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The Guardian - Back to homeThe Guardian

Stephen Shore

8 February 2023

  • Droning on … Red Bluff, Montana

    Getting high: a drone’s-eye view of the United States – in pictures

    During the long periods of pandemic isolation, Stephen Shore rose to the challenge – and shot the arresting US landscape from way up above

26 January 2023

  • Juergen Teller, Kiev No.1

    Art for auction in support of Ukrainian academy – in pictures

    The Royal Academy of Arts is hosting an auction in support of the National Academy of Arts of Ukraine

17 December 2021

  • ‘Manic details’ … The Fight Between Carnival and Lent by Pieter Bruegel the Elder.

    From Bruegel’s boozers to Hirst’s horrific ashtray: what are the wildest parties in art?

    Summon some Flemish yokels. Send for some Venetian aristocrats. Then open the ale and party to the sound of bagpipes … if you can’t get to a Christmas bash this year, come to art’s best knees-ups instead

15 April 2020

  • ‘Certain things have their own time clocks and cycles’ … clockwise from top left, Stephen Shore, Claire Denis, Es Devlin and George Ezra.

    Lockdown culture
    'When I've tried to write about it, it's sounded meh' – George Ezra and more on coronavirus

    In the second part of our series, we ask set designer Es Devlin, director Claire Denis, composer Mark Simpson and others about how the pandemic has changed their work

29 February 2020

  • Stephen Shore (detail). From Transparencies: Small Camera Works 1971-1979 ( MACK, 2020) Courtesy of the artist and MACK.

    Stephen Shore: 'People would chase me off their lawns with my Leica'

    With a large-format camera or his handy 35mm Leica, US photographer Stephen Shore became a quintessential chronicler of ordinary life in the 70s

26 March 2016

  • Grant Mudford

    From Ansel Adams to Stephen Shore: famous photographers shoot their favourite food

    After 40 years, a cookbook by some of America’s best-loved photographers is being published for the first time

9 July 2015

  • Winslow, Arizona, September 19, 2013, by Stephen Shore

    Sean O'Hagan on photography
    Shady character: how Stephen Shore taught America to see in living colour

    In the 70s, everyone hated Shore’s quirky photographs of everyday life because they weren’t in black and white. Now, a new retrospective shows how he became a modern master – and how the masses finally caught up with him

22 November 2013

  • Jordan Wolfson

    Exhibitionist
    Willie Doherty, Stephen Shore, Jordan Wolfson: the week's art shows in pictures

    From Willie Doherty's photographs of unseen Derry to Jordan Wolfson's spellbinding digital imagery, find out what's happening in art around the country

28 March 2013

  • On Fire by Joachim Brohm - on show in Places and Edges at Brancolini Grimaldi

    Sean O'Hagan on photography
    How Joachim Brohm set the world of landscape photography on fire

    Sean O'Hagan: The German pioneer of colour photography, currently on show at London's Brancolini Grimaldi, finds beauty in the forsaken fringes of society

20 September 2011

  • Sean O'Hagan on photography
    Joel Sternfeld's First Pictures: the opening chapter of a colourful career

    Sean O'Hagan: Sternfeld's early pictures of America highlight his precocious understanding of colour and composition – and signal what was to come from this modern master of colour photography

4 August 2010

  • Robert Adams photos documenting civil rights movement

    Sean O'Hagan on photography
    Writing and photography – is a picture really worth a thousand words?

    Sean O'Hagan: Photographers such as Robert Adams and Stephen Shore aren't just fine photographers – they're insightful critics. But is it possible to write words that keep out of the way of the pictures?

25 September 2008

  • Stephen Shore's South of Klamath Falls, US 97, OR

    In focus
    Lost highways

    Liz Jobey begins her series on the best new photography books. This week she puts Stephen Shore's personal record of 70s Americana, A Road Trip Journal, in the frame

27 September 2007

  • My best shot
    Stephen Shore's best shot

    To see something spectacular and recognise it as a photographic possibility is not making a very big leap. But to see something ordinary, something you'd see every day, and recognise it as a photographic possibility - that is what I am interested in.

13 November 2005

  • That was then

    Stephen Shore was ignored for years, but his images of 1970s diners and motels are now regarded as key works in American photography. As his first collection is republished, he discusses form, Formica and his days at Warhol's Factory.

17 May 2003

  • The beauty of the disregarded

    When Robert Frank first published his photographs of workaday America in the 50s, they were derided as too hopeless, too bleak. By the 70s, when Stephen Shore was at work, realism was finding its way into the gallery. Our way of looking had changed. Suzie Mackenzie on an exhibition of documentary photography

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