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House music

Our classical critics share what they’ve been playing, from symphonies to live streams, and grand opera to guilty pleasures

  • Fred Again performs in the Sydney Opera House on Tuesday night.

    Fred Again at Sydney Opera House review – a record-breaking, turbocharged night

    About 125,000 people tried to get tickets for this surprise show, announced by the savvy British DJ on the day – and the result was a direct hit to the brain’s pleasure centres
  • Nicholas Chalmers conducting the socially distanced BBC Singers during the first night of the Proms at the Royal Albert Hall in London.

    House music: Flora Willson's watching and listening highlights

    Our critic enjoys a masterly, socially distanced first night of the Proms, a new series by Opera North made to listen as you walk and a striking Met performance by Lise Davidsen
  • Jonathan McGovern (Ben) and Soraya Mafi (Lucy) in The Telephone. Scottish Opera

    House music: Tim Ashley's watching and listening highlights

    Daisy Evans’s delightful update of The Telephone crowns engaging online treats from Edinburgh and Salzburg festivals, while our critic looks ahead to live, audience-free Proms
  • Alban Gerhardt

    House music: Rian Evans' watching and listening highlights

    This week, our critic reveals a constant craving for Alban Gerhardt’s Bach, hears a pastor attempting an operatic heart-to-heart with God over Zoom and remembers Julian Bream
  • In close confines ... Opera Harmony 05 The Den.

    House music: Andrew Clements' watching and listening highlights

    This week, Opera Harmony’s new socially distanced mini-operas, streaming from a scaled-down Salzburg, and the Proms revisits BBCSSO’s five-star Vaughan Williams
  • Aurora Orchestra

    House music: Flora Willson's watching and listening highlights

    This week, our critic takes a musical journey to the US east coast, breathes the Swiss mountain air with Schubert’s Trout Quintet from the Gstaad digital festival and catches a glimpse of pianist Stephen Hough as Napoleon
  • Isata Kanneh-Mason, Ryedale Festival

    House music: Tim Ashley's watching and listening highlights

    This week, our critic cues up Opera North’s podcast, takes in Ryedale’s streaming festival and revisits an archived Proms performance with Riccardo Chailly
  • Sheku Kanneh-Mason (cello) with the-Philharmonia orchestra and John Wilson June 2020

    House music: Rian Evans' watching and listening highlights

    This week, live performances from Glasgow are energising and powerful, Sheku Kanneh-Mason returns to the concert hall, while Barenboim’s Wagner and the late, great Mariss Jansons are among the highlights of the archived Proms season
  • Daniel Barenboim and fellow musicians rehearsing for the Festival for New Music Pierre Boulez Saal in Berlin, july 9-13th 2020.

    House music: Andrew Clements' watching and listening picks

    This week, Andrew Clements gets his teeth into Barenboim’s festival of new music, looks back in wonder at Wunderlich, and looks forward to looking back to the Proms
  • Molten gold tone ... soloist Anna Prohaska with Iván Fischer conducting the Budapest Festival Orchestra.

    House music: Flora Willson's watching and listening picks

    This week, Flora Willson watches homemade Britney, La Traviata’s backstage travails, finds in Ethel Smyth the missing link between Tristan and Peter Grimes, and enjoys the aural equivalent of a vigorous massage
  • Live from Covent Garden (rehearsal), Filipe Manu, Antonio Pappano and soloists of the Orchestra of the Royal Opera House, ROH 2020 2

    House music: classical critics' watching and listening picks

    This week, Tim Ashley finds freshness in locked-down Hugo Wolf, takes a whistlestop tour of European opera houses, and applauds the young singers showcased in the last of the ROH’s galas
  • Grimes on the Beach Aldeburgh Beach 17, 19 & 21 June A week of open-air performances of Peter Grimes on Aldeburgh beach directed by Tim Albery. The singers are amplified and the orchestra is recorded from the concerts. ‘Peter Grimes is an opera by Benjamin Britten, with a libretto adapted by Montagu Slater from the Peter Grimes section of George Crabbe’s poem The Borough. The “borough” of the opera is a fictional village which shares some similarities with Crabbe’s, and later Britten’s, own home Aldeburgh, on England’s east coast, around 1830.’ (Wikipedia) Photograph by David Levene Aldeburgh England 11/6/13

    House music: classical critics' watching and listening picks

    This week in our series in which critics tell us what they’ve been listening to at home, Rian Evans luxuriates in heady Szymanowski and Schoenberg, smells the brine in Aldeburgh and is impressed by an end-of-year double bill
  • Waiting for God(ot)... Moses und Aron, Schoenberg’s unfinished opera, in a 2015 staging for Komische Oper Berlin, streaming on OperaVision.

    House music: Andrew Clements' watching and listening picks

    This week, in our series in which critics tell us what they’ve been listening to at home, Andrew Clements shares Schoenberg, takes a seat at the Royal Opera House, and looks forward to a narcissistic fish
  • Angela Hewitt with the Aurora Orchestra in concert at Kings Place

    House music: classical critics' watching and listening picks

    Each week our critics tell us about the music they’re listening to at home. Today, Flora Willson moves from the Kanneh-Mason family sofa to an empty Wigmore Hall
  • Renaud Capuçon & Friends jouent “Les Métamorphoses” de Strauss

    House music: classical critics’ watching and listening picks

    In our new series, critics tell us about the music they’re listening to at home. This week, Tim Ashley returns to live concerts and is overwhelmed by Strauss
  • Chloe Briot (third from left) as Pinocchio and Vincent Le Texier (third from right) as the father in Pinocchio by Philippe Boesmans.

    House music: classical critics' watching and listening picks

    In our new series, critics tell us about the music they’re listening to at home, from symphonies to live streams, grand opera to guilty pleasures. This week, Rian Evans moves from Poulenc to Pinocchio, and rolls over Beethoven
  • Thrilling … Carlos Kleiber.

    House music: classical critics' watching and listening picks

    In our new series, critics tell us about the music they’re listening to at home, from symphonies to live streams, grand opera to guilty pleasures. We begin with Andrew Clements, who’s been in search of the elusive Carlos Kleiber

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