Skip to main contentSkip to navigation

Jean-Auguste-Dominique Ingres

June 2022

  • Left: Jean-Auguste-Dominique Ingres, Madame Moitessier
1856
Right: Pablo Picasso, Woman with a Book, 1932

    Picasso Ingres: Face to Face review – portraiture at its most radical

    This first-time pairing of Picasso’s Woman With a Book and its inspiration, Ingres’s celebrated Madame Moitessier, underlines the uniqueness of each artist

December 2021

  • Clockwise from top: The House of Hungarian Music, Van Gogh, Stonehenge, Objects of Desire, Carolee Schneeman

    2022 culture preview
    Van Gogh’s self-portraits and colossal venues: 2022’s best art and architecture

    It’s Happy New Ear for the impressionist, Manchester and Folkestone’s shiny new mega-venues open and Stonehenge gets the blockbuster treatment

November 2021

  • Favourable impressions … curator Anna Ferrari admires a work by Cézanne, part of the collection of Wilhelm Hansen.

    The Danish Collector review – reflections of an excellent eye

    The Exhibition on Screen series examines the modern French paintings collected by Danish businessman Wilhelm Hansen

October 2017

  • ‘Shocking light that saturates your eyeballs’… Olafur Eliasson’s Room for One Colour, 1997.

    Monochrome review – white stripes, shocking yellow and 500 shades of grey

    This peculiar exhibition shirks black-and-white certainties in examining monochromatic art and painting, but why is there no room for Yves Klein, Robert Ryman or Chinese mastery?

February 2015

  • Ingres Comtesse d'Haussonville

    Frick Collection masterpieces on show at the Mauritshuis in The Hague

    Ingres’s Comtesse d’Haussonville one of more than 30 pieces lent to the Mauritshuis for unprecedented exhibition

April 2014

  • <Venus of Urbino> by Titian

    Top 10s in art
    The top 10 female nudes in art

    Jonathan Jones: From the ravishing Venus of Urbino, past Ingres's sensual Odalisque, to the feminist riposte of the Guerrilla Girls, the female nude has inspired, enraptured and enraged

December 2012

  • Charles Baudelaire

    La Folie Baudelaire by Roberto Calasso, translated by Alastair McEwen - review

    Alex Danchev is dazzled by Roberto Calasso's meditations on Baudelaire

March 2011

  • Page spread from Kiki de Montparnasse

    Kiki de Montparnasse by Jose-Luis Bocquet and Catel Muller – review

    Kiki de Montparnasse is celebrated in a quirky graphic biography

March 2010

  • Lucian Freud

    Jonathan Jones on art
    Art criticism starts with love and hate

    Jonathan Jones: Overanalysing art, as opposed to intuitively rating it, is fraught with peril

August 2003

  • Portrait of the week
    Mademoiselle Caroline Rivière, Ingres (1805)

    His obviously intense visual relationship with his subject and his contentment to look, with a clinical waxy fetishism, at Mademoiselle Rivière's full lips, bared neck, long gloves and spectacularly serpentine boa, lend this picture drama.

July 2001

  • Jones on art
    Ingres to Matisse

  • Hang the expense

December 2000

  • Look back in Ingres

    Richard Shone is taken to a troubled era in French art by Anita Brookner in Romanticism and Its Discontents

February 1999

  • So much pain for the vain

    The important thing to remember about Jean-Auguste-Dominique Ingres is how important he was. 'It is very flattering to see tears flow in front of my works, and by those with good and refined sensibilities. 'You are the first artist today!' they tell me. And at my feet I see the envious ones, wicked and ridiculous,' he said. Delacroix, neither wicked nor ridiculous, complained that Ingres's art was 'the complete expression of an incomplete intelligence'.

January 1999

  • Hot art shows

    Portraits By Ingres

    Don't let Napoleon's odd haircut or the overcooked classicism put you off Ingres the colourist, draughtsman and portraitist. National Gallery. London, from tomorrow till April 25.

  • Pictures reveal Ingres in his artistic pomp

    The queue outside the Royal Academy in London snaked for a mile along Piccadilly yesterday as the lucky few permitted an early glimpse of Monet in the 20th Century, its blockbuster exhibition which opens on Saturday, waited for two hours or more.
  • Sexless, stupid, lusty genius

    Georges Vigne walks through the streets of Montauban, deep in conversation with his little dog and his beloved. Sometimes they do a little dance, sometimes they sing songs to keep their spirits up.
  翻译: