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Cinema now

The Observer guide to film 2015
  • Martha Gill

    Forget the tired franchises, a new wave of horror movies will make us jump out of our seats

    Martha Gill
    Longlegs, released last week, is a beautiful and complex film that highlights how far the genre has evolved
  • Boris Karloff as the monster in James Whale's 1931 Frankenstein.

    Sean Baker interview: ‘James Whale’s Frankenstein made me want to become a director’

  • 'Iconic': The poster for 1986's Betty Blue.

    Patsy Kensit interview: ‘I came out of Betty Blue totally stunned’

  • The 'splurge guns' take their toll in Alan Parker's  Bugsy Malone.

    Carol Morley interview: ‘Bugsy Malone reminds me of my dad’

  • Eli Roth and Brad Pitt in 2009's Inglourious Basterds.

    Stephen Merchant: ‘Tarantino takes a few viewings – I struggled with Inglourious Basterds’

  • Shirley Manson interview: ‘I sobbed at Bambi and walked out of Titanic’

  • Nitin Sawhney interview: ‘Pather Panchali was really moving, with incredible acting’

  • Mike Leigh interview: ‘Blow-Up? It’s a pile of pretentious crap’

  • Cinema 2015: A year of change and reinvention

  • Laurie Anderson interview: ‘I shared a cinema with 500 rats who lived behind the screen’

  • Justin Simien interview: ‘Stanley Kubrick’s 2001 gave me my first “religious experience”’

  • Joshua Oppenheimer interview: ‘Virtually half the movies that come out are overrated’

  • Jehnny Beth interview: ‘Amelie is the worst film ever, a lie from start to finish’

  • Hailee Steinfield interview: ‘The first movie to inspire me was Paper Moon’

  • David Hare interview: ‘Directors are told they are auteurs, so they resent good screenplays’

  • Cinema’s hot 25: what will you be watching?

  • Natasha Khan: ‘I love Steven Spielberg, and E.T. has got everything’

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