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Sydney festival 2019

February 2019

  • Marie Burchard and Laurenz Laufenberg in Beware Of Pity by Complicité and the Schaubühne Berlin Ensemble.

    I don't think I've ever been so hurt by a piece of art. People with disability deserve better

    Anthea Williams
    Stage director Anthea Williams walked away from one of Sydney festival’s biggest shows crushed. ‘How disability is understood affects me every day of my life’

January 2019

  • Man With The Iron Neck, which is at Sydney festival and Adelaide festival in 2019

    'Shrouded in taboo': how a 1920s German stuntman led to the tackling of an Australian tragedy

  • Vietnamese-Australian artist Phuong Ngo in Article 14.1, durational performance art that is showing at Sydney festival 2019 at the MCA

    'I won't give up': why an artist is living in a gallery making 10,000 paper boats

  • Vaishnavi Suryaprakash in Counting and Cracking

    Counting and Cracking: the story behind Belvoir Street theatre's most ambitious play to date

  • Van Badham

    From a Gillette ad to high art: why I yelled at a theatre audience

    Van Badham
  • ‘It’s terrifying’: can a scrappy production of In The Heights scale to be bigger than Broadway?

  • Sydney festival 2019: two of the hottest tickets make the audience part of the show

  • Omar Musa: ‘Australia could be so much better – but instead we indulge our worst instincts’

  • Sydney festival 2019: what the critics are seeing

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