Oscar Murillo: The Flooded Garden review – my inner Pollock could not be contained
Is it love or just a summer fling? Oscar Murillo has invited viewers to add their own paint to his canvas – but I wouldn’t be tempted. Would I?
Come As You Really Are review – Heaven is a Ford Escort clad in swirly carpet!
From yarn bombers to doll modifiers to wood turners, this joyous show – put together by Hetain Patel and Artangel – features 14,000 pieces by diehard hobbyists in one giant gleeful celebration of personal creativity
Bill Viola, ‘the Rembrandt of the video age’, dies aged 73
Mohammed Sami review – phenomenal paintings send depth charges through Churchill’s home
Firelei Báez review – bring on the furry ciguapas: magnetic visions of diaspora
June 2024
Francis Alÿs: Ricochets; Anthony McCall: Solid Light – reviews
‘Bewilderingly evanescent’: how a darkroom allergy made Barbara Kasten see the light
Tavares Strachan: There Is Light Somewhere; Megan Rooney: Echoes and Hours – review
Royal Academy Summer Exhibition review – a gasping death-rattle of conservative mediocrity
Artist hopes to reintroduce cockney rhyming slang to young Londoners
Discover Degas & Miss La La; Nan Goldin: Sisters, Saints, Sibyls – review
Carnival dancers, stained glass and a haunted corner shop: a tour around Alvaro Barrington’s installation Grace
May 2024
Nan Goldin to Nil Yalter: 10 must-see shows at London gallery weekend
Judy Chicago: Revelations review – six decades of table-turning body politics
‘My time has come!’: feminist artist Judy Chicago on a tidal wave of recognition at 84
Scottish artist receives hundreds of copies of Orwell’s Nineteen Eighty-Four in the post
April 2024
‘We are showing the world what people do’: grim relics of Hamas attack go on display in New York
Stephen review – fact blurs with fiction in powerfully raw study of addiction
Armed guards, reparations and the lives of others: Venice Biennale 2024 – review
John Akomfrah’s British pavilion at Venice Biennale review – a magnificent and awful journey
