit: Voxon Photonics --------------------- Stay ahead of the curve! Follow us now on our WhatsApp (https://lnkd.in/e3_4ruPS) and Telegram (https://wevlv.co/3sJlFn5) channels and stay updated about the cutting edge. #augmentedreality #virtualreality #artificialintelligence #wevolver