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Cannes film festival

July 2024

  • 1980, THE SHINING<br>SHELLEY DUVALL Character(s): Wendy Torrance Film 'THE SHINING' (1980) Directed By STANLEY KUBRICK 23 May 1980 SBB4889 Allstar/WARNER BROS. **WARNING** This Photograph is for editorial use only and is the copyright of WARNER BROS. and/or the Photographer assigned by the Film or Production Company &amp; can only be reproduced by publications in conjunction with the promotion of the above Film. A Mandatory Credit To WARNER BROS. is required. The Photographer should also be credited when known. No commercial use can be granted without written authority from the Film Company.

    Shelley Duvall obituary

    Film actor who starred in The Shining and made seven films with Robert Altman
  • Karla Sofía Gascón at Cannes.

    Trans actor Karla Sofía Gascón sues French far-right politician after ‘sexist insult’

    The actor, who became the first transgender woman to win the best actress prize at Cannes, had earlier dedicated her award to ‘all the trans people who are suffering’
  • Nasty - More Than Just Tennis.

    ‘I paid for it’: tennis bad boy Ilie Năstase revisits confrontational career

  • Hong Chau, Willem Dafoe, Emma Stone and Yorgos Lanthimos waving on the red carpet at a film premire at Cannes

    The most political apolitical festival ever? Here’s how Cannes 2024 went – and who will win

  • Kelly Rowland speaking to one of the ushers at the premiere for Marcello Mio.

    Kelly Rowland alleges racial profiling in Cannes film festival usher incident

  • Film-maker Coralie Fargeat, second from left, with Dennis Quaid and Margaret Qualley at the Cannes screening of her film The Substance.

    Fashion Statement newsletter
    On the Cannes red carpet, it’s film-makers’ turn to shine

  • Film Still: All We Imagine As Light. Directed By Payal Kapadia

    All We Imagine As Light review – dreamlike and gentle modern Mumbai tale is a triumph

  • A grownup gangster. Or is he? … François Civil in Beating Hearts.

    Beating Hearts review – operatic French gangster film suffers from bloat

  • A composite of a jellyfish on the catwalk

    ‘Really weird and really beautiful’: why the jellyfish is 2024’s unexpected style icon

  • Rokhaya Diallo

    French cinema tried to hide its violence against women. At Cannes, we’re calling it out

    Rokhaya Diallo
  • A still from Motel Destino.

    Motel Destino review – terrifically acted Brazilian erotic noir thriller

    A young man on the run from a mob boss lands an unlikely job in a brutally functional love motel and starts a passionate affair with the manager’s wife
  • Grand Tour.

    Grand Tour review – engaged couple’s sweet, strange colonial era hide-and-seek

    Miguel Gomes’s beguiling and bewildering story follows a jittery fiance fleeing his intended across the British empire, and her hot pursuit
    • Parthenope review – Paolo Sorrentino contrives a facile, bikini-clad self-parody

    • Marcello Mio review – droll Catherine Deneuve best thing in twee Mastroianni family whimsy

    • ‘This garbage is pure fiction’: when subjects hit back at their biopics

  • Mikey Madison as Ani in a scene from Anora

    Anora review – stellar turn from Mikey Madison in sex work non-love story

  • Director Ali Abbasi speaks at a press conference about his film The Apprentice in Cannes.

    Trump movie The Apprentice: ‘I don’t think it is a movie he would dislike,’ says director

  • Rumours, directed by Guy Maddin, Evan Johnson and Galen Johnson.

    Rumours review – close encounters for Cate Blanchett and the magnificent G7

  • 'The Apprentice' premiere, 77th Cannes Film Festival, France - 20 May 2024<br>Mandatory Credit: Photo by David Fisher/REX/Shutterstock (14490934ez) Sebastian Stan, Ali Abbasi and Maria Bakalova 'The Apprentice' premiere, 77th Cannes Film Festival, France - 20 May 2024

    The Apprentice: Trump campaign threatens legal action over biopic that depicts him as a rapist

  • Vincent Cassel and Diane Kruger in The Shrouds.

    The Shrouds review – David Cronenberg gets wrapped up in grief

    Elaborate necrophiliac meditation on loss and longing stars Vincent Cassel as an oncologist who has founded a restaurant with a hi-tech cemetery attached
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