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Beeban Kidron

The latest news and comment on director Beeban Kidron

August 2022

  • Leslie Grace as Batgirl in the cancelled DC Comics film.

    The Batgirl you’ll never see: why some films disappear for ever

    She cost a cool $90m but the comic book heroine won’t even be streamed. Why do some productions deserve such an extreme fate?

September 2021

  • Baroness Beeban Kidron in her London office.

    Beeban Kidron v Silicon Valley: one woman’s fight to protect children online

    The film-maker and life peer has been warning of the digital dangers facing young people since 2012. Now, with her Children’s Code, people – and big tech companies - are starting to listen

December 2015

  • Digital Mirror National Theatre Debate

    Guardian Live
    Does the online world define our identity? - Guardian Live event

    Generations are now growing up with technology at their fingertips. At a Guardian Live event in London, journalist Emily Maitlis asked a panel how tech affects the way we record experiences, build relationships, and perceive our own identities

August 2015

  • Beeban Kidron sitting with Sarah Solemani

    Me and you
    Director Beeban Kidron and writer/actor Sarah Solemani on their strong professional friendship

    The script Sarah Solemani sent Beeban Kidron made her laugh out loud. Now they are close friends and talk about everything – and they argue about quite a few things, too

January 2014

  • Henry Porter

    The internet revolution versus the House of Lords

    Henry Porter
    Henry Porter: The peers' debate about the internet revealed how little they understand of the way the web has infiltrated our minds

November 2013

  • Greenslade
    100 leading figures urge newspaper publishers to accept royal charter

  • DON JON

    Don Jon – review | Mark Kermode

September 2013

  • InRealLife – review

    Beeban Kidron's documentary about the internet is entertaining and enlightening, but when it comes to teen users, the tone veers towards moral panic, writes Peter Bradshaw
  • InRealLife Beeban Kidron

    We have abandoned our children to the internet

    Beeban Kidron
    Beeban Kidron: Young people are addicted to a virtual world that is designed to keep them hooked with little care for collateral damage
    • Greenham locking the base – video

    • Greenham blockading the base – video

    • Greenham peace camp: Bringing the fence down – video

August 2013

  • Still from InRealLife, a documentary about teens and the internet

    Trailer park
    InRealLife: watch the exclusive trailer for a documentary about teens and the internet - video

    Watch the trailer for InRealLife, a new documentary exploring the ways in which the internet is changing childhood

  • Sex, Death and the Gods - video

    Interview with filmmaker Beeban Kidron, plus exclusive clips from her new film about India's devadasi

  • Beeban Kidron on the devadasi system

    The film-maker is outraged by the practice, but says that 'evil mothers' are not to blame

  • A young devadasi

    'Devadasis are a cursed community'

    Southern India's devadasi system, which 'dedicates' girls to a life of sex work in the name of religion, continues despite being made illegal in 1988

August 2010

  • Paolo Stoppa, Miracle in Milan

    The film that changed my life
    The film that changed my life: Beeban Kidron

    The director talks to Tom Lamont about Vittorio De Sica's Miracle in Milan

May 2006

  • Greenham reprise

    Letters: I well remember Beeban and Amanda with their cameras, so it was great to see Beeban Kidron's article on Greenham (All our roads led there, G2, May 5). But it's a bit early for nostalgia. With the government planning a £25bn successor to Trident, the job we started in 1981 is not yet over.

September 2005

  • My hero

    Film-maker Beeban Kidron on photographer Eve Arnold.

October 2004

  • Me and Ms Jones

    What does Beeban Kidron, a director with impeccable feminist credentials and a record in gritty documentaries, think she's doing making a Bridget Jones sequel? Having a laugh, that's what. Better, she tells Zoe Williams - emphatically, as is her way - to be a bit radical for a big audience than terribly, terribly right-on for a handful.

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