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Venice Biennale

July 2024

  • Waves by Cloud Gate

    Let’s get physical: the science of dance at the Venice Biennale

  • Multicoloured striped pieces of cloth hang from the ceiling

    Thai artist gives voice to Myanmar’s Shan refugees at Venice and Bangkok biennales

June 2024

  • Blind Runner by Amir Reza Koohestani.

    Venice Biennale theatre: running from UK immigration and revisiting Chekhov

  • Emma Nziok DJ-ing on stage

    African and Asian artists condemn ‘humiliating’ UK and EU visa refusals

May 2024

  • Laure Prouvost, The Hidden Paintings Grandma Improved, In Deepth, 2023, Oil on canvas, 200 x 175 x 3.5 cm, 78 3/4 x 68 7/8 x 1 3/8 in © Laure Prouvost

    ‘A wild cocktail of emotion, politics and desire’: the history of breasts in art

    From lactating Madonnas to disembodied orbs, a new exhibition surveys the depictions of breasts and asks – what about the women who own them?

April 2024

  • ‘For all the anonymous outlaws’ … Dean Sameshima, Anonymous Homosexual (2020).

    Police busts, porn cinemas and glory holes: the wild art of sexual outlaw Dean Sameshima

  • Glicéria Tupinambá (right, with her niece Jessica) in the Brazilian pavilion at Venice, which features the Tupinambá cloak, along with letters asking for its return.

    Part protest, part rave: the Indigenous artists stunning the Venice Biennale

  • THRESHOLDS at the German Pavilion & La Certosa.

    A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale – in pictures

  • Refugee Astronaut by Yinka Shonibare.

    Venice Biennale 2024 review – everything everywhere all at once

  • Armed guards, reparations and the lives of others: Venice Biennale 2024 – review

  • Artwork commemorating Indigenous Australian history triumphs in Venice

  • ‘No death in Venice’: Israel-Gaza tensions infiltrate biennale

  • Political tensions simmer behind Poland’s Venice Biennale entry

  • Insider art: Vatican sets up Biennale pavilion at Venice women’s jail

  • ‘Very totemic and very Aboriginal’: Australia’s entry at Venice Biennale is a family tree going back 65,000 years

  • John Akomfrah’s British pavilion at Venice Biennale review – a magnificent and awful journey

  • ‘It’s a queered up history of art’: the provocateur turning Gaga and Kardashian into weeping saints

  • ‘Not even a pipe dream’: John Akomfrah represents Britain at Venice Biennale

  • Artists refuse to open Israel pavilion at Venice Biennale until ceasefire is reached

  • ‘He was a born member of the underground’: how Peter Hujar captured the New York demimonde

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