Latest – Page 11
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FeaturesWhy Liz and David Barnuti charted their own marriage for Transilvania doc premiere ‘My Muslim Husband’
The film documents the prejudice and religious discrimination they faced following David’s conversion to Islam.
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Features“We make films with a global sensitivity and a Latino heart,” says Anima Studios’ José Carlos García Letona
José Carlos García Letona is in Annecy to present Aztec Batman: Clash Of Empires as a work in progress.
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Features“It worked in our favour”: How UK’s Lupus Films made Annecy premiere ‘Kensuke’s Kingdom’ during two lockdowns
The UK-France-Luxembourg co-production is a hand-drawn animation based on a Michael Morpurgo novel.
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NewsPressman Film CEO Sam Pressman and Matthew Tierney talk filmmaking and AI
“The only way to really understand what it is is to play with it.”
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FeaturesTransilvania’s Mihai Chirilov gives the lowdown on this year’s festival line-up
The Transilvania International Film Festival opens with ‘Northern Comfort’
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FeaturesCannes Confidential: Picturehouse Cinemas’ Clare Binns on her festival survival tips
Binns is managing director of exhibitor Picturehouse Cinemas and distributor Picturehouse Entertainment, and has been a regular on the Croisette from more than 30 years.
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FeaturesJason Yu talks Critics’ Week title ‘Sleep’, praised by Palme d’Or and Oscar-winner Bong Joon Ho
Bong says it is “the most unique horror film and the smartest debut film I’ve seen in 10 years”.
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FeaturesHow Martin Scorsese’s ‘Killers Of The Flower Moon’ was shot on location in Oklahoma: “It was a massive undertaking”
Martin Scorsese’s official selection title Killers Of The Flower Moon was shot mainly on location in Oklahoma. Screen talks to producer Daniel Lupi about filming on the Osage County reservation
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Features“I wanted to work with him”: Maiwenn explains why she cast Johnny Depp as a beloved French king in ‘Jeanne Du Barry’
French director/actor Maïwenn of Cannes opening night film Jeanne Du Barry, tells Rebecca Leffler about bringing the period drama to the biggest arthouse stage.
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FeaturesSheffield DocFest co-heads talk music, audiences and curation ahead of 30th anniversary edition
Annabel Grundy and Raul Nino Zambrano head the UK doc festival that opens on June 14.
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FeaturesThe Dardenne brothers talk upcoming projects, diversity at Cannes and return to cinemas
The two-time Palme d’Or winners are in South Korea with ‘Tori And Lokita’.
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Features“We make filmmakers feel less lonely”, says new Jeonju Project head Park Taejoon
The Korean producer worked with Bong Joon Ho on ‘Mother’ and ‘Snowpiercer’.
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FeaturesMy Screen Life: Berlin cinema founder Verena von Stackelberg on how she got her start, her influences and her favourite festival
Programmer and founder of Berlin’s Wolf Kino cinema on who she admires in the industry and her discovery of indie film
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NewsEmmys spotlight: Rachel Weisz and showrunner Alice Birch on reimagining classic thriller ‘Dead Ringers’ as a series
Weisz and Birch talk technical tricks and infusing fun into the horror of the Prime Video series.
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FeaturesVisions du Réel’s Emile Bujès looks ahead to lively festival featuring masterclasses with Lucrecia Martel and Alice Rohrwacher
”The guests represent an idea of cinema that we as a festival want to defend,” sats Bujès.
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News“It is important our identity is different than other selections,” says Directors’ Fortnight’s Julien Rejl
“My aim is to go beyond the films scouted at co-production markets and residencies,” Rej explained.
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FeaturesThe Centrepiece interview: Cinépolis CEO on the future of LatAm exhibition
Alejandro Ramirez Magaña, CEO of the biggest cinema chain in Latin America, talks post-pandemic recovery, the global market and The Whale.
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FeaturesArtistic director Ava Cahen explains what makes a 'Critics’ Week film’
“I live, I eat, I dream, I sleep Critics’ Week,” says Cahen.
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News“The hardest thing is to say no”: Thierry Fremaux’s hot take on Cannes 2023’s still evolving selection process
Fremaux reveals the film he saw yesterday that he included today.
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NewsGareth Ellis-Unwin to step down from ScreenSkills; reflects on proudest moments, greatest challenges in the sector (exclusive)
Ellis-Unwin is to return to full-time producing having held the post of head of film and animation at ScreenSkills since 2017.