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Video art

July 2024

  • Jonathan Jones

    Bill Viola made video art ask the biggest, most universal questions

    Jonathan Jones
    The artist, who has died aged 73, used his medium to explore survival, reason, life, death and the soul. In a world of oversaturation, his art gave stillness
  • Bill Viola with his video installation The Crossing, part of the 2003 exhibition The Passions at the National Gallery in London.

    Bill Viola obituary

    Video artist who melded the material and the spiritual and applied modern technology to Renaissance subjects
  • Site specific … the screens documenting the builders’ work at madskills: Self-Documenting Construction on Social Media.

    My bricklayer’s gone viral! Why construction workers are the new social media stars

    From pirouetting diggers to dazzling displays of bricklaying, astonishing professional skills from unsung experts are winning millions of views

June 2024

  • Francis Alÿs, Children’s Game #22: Jump
Rope, Hong Kong, 2020
In collaboration with Rafael Ortega, Julien
Devaux, and Félix Blume

    Francis Alÿs: Ricochets; Anthony McCall: Solid Light – reviews

  •  a still from The Breaking Story by Sin Wai Kin (2022).

    Hacked Game Boys and horseplay! Jarman award shortlist celebrates thinking outside the box

May 2024

  • ‘What people really want is to talk’ … three of Bloom’s videos from the A View from a Bridge project.

    ‘Amazing revelations’: the artist who asks passersby to bare all into an old-school telephone

  • Lady Sanity performs in Stan Douglas’s ISDN.

    Reverb review – summer’s here and the time is right for dancing in a concrete basement!

  • Last line of defence … a still from Secondary, Barney’s five-channel video installation re-enacting an infamous 1978 football tackle.

    ‘Stress and failure’: Matthew Barney on his film about the sports accident that traumatised America

  • Children in New York City signal to people in Dublin through the livestream Portal

    Dublin video portal to New York shuts temporarily due to unruly behaviour

April 2024

  • Voices from the ether come and go … John Akomfrah’s British pavilion at the Venice Biennale.

    John Akomfrah’s British pavilion at Venice Biennale review – a magnificent and awful journey

  • ‘For a moment, I believed she was a real victim’ … actor Saskia Pay is directed by Ukrainian refugees in Andrii Dostliev and Lia Dostlieva’s work.

    Bloodied, despondent, clutching a toy: the Ukrainian artists savaging refugee portrait stereotypes

  • from Liminal by Pierre Huyghe.

    Artists’ AI dilemma: can artificial intelligence make intelligent art?

  • John Akomfrah

    ‘Another layer of pigment needed adding to the canvas’: artist John Akomfrah on changing the narrative, from Windrush to colonialism

February 2024

  • Zineb Sedira photographed in the Whitechapel gallery, where her Brixton living room has been recreated in wallpaper

    ‘Living in Brixton allowed me not to be judged non-stop’: Zineb Sedira, the artist who makes people feel at home

  • Male gaze … a still from 2023EastWestGirlsBoys.

    An eyeful of Soho sinners: Douglas Gordon’s All I Need Is a Little Bit of Everything review

December 2023

  • Brightly coloured paint on a plate with two brushes set on it like a knife and fork

    The Observer's January cultural diet
    Feast your eyes, feed your soul: the 31-day art diet for January

  • Dream Circus at Luna Park’s Big Top

    ‘More showreel than show’: inside Luna Park’s new $15m theatre

  • ‘Who is not Judas?’ … The First Supper will be unveiled in the Royal Academy’s courtyard as part of Entangled Pasts.

    2024 culture preview
    The Last Supper recast: artist Tavares Strachan on reimagining Da Vinci’s dinner guests

  • Turner prize 2023

    Turner prize 2023 – and the winner should be…

November 2023

  • There is always a man on the shore, his back to us … a still from John Akomfrah’s Arcadia.

    John Akomfrah: Arcadia review – celebration of Mayflower overwhelms the senses

    Akomfrah, who is set to represent Great Britain at next year’s Venice Biennale, tackles conquest, plague and death with this five-screen installation. But there is too much going on to concentrate
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