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William Hogarth

March 2024

  • An 18th-Century Family by Joy Labinjo.

    ‘Inclusivity shouldn’t be controversial’: will a radical art rehang give Cambridge an unwanted ‘woke’ row?

    Fitzwilliam Museum keen to avoid kind of criticism that has hit Tate and National Portrait Gallery with shake-up of displays

January 2023

  • The Pool of Bethesda painting on the Hogarth stair at St Bartholomew’s hospital

    William Hogarth works at London’s oldest hospital to be restored

    Paintings adorning grand staircase of St Bartholomew’s to benefit from £5m lottery heritage fund grant

September 2022

  • Declan McKenna

    Cultural prescription
    Get bent: music, film, books and more about corruption

    From murky goings-on within Fifa to warring media scions, our critics select culture that delights in degradation

November 2021

  • ‘Satiric genius’: William Hogarth’s painting Southwark Fair (1733)

    Hogarth and Europe review – razzle and dazzle but not much fun

  • Not a subtle scene … William Hogarth’s O the Roast Beef of Old England (The Gate of Calais), 1748.

    Adieu gin, au revoir roast beef! How Hogarth became a proud European

September 2021

  • William Hogarth’s portrait of Mary Edwards

    Rich, red and rare: Hogarth’s lady back home after 100 years

    The portrait of heiress Mary Edwards, thought to be the Georgian era’s wealthiest woman, is due back in the city in a new Tate show

February 2021

  • Detail of Funky by Gilbert and George

    Art Weekly newsletter
    A dance with Rothko plus Gilbert and George explore Covid chaos – the week in art

    Mark Rothko’s chapel turns 50, the British Museum examines the male and female lives of the Chevalier d’Éon and Britain’s favourite odd-couple artists capture the new normal

May 2020

  • Foundling Museum. ‘The Pinch of Poverty’, 1891, Thomas Benjamin Kennington (1856-1916), Coram in the care of the Foundling Museum

    The great British art quiz
    Which children's author was inspired by this painting? The great British art quiz

    The Foundling Museum in London set today’s quiz. Like the rest of the UK’s arts institutions, it’s currently closed – but you can explore its collection here while answering some tricky questions

December 2019

  • Kara Walker’s Fons Americanus in the Tate Modern Turbine Hall, London.

    Best culture 2019
    Top 20 art exhibitions of 2019

    Egypt’s golden boy and Bridget Riley’s dazzling arcs of colour join a towering indictment of empire – this year’s stunning art shows hit like a bomb

October 2019

  • William Hogarth (1697-1764), The Rake’s Progress IV: The Arrest, Oil on canvas, 1734

    Hogarth: Place and Progress review – a heartbreaking epic of London squalor

    From corrupted country girls and rough sleepers to sleazy judges and drunken toffs, no one has captured London’s dark underbelly better than Hogarth

May 2019

  • A detail of The March of the Guards to Finchley, 1750, by William Hogarth.

    Hogarth and The Art of Noise review – London's whistles and wails, drums and dogs

    This invigorating exhibition shows how the artist’s appetite for life bursts off the canvas and makes you see, hear and smell his time

March 2019

  • The Tête à Tête, 1743, the second in the series called Marriage A-la Mode by William Hogarth.

    Gin, syphilis, lunacy: Hogarth’s grotesques united in new show

    The paintings of the 18th century social critic are to be brought together for the first time

January 2019

  • William Hogarth’s The Enraged Musician, 1741.

    Anatomy of an artwork
    William Hogarth’s The Enraged Musician: gritty glory

    The English painter and satirist depicts a vision of vibrant cacophony that resonates more than two centuries later in the Brexit era

September 2018

  • Mark Umbers (David Garrick) and Keith Allen (William Hogarth) in The Taste Of The Town from Hogarth's Progress by Nick Dear @ Rose Theatre, Kingston. Directed by Anthony Banks. (Opening 29-09-18) ©Tristram Kenton 09-18 (3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com

    Hogarth's Progress review – dazzling double bill charts artist's path to woe

    Keith Allen excels as the embittered old painter in the second of Nick Dear’s two plays following the life of William Hogarth

August 2018

  • Huang Yongyu’s Two Owls, China (1977) is at The Citi exhibition I object: Ian Hislop’s search for dissent, 06 September 2018 – 20 January 2019 at the British Museum.

    Art Weekly newsletter
    Pollock storms into London and Banksy dials up the dissent – the week in art

    Joe Tilson invades Venice, Helsinki unveils a subterranean culture hub and the prestige art scene finds no takers for Nigel Farage – all in our weekly dispatch

July 2018

  • REMBRANDT BRITAIN’S DISCOVERY OF THE MASTER 7 July – 14 October 2018 Scottish National Gallery Rembrandt van Rijn (1606-69) The Mill, 1645/1648 Oil on canvas, 87.6 x 105.6 cm Collection: National Gallery of Art, Washington, USA Widener Collection

    Art Weekly newsletter
    Rembrandt stuns Edinburgh and Tacita Dean hits the festival – the week in art

    Tracey Emin raids the memory bank, Sabine Weiss kids around and two greats stage a showdown – all in your weekly dispatch

December 2016

  • Jonathan Jones

    Jonathan Jones on art
    Homelessness: no laughing matter for Hogarth – nor for us

    Jonathan Jones
  • Jonathan Jones

    Jonathan Jones on art
    Our obsession with the natural world isn't about power – it's about love

    Jonathan Jones

November 2016

  • William Hogarth’s The Christening

    UK places export ban on £1.2m Hogarth painting

    British buyer sought for The Christening, one of the earliest known works by the 18th-century satirist

September 2016

  • Sir Alexander Morison, 1779-1866. Alienist by Richard Dadd depicts the governor of Bethlem, who owned several of the Dadd’s artworks.

    Bedlam: The Asylum and Beyond review – missed opportunity to truly explore mental health

    This jumbled exhibition tracking changing attitudes to mental illness could have been a powerful study of Bedlam and psychiatry. Instead it fails to make sense of the real place and the myth
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