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First look review

Early reviews from film festivals and advance previews
  • Film still: The Second Act (2024) directed by Quentin Dupieux, starring Lea Seydoux

    The Second Act review – Quentin Dupieux’s likable meta comedy of actors’ private lives

    With help from an A-list cast, Dupieux brings his customary mischief to an amiable tale of imposture and role play
  • Civil War film. Director: Alex Garland

    Civil War review – Alex Garland’s immersive yet dispassionate war film

    The writer-director’s much-anticipated look at the horrors of an America violently divided is an impressive technical feat yet an emotionally cold drama
  • Ryan Gosling and Emily Blunt in The Fall Guy.

    The Fall Guy review – Ryan Gosling and Emily Blunt dazzle in delightful action comedy

    Two fantastic movie star turns lead this loving and supremely entertaining ode to stunt work based on the 80s TV series
  • A man scowls behind a purple curtain.

    Monkey Man review – Dev Patel’s directorial debut is a gory descent into darkness

    The actor takes the lead both in front of and behind the camera in an impressive and ambitious, if a little unwieldy, revenge thriller
  • Three people look to their right, with a table of food drinks on their left

    Y2K review – uneven disaster comedy relies on 90s nostalgia

  • Two women look at each other

    Babes review – Ilana Glazer and Michelle Buteau elevate Pamela Adlon’s pregnancy comedy

  • Jake Gyllenhaal and Conor McGregor face off in Road House.

    Road House review – Conor McGregor almost steals riotous 80s remake

    Jake Gyllenhaal fills Patrick Swayze’s shoes in a brashly entertaining romp featuring a knockout debut from the UFC champ
  • Izaac Wang in Didi

    Dìdi review – a tender, specific rendering of adolescence on the early internet

    Sundance film festival: Sean Wang’s semi-autobiographical tale of an Asian American teen’s life played out online in 2008 is moving and detailed
  • Woman with finger up in purple lighting.

    It’s What’s Inside review – buzzy, big-sale Sundance thriller is a little empty

    Netflix forked out $17m for the low-budget, high-concept mystery but while there’s some fun to be had, there’s something missing
  • film still of a woman holding a child on the banks of a lake with a boat in it

    Handling the Undead review – sad, slow-burn zombie drama is less gore, more grief

    Sundance film festival: The Worst Person in the World’s Renate Reinsve leads a dour film about families dealing with the reappearance of deceased loved ones
  • A man and woman on a scooter

    Thelma review – June Squibb is a delight in sweet action-comedy

    The Oscar nominee plays her first lead, at 94, in a tender and well-observed story of a grandmother refusing to accept the limitations of age
  • a man and a woman in a car

    Will & Harper review – Will Ferrell’s charming trans road trip documentary

    The actor goes on a cross-country trip with an old friend who has transitioned in a crowd-pleasing winner that will prove illuminating for many
  • A still from A Different Man by Aaron Schimberg, an official selection of the Premieres program at the 2024 Sundance Film Festival. Courtesy of Sundance Institute.

    A Different Man review – Sebastian Stan transforms in miserable study of cruelty

    A wannabe actor undergoes dramatic facial reconstruction surgery in a torturously empty psychodrama
  • woman in a blazer walking up steps with american flags behind her

    Winner review – snappy, I, Tonya-esque take on Reality Winner

    The second film in less than a year on the NSA whistleblower takes a brisk, jazzy look at her life before and after her headline-making leaks
  • man sitting in a lecture hall

    Rob Peace review – Chiwetel Ejiofor’s moving fact-based tragedy

    A magnificent lead performance from newcomer Jay Will helps to lift a rousing yet often uneven drama based on the life and death of a Yale student
  • A still from Presence.

    Presence review – Steven Soderbergh’s intriguing ghost story experiment

  • Kristen Stewart and Katy O'Brian in Love Lies Bleeding by Rose Glass, an official selection of the Midnight program at the 2024 Sundance Film Festival. Courtesy of Sundance Institute.

    Love Lies Bleeding review – gore, sex and 80s needle-drops can’t save forgettable thriller

  • A girl sits on a log next to a woman.

    My Old Ass review – charmingly shaggy high-concept comedy

    Before she heads to college, a teenager meets her older self, played by Aubrey Plaza, in a sweet-natured and slickly made crowd-pleaser
  • man and a woman sitting in front of a painting

    Exhibiting Forgiveness review – André Holland powers moving father-son drama

    A standout turn from the Moonlight star helps to ignite a powerful story of an artist forced to reconnect with his abusive father
  • Kieran Culkin and Jesse Eisenberg in A Real Pain

    A Real Pain review – Jesse Eisenberg and Kieran Culkin lead pat buddy dramedy

    The pair play to expected types in an endearing yet often forced film about cousins visiting Poland to pay respects to their grandmother
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