Walt Disney Animation Studios’ Post

In this mini-tutorial, we explain how to create gradients in 3D space using the Depth Layer. Simulate light effects, generate artificial lighting and shadows, produce color variations, or even mimic light dispersion effects in the easiest way.

Here I’m mapping RGB values to a 3D space. I’m working out ways to visualize vector similarity used by LLMs.

"G-Style: Stylized Gaussian Splatting" is a novel algorithm designed to transfer the style of an image onto a 3D scene represented using Gaussian Splatting 🤘 While Gaussian Splatting is known for fast scene rendering and user control, existing methods struggle with style transfer due to fixed scene geometry. G-Style addresses these challenges through a three-step process: first, undesirable Gaussians are removed; second, carefully designed losses ensure the style is preserved across different scales while maintaining the scene's original content. Finally, Gaussians are split to add detail where needed during the stylization process. Experiments show that G-Style achieves high-quality stylizations within minutes, outperforming current methods. Paper: https://lnkd.in/e44g55mR #gaussiansplatting #3DGS #4DGS #radiancefields

Voronoi Diagram with 500 sites, calculated by building the dual graph of the delaunay triangulation (and then intersected with a boundary rectangle). Did you know that Voronoi Diagrams are not only useful as textures or for fracturing meshes, but that they can significantly speed up your nearest neighbor queries (finding the closest non-moving object in a collection) in your game at the cost of some memory?

Dynamic 3D Gaussian Fields for Urban Areas https://lnkd.in/es7u7GJS We optimize a single dynamic scene representation from a set of heterogeneous input sequences of a common geographic area, rendering at interactive speeds while modeling huge appearance and geometry changes.

One more example of procedural modelling with Houdini. You can see the advantages of modelling over a flat version of geometry in UV space and bringing it back to the world space position while preserving the ability to tweak the input stream. #Houdini

With the Cesium Cartographic Polygon actor in Cesium for #Unreal, you can define areas of a tileset to hide or apply other material effects. Follow the tutorial to learn how to use Cartographic Polygons: https://hubs.li/Q02C2Pvw0

Here is a screenshot of the yet-to-be-released new version of Cremage after generating an image with an SDXL LoRA model (this third party LoRA model is for making an object look like crystal art). The screen layout is inspired by Fooocus to make LoRA selection easy.

In the real world, light photons come from light sources 🌟 They bounce off multiple surfaces, and these surfaces modify photons’ color along the way before reaching our eyes. In computer graphics, #GlobalIllumination (GI) tries to simulate the interactions of photon bouncing. This simulation adds realism to lighting and it helps achieve more life-like images. Explore Global Illumination in #Redshift with us today. 👉 https://lnkd.in/gcdqQ-4S #irender #renderfarm #cloudrendering #GI #lighting #light #redshift3d ________ iRender - We focus on people and the joy of creation. 🌐 irendering.net 🎬 https://lnkd.in/daJn99sz

Week #3 of Esri #cartographyMOOC Edith Punt Kenneth Field John Nelson Language of graphics #mapgeneralization - everything doesn't fit #mapmessage #visual #retinalvariables size, area, volume, color, shape, orientation contrast drives meaning legend as a support/reference #johnsnowcholeramap #spatial pattern of deaths Beer saves the day! #voronoimap #thiessenmap #jacquesberlin Seismology of Graphics technical pens, crayons, and fountain pen #choropleth maps need normalized data! #cartofails: go dark grey, no rainbow color pallete, show data as ratio or proportion on #choropleth