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How to believe

Join our experts as they blog great works of religion and philosophy
  • Andrew Brown

    What was God's role in Auschwitz? A question often prohibited, but always asked

    Andrew Brown

    Andrew Brown: How to believe: Otto Dov Kulka's writing considers how religious belief can exist in a world with no future. His answer comes in the form of a dream

  • Otto Dov Kulka - historian and author of Landscapes of the Metropolis of Death: an abstract memoir o

    Only a great writer can share the suffering of Auschwitz

    Andrew Brown: Like Primo Levi, Otto Dov Kulka has the unusual ability to communicate what it meant to be a Nazi death camp inmate
  • Andrew Brown

    Hopes of justice amid the atrocities of Auschwitz

    Andrew Brown
    Andrew Brown: Otto Dov Kulka's book tells a disturbing story of people about to be killed putting hopes of revenge and justice in Stalin's tyranny
  • Andrew Brown

    A haunting account of the Holocaust

    Andrew Brown
    Andrew Brown: How to believe: The transmission of fine music and literature in Auschwitz proved to Kulka that hope – and sarcasm – were present
  • T.S.ELIOT IN 1941

    Four Quartets: TS Eliot's struggle to make the real world right in a spiritual realm

    Roz Kaveney
    Roz Kaveney: TS Eliot – part 8: These poems are about old age and regret, but also poetic structure and art. After them, there was nothing much left to say
  • TS Eliot

    With the Four Quartets, TS Eliot's poetic powers trump his mysticism

    Roz Kaveney: TS Eliot – part 7: We may find the spirituality of this great work questionable, but the humanity behind it and his continuing brilliance, is not
  • TS Eliot

    TS Eliot's Ash Wednesday – a call to spiritual awareness that falls short

    Roz Kaveney
    Roz Kaveney: TS Eliot – part 6: As with Dante, this is a poem in which the visions of hell are stronger than the visions of heaven
  • TS Eliot

    TS Eliot and the politics of culture

    Roz Kaveney
    Roz Kaveney: TS Eliot – part 5: The poet's meditative writings in the late 1920s and early 30s mask a certain chill
  • TS Eliot

    TS Eliot's Sweeney Agonistes: a crucial hinge in his development

    Roz Kaveney

    Roz Kaveney: TS Eliot – part 4: A small fragment has never revealed so much. Look closely and you'll see Eliot reaching his pitch of emotional pain

  • T.S. Eliot

    TS Eliot's The Waste Land: the radical text of a wounded culture

    Roz Kaveney

    Roz Kaveney: TS Eliot – part 3: The poem draws on draws on the Christianity of Eliot's polite and cultivated youth – yet at best offers little consolation

  • TS Eliot, photographed in front of a microphone, 1941

    TS Eliot: guilt, desire and rebellion at respectability

    Roz Kaveney
    Roz Kaveney: TS Eliot – part 2: Eliot's revolt from duty, and Unitarian virtue and philosophy, can, in part, be blamed on a culture of repression and ignorance
  • TS Eliot in August 1957

    TS Eliot: searching for sainthood amid hate speech and hurt

    Roz Kaveney
    Roz Kaveney: TS Eliot – part 1: Some of the 20th century's finest poetry belongs to Eliot, yet any account of it must also keep track of the harm he did
  • Man reading a Bible

    We don't read the Bible to learn more, but to be fed

    Miranda Threlfall-Holmes
    Miranda Threlfall-Holmes: George Herbert – part 6: If you remember one thing about this series, remember the image of a baby at the breast. George Herbert felt the truth could never be fully reached, yet one could still be enriched by stories
  • Prayer book with crucifix

    George Herbert's poetry: Christian calling, struggle and self-doubt

    Miranda Threlfall-Holmes
    Miranda Threlfall-Holmes: George Herbert – part 5: As a member of the clergy, I take great comfort in knowing that even Herbert sometimes agonised about his faith and vocation
  • boy prays

    Why do we pray? It's all in this George Herbert poem (sorry, there's no mention of parking spaces)

    Miranda Threlfall-Holmes
    Miranda Threlfall-Holmes: George Herbert – part 4: As I discovered at the moment of my conversion, prayer is not just a way to reach a distant God, but something God does too. It is 'something understood', in both directions
  • Dead Christ, with Angels by Edouard Manet

    If God is love, then can God also be love, heat and passion?

    Miranda Threlfall-Holmes: George Herbert – part 3: George Herbert personifies God as love – a fundamental tenet of the Bible – but then goes further, as the more sexual heat
  • George Herbert (1593-1633)

    How can we measure the immeasurable?

    Miranda Threlfall-Holmes
    Miranda Threlfall-Holmes: George Herbert – part 2: Put simply, we can't. Herbert is at his most profoundly theological through his poetry's use of arresting images and scenes
  • George Herbert (1593-1633)

    George Herbert: the man who converted me from atheism

    Miranda Threlfall-Holmes

    Miranda Threlfall-Holmes: George Herbert – part 1: The early 17th century clergyman wrote the most fiercely intelligent poetry, grappling with Christian doctrines and our relationship with God

  • Jean-Jacques Rousseau

    Why Christianity was the wrong civil religion for Rousseau

    Theo Hobson
    Jean-Jacques Rousseau – part 4: The state needs common values that its citizens can agree on, argues Rousseau, but Christianity will not do because there are so many non-believers and its doctrines divide opinion
  • Jean-Jacques Rousseau

    Atheism is an offshoot of deism

    Theo Hobson
    Theo Hobson: Jean-Jacques Rousseau – part 3: Atheism, like Rousseau's deism, sees rationalism as a benign force that can liberate our natural goodness
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