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Framing the debate

A great photograph doesn't only say more than a thousand words, it can also create a hundred different reactions. In this series we take a close look at contemporary and historical photographs and videos that divide opinion
  • Jonathan Jones

    Jeremy Hunt poses in a maze. Behind him lurks the Brexit Minotaur

    Jonathan Jones
    The image of the foreign secretary with his EU counterparts looks comical at first, but there are dark echoes to it, says art writer Jonathan Jones
  • Jonathan Jones

    What a picture – Boris Johnson and the Sun’s editor, running out of power

    Jonathan Jones
    The power is almost visibly seeping from the foreign secretary and Tony Gallagher, writes Guardian art writer Jonathan Jones
  • Jonathan Jones

    The unholy power of that Farage-Trump buddy photo

    Jonathan Jones
    For the Ukip man, this picture is political gold. But what does it mean when the normal rules of power can be bypassed with a picture of two guys in an elevator?
  • Jonathan Jones

    Those taking selfies with Hillary Clinton aren’t narcissists – but our best hope

    Jonathan Jones
    A photographer’s side-view of a political rally may not be the hellish vision of democracy’s death in the echo chamber of self-regard that it appears to be
  • Jonathan Jones

    This ‘Sistine code’ theory is daft. Michelangelo is not a feminist hero

    Jonathan Jones
    The theory that there’s a human uterus and Fallopian tubes hiding in the Sistine chapel ceiling is a distraction from the real subversive message
  • Jonathan Jones

    Farage’s poster is the visual equivalent of Enoch Powell’s ‘rivers of blood’ speech

    Jonathan Jones
    This picture, filled with nonwhite faces, makes explicit the racism in Ukip’s vision of leaving the European Union
  • Jonathan Jones

    The picture that shows why Obama is right to visit Cuba

    Jonathan Jones
    An image of Air Force One coming in to land in Havana represents a hope for engagement and the end of fear
  • Jonathan Jones

    There’s nothing wrong with Hillary Clinton hugging George W Bush

    Jonathan Jones
    How can she embrace the man who invaded Iraq? Because the alternative is Donald Trump’s world of hate and resentment
  • Jonathan Jones

    What do you see in this picture? I glimpse the darkness of European fears

    Jonathan Jones
    I can insist this is an image of heroic, defiant, brave refugees, trying to make us live up to our liberal values. But to terrified European eyes they are the other, the enemy
  • Jonathan Jones

    Jeb Bush’s gun tweet is a portrait of the American nightmare

    Jonathan Jones
    By posting an image of his gun, the Republican candidate is hoping to appeal to the irrationality that has enabled Trump’s rise. In fact, it reveals he is giving up
  • Jonathan Jones

    Images of children starving in Madaya can still shock us into action

    Jonathan Jones
    It’s wrong to say that people have been inured to images of atrocity, but the facts in Syria tangle compassion in barbed wire. Pictures do make a difference
  • Jonathan Jones

    Corbyn’s Christmas card? Now there’s a threat to national security

    Jonathan Jones
    Well, that would be in line with the attacks since he became Labour leader, and as likely to miss its target
  • Jonathan Jones

    This is a Leonardo da Vinci? The gullible experts have been duped again

    Jonathan Jones
    This flat, dead and dull painting is a Leonardo original, according to many in the art world. A convicted forger says it’s his. I say it’s neither
  • Jonathan Jones

    John McDonnell’s Mao moment is a dirty trick on his own party

    Jonathan Jones
    The shadow chancellor may as well have unfurled the red flag, climbed up to the strangers’ gallery and waved the Little Red Book about while declaring a people’s soviet
  • Jonathan Jones

    Jeremy Corbyn’s white-tie get-up is straight outta Downton

    Jonathan Jones
    The Labour leader’s appearance at the Buckingham Palace banquet in honour of Xi Jinping is not so much conformist as surreal – and projects an image of virtue
  • Jonathan Jones

    Why are so many people moved by this wedding photograph?

    Jonathan Jones
    This ‘dazzling’ Sydney wedding picture was nothing of the sort. It was a cheap bit of pimped-up nature treated as if it were real art
  • Jonathan Jones

    A chilling handshake between Obama and Putin, while Syria disintegrates

    Jonathan Jones
    This forced exchange of civilities is like a meeting between Pontius Pilate and Herod, both men guilty in the face of catastrophe
  • Jonathan Jones

    The Tories’ Corbyn attack video is absurd, paranoid and nasty – and will work

    Jonathan Jones
    It may belong with the Conservatives’ Demon Eyes poster in the museum of crap propaganda: but portraying Corbyn as an extremist feeling sorry for Bin Laden is a smear with legs
  • Jonathan Jones

    Anish Kapoor must reconsider – Dirty Corner should be cleaned

    Jonathan Jones
    Public art often gets scarred by battles over its meaning or right to exist, but the vandals who daubed antisemitic graffiti on his sculpture are idiots who picked the wrong target
  • Jonathan Jones

    The bullfighter activist was a woman breaking up a male fantasy

    Jonathan Jones
    A female protester who jumped into a bullring to comfort a dying animal was an intruder into the masculine world of blood lust and glorified violence
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