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Get Out

October 2022

  • The Shining, Get Out, Midsommar, The Blair Witch Project and Don’t Look Now.

    ‘I squeamishly refuse to rewatch’: Guardian writers on their scariest movie endings

  • Christopher Lee with red eyes and bloodied teeth in Dracula: The Horror of Dracula, from 1958.

    A monster calls: why the ‘horror universe’ is an idea whose time has come

August 2022

  • Casey Affleck in A Ghost Story, directed by David Lowry.

    I called it ‘post-horror’ – and now I’ve created a monster

    When I coined the term ‘post-horror’, gore fans showered me with abuse. Now it has been adopted by a festival celebrating the films that pushed the boundaries of cinematic terror

June 2022

  • Caleb Landry Jones, 2021

    Caleb Landry Jones: ‘Acting was the only place you were allowed to scream or cry’

    After notable turns in No Country for Old Men and Get Out, the Texan actor was rewarded at Cannes last year for his starring role as a real-life mass shooter in Nitram – a part he was initially reluctant to take on

April 2021

  • Daniel Kaluuya

    Daniel Kaluuya: the Camden Town kid at the top of the A-list

    The star of Get Out grew up on a council estate. Now his intense portrayal of the black activist Fred Hampton is up for an Oscar

February 2021

  • Lakeith Stanfield

    Lakeith Stanfield: ‘I don’t hold anything back’

    Imagination, energy and a surrealist streak have made Lakeith Stanfield one of Hollywood’s most unusual – and sought-after – stars. Here, he talks about his toughest role yet

September 2019

  • From left: Moonlight, The Handmaiden, There Will Be Blood, Under the Skin

    Best culture of the 21st century
    The 100 best films of the 21st century

    Gangsters, superheroes, schoolkids, lovers, slaves, peasants, techies, Tenenbaums and freefalling astronauts – they’re all here in our countdown of cinema’s best movies since 2000

March 2019

  • ‘A horrified double-take in the mirror of certainty’ ... Us

    Peter Bradshaw's film of the week
    Us review – Jordan Peele's brash and brilliant beach holiday horror

  • Jordan Peele

    Jordan Peele on Us: ‘This is a very different movie from Get Out'

February 2019

  • This image released by Universal Pictures shows Daniel Kaluuya in a scene from, “Get Out.” The film was nominated for an Oscar for best picture on Tuesday, Jan. 23, 2018. The 90th Oscars will air live on ABC on Sunday, March 4. (Universal Pictures via AP)

    From Blacula to Get Out: the documentary examining black horror

    The film-makers behind Horror Noire discuss the progress of black characters from being portrayed as something to fear to leading genre hits

December 2018

  • Afro-surrealism … from left, Atlanta, Until the Quiet Comes, Sorry to Bother You, Apeshit, Random Acts of Flyness, Hub Tones

    From Beyoncé to Sorry to Bother You: the new age of Afro-surrealism

    From psychedelic sketch shows to far-out satire, black artists are expressing the absurdity of life in a racist society by embracing the disturbing and bizarre

November 2018

  • Lakeith Stanfield.

    Is Lakeith Stanfield the coolest actor of 2018?

    He’s the sharp-dressing eccentric who’s appeared in landmark films and TV shows, from Get Out to Atlanta. So why is he Hollywood’s ultimate outsider?

October 2018

  • "Gringo" Press Conference<br>BEVERLY HILLS, CA - FEBRUARY 24:  David Oyelowo at the "Gringo" Press Conference at the Four Seasons Hotel on February 24, 2018 in Beverly Hills, California.  (Photo by Vera Anderson/WireImage)

    David Oyelowo: ‘We don't give black and brown actors the chance to fail’

    A new BBC documentary explores race and Hollywood in the wake of Moonlight’s Oscar win. The actor, along with other film-makers, asks whether that moment actually made a difference

July 2018

  • Armie Hammer, Lakeith Stanfield and Tessa Thompson in Sorry To Bother You.

    Sorry to Bother You: is Boots Riley’s new film this year’s Get Out?

    A rip-roaring tale of code-switching and capitalism, it’s the most significant state-of-the-nation satire since Jordan Peele’s masterpiece

June 2018

  • Hereditary; Rosemary’s Baby and Get Out

    Steve Rose on film
    From Rosemary’s Baby to Hereditary: why the creepy cult in horror refuses to die

    A secret bunch of malign old people are behind some of the greatest atrocities in horror film history – so much so that the cult may have blown its cover
  • "Hereditary" film trailer<br>27-4-2018 "Hereditary" film trailer Pictured: Toni Collette PLANET PHOTOS www.planetphotos.co.uk info@planetphotos.co.uk +44 (0)20 8883 1438

    Ranked
    The scariest horror films ever – ranked!

    Occult chiller Hereditary is the latest in a proud line of big-screen blood-curdlers. Our critic picks his 25 most terrifying
  • Evan Peters and Sarah Paulson in American Horror Story.

    Jump the shark
    When good TV goes bad: how American Horror Story got Trumped

    After the frightening results of the US election, the show axed its ghosts in gimp costumes and pop stars bleeding, and got tedious in the process

April 2018

  • Win Butler at the Krewe du Kanaval in New Orleans last February.

    On my radar
    On my radar: Win Butler’s cultural highlights

  • Emily Blunt and Millicent Simmonds in A Quiet Place.

    Why smart horror is putting the fear into sequel-addicted Hollywood

March 2018

  • 2014, BOYHOOD<br>ELLAR COLTRANE Character(s): Mason Film 'BOYHOOD' (2014) Directed By RICHARD LINKLATER 19 January 2014 AFB6792 Allstar Collection/UNIVERSAL PICTURES **WARNING** This Photograph is for editorial use only and is the copyright of UNIVERSAL PICTURES and/or the Photographer assigned by the Film or Production Company &amp; can only be reproduced by publications in conjunction with the promotion of the above Film. A Mandatory Credit To UNIVERSAL PICTURES is required. The Photographer should also be credited when known. No commercial use can be granted without written authority from the Film Company. 1111z@yx

    My favourite film decade
    From Boyhood to Get Out – why the 2010s is my favourite film decade

    The last seven years has given us career bests from visionary veterans and a horde of hungry up-and-comers ready to drag Hollywood into modernity. The death of cinema? We’ve never had it so good
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