Skip to main contentSkip to navigation

James Fenton's poetry masterclass

A step-by-step guide to the theory and practice of poetry
  • A licence for drama

    In the last of his series on poetry, James Fenton discusses the poet's role in the operatic tradition

  • This is my song

    Collaborating on a composition can be difficult, writes James Fenton

  • Soul music

    Masterclass: Great lyrics will stand even without a score, writes James Fenton

  • Negative images

    Free verse can seem a bit extreme at times, writes James Fenton

  • Cry freedom

    James Fenton on the end of traditional metrics

  • The eyes have it

    Masterclass: The visual effect of a poem can be as important as its aural impact, writes James Fenton

  • Slave to the rhythm

    James Fenton on how to use rhyme to make a poem more memorable

  • It ain't necessarily so

    James Fenton on rhyme, and reasons for using it

  • Off with your dochmiacs

    Masterclass: Some metrical forms make the leap into English verse, others remain as mere exercises

  • To villanelle and back

    James Fenton on grappling with varieties of form, serious and not serious, major and minor

  • The patriarch of Petrarchan sonnets

    Milton was the expert but there are many variations, writes James Fenton

  • Writing to a tall order

    James Fenton looks at the most complicated forms of rhyme

  • An Italian affair

    James Fenton considers variations of lines and length in the stanza

  • Changing rooms

    James Fenton looks at shorter varieties of the stanza

  • Down in the deep dark dell

    James Fenton on how many syllables make a good long line

  • Rhyme and reason

    Poets looking for speed and rhythm have a useful device to hand in the iambic tetrameter, says James Fenton

  • Where to draw the line

    Long or short? In his latest poetry masterclass, James Fenton gets the measure of verse

  • The missing link

    James Fenton on a trochaic variation that owes much to the Elizabethans

  • The long and the short of it

    James Fenton on the quintessential stresses in English verse

  • The art of not violating the verse

    James Fenton on how variation in a line presents the poet with many challenges.

About 29 results for James Fenton's poetry masterclass
12
Explore more on these topics
  翻译: