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Between the lines

David Cox on the hidden agendas of the latest releases
  • A scene from Christopher Nolan’s Dunkirk.

    Bloodless, boring and empty: Christopher Nolan's Dunkirk left me cold

    David Cox
    Nolan’s celebrated story of the evacuation at Dunkirk trades guts and glory for a 12A airbrushed rendering of history. The true story is much more complex – and moving
  • Anna Karenina

    Should we condemn Anna Karenina a little more?

    David Cox: Tom Stoppard's modern take on Tolstoy's masterpiece dwells on the censure Anna receives from society for her adultery. Has our own society become too feebly non-judgmental?
  • Total Recall 2012

    Total Recall fuels delusion about who we are

    David Cox: The new version of Philip K Dick's story, like its 1990 predecessor, is confused over whether an enduring self exists at all
  • Misfire … Pixar's Brave.

    Brave by name, bland by nature

    David Cox: Pixar's latest, while ostensibly a yarn about girl power, has a ploddingly predictable message at odds with its luscious visuals
  • Offender

    Offender shows there is no justice for the young

    David Cox: Paul van Carter's crime drama shows that youth custody is still failing because we can't decide what we want from it
  • Mark Wahlberg in Seth MacFarlane's Ted

    Ted: the bear necessities of our love affair with the cuddly toy

    David Cox: While real bears often attack humans, sometimes fatally, the stuffed version can be an emotional crutch for people of all ages
  • Imax screening of The Dark Knight Rises

    The Dark Knight Rises, and takes Imax with him

    David Cox: Christopher Nolan is singlehandedly transforming the prospects of the biggest picture show of all

  • ice age science

    Has the science in Ice Age 4 gone adrift?

    David Cox: It wasn't caused by a sabre-toothed squirrel's misadventure with an acorn and the timescale is wrong, but otherwise the kids' film broadly gets the science right
  • Andrew Garfield in The Amazing Spider-Man

    Why we are happy to be caught in a web of movie remakes

    David Cox: From The Amazing Spider-Man to Total Recall, is our thirst for familiar stories growing, or are fresh ideas simply drying up?

  • Friends with Kids

    If only Friends with Kids had resisted the happy ever after

    David Cox: Jennifer Westfeldt's film questions the western obsession with romantic relationships as the basis for parenthood. Intriguing, so why spoil it with a Hollywood ending?

  • Think Like a Man

    Race and the romcom: is Think Like a Man realistic or racist?

    David Cox: All-black romantic comedy Think Like a Man is more com than rom, unlike its white counterparts. Is it a realistic portrayal of black attitudes to courtship?
  • Cosmopolis

    Why Cosmopolis's natural born banker does not add up

    David Cox: David Cronenberg's adaptation of Don DeLillo's novel is yet another film that gives financiers an aura of genius. But is there really any mystery to these masters of the universe?
  • iLL Manors

    Ill Manors just wants a little respect for our gangsters

    David Cox: Plan B's film is not a searing social commentary about our mean streets, but a gangster movie that celebrates humanity
  • Sacha Baron Cohen as The Dictator

    Why The Dictator isn't Great

    Sacha Baron Cohen's Borat deserves to be bracketed with Chaplin's masterpiece; The Dictator doesn't

  • Jeff Who Lives at Home

    The boomerang kid bounces back in Jeff Who Lives at Home

    David Cox: In their latest film, the Duplass brothers give us an unconventionally positive view of the expanding generation of overgrown adults who still live with their parents
  • Avengers Assemble

    Is Marvel Avengers Assemble the worst film title ever?

    David Cox: Joss Whedon's blockbuster has a terrible name – but it faces stiff competition from the likes of B*A*P*S, Gleaming the Cube, They, Eegah, Sssssss and Phffft!
  • Elfie Hopkins

    Elfie Hopkins shies away from cannibalism's grim reality

    David Cox: Low-budget horror flick Elfie Hopkins has little stomach for the terrifying potential of its flesh-eating subject matter

  • The Cabin in the Woods

    The Cabin in the Woods won't change the horror game

    David Cox: Joss Whedon's high-concept chiller is a one-off curiosity that promises much but delivers little scariness, wit or insight

  • The Hunger Games

    The Hunger Games fails to give teenagers food for thought

    David Cox: Much has been made of The Hunger Games' supposed gritty relevance to our own world. But Katniss Everdeen's adventures are about as relevant as those of Harry Potter or Twilight's Bella
  • We Bought a Zoo

    We Bought a Zoo: why displaying animals can be a grizzly business

    David Cox: We Bought a Zoo may show an idyllic picture of zoo life, but is it really acceptable to incarcerate animals for our pleasure?
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