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Bridget Jones's Baby

December 2020

  • Dear diary ... Renée Zellweger in Bridget Jones: The Edge of Reason.

    TV review
    Being Bridget Jones review – a sense of humour that came to define an era

    Marking 25 years since Helen Fielding’s creation first appeared in a newspaper column, the stars of the films and many more line up to offer real insight

October 2017

  • Sarah Solemani

    Sarah Solemani: 'The TV and film industries are toxic – and it starts in the audition room'

    Sarah Solemani
    The Harvey Weinstein scandal puts us at a crossroads. Can we remake the industry?

May 2017

  • Novelist, Helen Fielding.

    Helen Fielding says Bridget Jones books are not anti-feminist

  • Peter Preston

    Peter Preston on press and broadcasting
    Are men ‘nicking’ the Today limelight, or is something else afoot?

    Peter Preston

April 2017

  • Sequel opportunities: Pirates of the Caribbean: Dead Men Tell No Tales, Cars 3, The Fast and the Furious and Transformers: The Last Knight.

    Why we should learn to stop worrying and love the blockbuster franchise

    Each summer brings with it plenty of critical scorn for big-budget sequels but what can they teach us about the passage of time and the sociopolitical climate?

January 2017

  • Renee Zellweger as Bridget Jones

    Guy Lodge's streaming and DVDs
    Bridget Jones’s Baby; Deepwater Horizon; War on Everyone and more – review

    Comforts, catastrophes and chills in a week dominated by Renée Zellweger’s return as the klutzy singleton and Mark Walhlberg’s heroics in the Mexican Gulf
  • Catherine Shoard

    Choose life? Trainspotting’s realism hit a nerve, but we want escapism now

    Catherine Shoard
    Films used to make us face up to the real world – but today they allow us to avoid modernity and wallow in nostalgia
  • Potent force in UK cinemas … Felicity Jones in Rogue One: A Star Wars Story.

    UK box office records its biggest-ever total in 2016

    Buoyed by success of Rogue One and Fantastic Beasts, UK cinemas beat the previous best figures from the year before

December 2016

  • Rogue One: A Star Wars Story.

    Box office analysis: UK
    Rogue One opens well in the UK – but not quite as well as Fantastic Beasts

    Star Wars spin-off claims biggest opening of the year as rereleased James Stewart classic It’s a Wonderful Life crashes back into the festive chart
  • Catherine Bennett

    A Wonder Woman at the UN? How about a real one?

    Catherine Bennett
    It hasn’t been a good week for female empowerment, with fictional characters being held up as role models
    • Shortcuts
      Why the Woman’s Hour power list is as daft as the second Bridget Jones film

    • Film blog
      How cinema failed diversity in 2016

    • I, Daniel Blake sweeps Evening Standard film awards

November 2016

  • 2016, THE ACCOUNTANT<br>ANNA KENDRICK Character(s): Dana Film 'THE ACCOUNTANT' (2016) Directed By GAVIN O'CONNOR 10 October 2016 SAR68788 Allstar/WARNER BROS. (USA 2016) **WARNING** This Photograph is for editorial use only and is the copyright of WARNER BROS. and/or the Photographer assigned by the Film or Production Company &amp; can only be reproduced by publications in conjunction with the promotion of the above Film. A Mandatory Credit To WARNER BROS. is required. The Photographer should also be credited when known. No commercial use can be granted without written authority from the Film Company.

    Box office analysis: UK
    The Accountant adds up to a big deal at the UK box office

  • Doctor Strange - 2016<br>Mandatory Credit: Photo by DISNEY/Moviestore/REX/Shutterstock (5840740e) Tilda Swinton, Benedict Cumberbatch Doctor Strange - 2016

    Box office analysis: UK
    Doctor Strange sweeps into a new cosmic realm at UK box office

October 2016

  • WTF texts Bridget Jones's Baby digested read illustration

    Digested read
    Bridget Jones's Baby: The Diaries by Helen Fielding – digested read

    The differently peopled book of the film of Bridget Jones’s Baby has its entries abridged by John Crace
  • Emily Blunt in The Girl on the Train.

    Box office analysis: UK
    The Girl on the Train still UK's top ticket as Bridget Jones's Baby makes history

    Emily Blunt’s thrilling commute outpaces Tom Hanks’s globetrotting adventures in Inferno in a clash of book adaptations
    • Bridget Jones’s Baby: The Diaries by Helen Fielding – review

    • Box office analysis: UK
      The Girl on the Train beats Bridget Jones's Baby – and Gone Girl – in UK

    • Bookmark this
      Bookmark this: from Fielding to feminism – October's literary highlights

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