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Sean O'Hagan on photography

In this fortnightly column, Sean O'Hagan explores photography, art, photojournalism and everything in between
  • A photograph of a coathanger from Laia Abril’s conceptual series A History of Misogyny, Chapter 1: On Abortion.

    'I've seen horrible things': photographer Laia Abril on her history of misogyny

    Poison herbs, handcuffs on a hospital bed, death threat voicemails … the subtle but chilling exhibits in the photographer’s powerful show about abortion capture the horror of a largely invisible war on women
  • Oliver Chanarin & Adam Broomberg 
Spirit is a Bone

The series of portraits were created by a machine: a facial recognition system recently developed in Moscow for public security and border control surveillance. The result is more akin to a digital life mask than a photograph; a three-dimensional facsimile of the face that can be easily rotated and closely scrutinised.

    Negative humanity: the birth of the digital death mask

    The same facial recognition technology that monitors unsuspecting Russian citizens was used to produce this eerie portrait of a Pussy Riot member
  • Bertien van Manen
‘Beyond Maps and Atlases’ 
Published by Mack
Sister Nuala, Bundoran Co. Donegal, From the series ‘Beyond Maps and Atlases’ © Bertien van Manen (2014)

    'Beyond everything': one woman's ghostly odyssey around Ireland

    Dutch photographer Bertien van Manen made repeated trips to Ireland after losing her husband, and death was a shadowy presence wherever she looked
  • Shoji Ueda

    Shōji Ueda: the most beautiful, surprising photobook of the year

    He was known as a ‘sedentary adventurer’, spending much of his life shooting the sand dunes right by his house. But when the Japanese master photographer died, 5,000 unseen pictures came to light. Every one is a stunning surprise
  • Patrick Pound exhibition at the Stills Gallery, Australia 
Series: People who look dead but (probably) aren't

    Dead or alive? Disquieting photographs to haunt your dreams

    Patrick Pound’s project The Big Sleep shows pictures of people and animals in tranquil repose. Chillingly, not all of them are still with us
  • Cristina de Middel’s The Afronauts, 2012.

    Self Publish, Be Happy! The DIY saviours of photography

    An army of young punks are heading up a ‘zine revolution. To mark their 5th birthday, we look at their most memorable (and most saucy) photobooks – from The Afronauts to Getting to Know My Husband’s Cock
  • photo: Nadia Sablin from the series AUNTIES supplied by nadia sablin <nadia@nadiasablin.com><br></nadia@nadiasablin.com>

    In a time before tech: the Russian sisters living defiantly off the grid

    Ludmila and Alevtina live in an ancient cabin, chopping logs, picking berries and covering anything electronic with a doily. Nadia Sablin’s shots of her indomitable aunties show a way of life splendidly untouched by progress
  • Photographer Jeff Wall at the Marian Goodman Gallery in London. Photo by Linda Nylind. 30/10/2015.

    Jeff Wall: 'I'm haunted by the idea that my photography was all a big mistake'

    He provokes anger, awe and huge prices for his controversial staged scenes of hostage situations and homeless shelters. The pioneer of ‘non-photography’ talks cliches, creative freedom – and his regrets
  • Missing Buildings project

    Ghosts of the blitz: the poetry of London's world war wastelands

    Inspired by their grandad who was a bomb warden, Thom and Beth Atkinson have spent six years photographing the spaces where buildings once stood. Their shots reveal London as a spectral memorial, frozen in time
  • Horse Head (detail) from Dark Mirror.

    Shots in the dark: Richard Learoyd and his supersized camera obscura

    Using a camera obscura that’s as big as a room, the photographer creates gothic portraits with a shocking otherworldly beauty
  • Detail from Gas Tanks, 1973-2009, by Bernd and Hilla Becher.

    How Hilla Becher found beauty and dignity in industrial decline

    The German photographer spent a lifetime, with her husband Bernd, recording the industrial structures that once defined the western landscape. It was a devotion that inspired generations of artists
  • Patrick by Stacy Kranitz

    Can a photostory on the Appalachians shuck the hillbilly stereotype?

    There’s a certain image of the Appalachians we all want to see, and even photographer Stacy Kranitz – who spends months living out of her car alongside the locals and goes drinking with her subjects – can’t seem to shake it
  • Gathered Leaves: Photographs by Alec Soth

    Alec Soth: America's most immaculate, intriguing photographer

    Whether he’s shooting Johnny Cash’s desolate boyhood home or preacher men in prison, Soth’s images are the most sure-footed photography of a generation. Now, his first UK retrospective captures the beauty of a true American original
  • Exposed ... Koreme, North of Iraq, June 1992 photographed by Susan Meiselas.

    Crime, seen: a history of photographing atrocities

    From Joseph Mengele’s skull to Gaza’s bombed-out buildings, a new exhibition presents a visual record of acts of violence in chilling detail
  • Survivors in Ukraine by Stephen Shore, with an essay by Jane Kramer

    Survivors in Ukraine: unearthing the hidden stories of Holocaust survivors

    Stephen Shore’s intimate photographs of Ukranian Jewish Holocaust survivors and the minutiae of their belongings revive a painful, largely untold history
  • The overlooked details of everyday life ... Watermelon still life, 2011, by Wolfgang Tillmans. All photographs: Wolfgang Tillmans/David Zwirner

    How the world caught up with Wolfgang Tillmans

    Tillmans may be criticised for photographing startlingly uninteresting moments – from weeds to watermelon stains – but in our age of image overload, we are all him now
  • YU: The Lost Country

    We can never go home: an elegy for a lost Yugoslavia

    Haunted by the war that tore apart her childhood, photographer and self-described ‘exile’ Dragana Jurisic has travelled through the Balkans to see what remains of her vanished country
  • Part of Stuart Franklin’s contact sheet from Tiananmen Square, 1989

    Contact sheets: where the magic and chaos of photographs comes alive

    From the D-Day landings and Tiananmen Square to Salvador Dalí’s flying-cat hijinks, contact sheets reveal the hidden secrets of unforgettable images
  • Portrait of the Artist as a Shadow of His Former Self, 1969-72, by Keith Arnatt
Absence of the Artist
Sprüth Magers

    Keith Arnatt is proof that the art world doesn't consider photography 'real' art

    The insatiably curious British photographer waged war on the art world after it rejected him. Could a fresh exhibition of his early explorations – playfully called Absence of the Artist – bring him the recognition he deserves?
  • FACE by Bruce Gilden .jpg

    A latter-day freak show? Bruce Gilden's extreme portraits are relentlessly cruel

    He’s known for being in-your-face, but the legendary photographer’s new book shows people warts, wounds, acne and all. His closeups are so unforgiving and intrusive they dehumanise the subjects
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