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Mark Kermode's film of the week

Films of the week reviewed by the Observer's film critic Mark Kermode
  • Lamar Johnson, right, as Michael, with Aaron Pierre as Francis, in Brother.

    Brother review – brilliantly acted Canadian coming-of-age drama

    A single mother struggles to protect her two very different sons, growing up in Toronto, in Clement Virgo’s deeply moving film
  • Teo Yoo as Hae Sung and Greta Lee as Nora, reunited in New York in Past Lives.

    Past Lives review – a spine-tingling romance of lost chances

    Korean-Canadian writer-director Celine Song’s tremendous feature debut tells the poignant tale of childhood sweethearts separated by fate and thousands of miles
  • Franz Rogowski, left, and Ben Whishaw, who play Tomas and Martin, the couple at the centre of Passages, embrace in a darkened room with others in the background.

    Passages review – body language speaks volumes in seductive three-way love story

    Ben Whishaw and Franz Rogowski are brilliantly believable in Ira Sachs’s exploration of a gay marriage that’s challenged when one partner has a passionate affair with a young woman
  • A still from Blue Beetle.

    Blue Beetle review – superhero fun with immigrant survival subtext

    How will a law graduate use beetle-based powers to help his beleaguered Latino family? Believable dynamics and boisterous comedy add charm to a familiar genre
  • Archie Madekwe sitting in a racing car

    Gran Turismo review – gamer turned pro racing driver movie pushes most of the right buttons

    District 9 director Neill Blomkamp’s true-life tale is unable to swerve the cliches yet delivers pedal-to-the-metal entertainment
  • a boy with a bloodied face sits at a table with a lighted candle on it. to his left, a disembodied arm on the table, its hand in his

    Talk to Me review – an Evil Dead for the Snapchat generation

    Australian YouTuber twins Danny and Michael Philippou’s feature debut is an entertaining chiller that mixes shrieking horror and psychological nuance
  • Margot Robbie, as Barbie, in a world of pink.

    Barbie review – a riotous, candy-coloured feminist fable

    Barbie takes a ride from her dream house to reality as Little Women writer-director Greta Gerwig takes another cultural icon and lovingly subverts it
  • six young women side by side in identical white carnival masks walking towards the camera, down a street at night

    Medusa review – body fascists on the loose in heady satire on Brazil’s police state

    Anita Rocha da Silveira’s genre-bending tale of masked religious vigilantes is a genre film with something to say
  • Tom Cruise as Ethan Hunt and Esai Morales as Gabriel

    Mission: Impossible – Dead Reckoning Part One review – Tom Cruise is still taking our breath away

    With star turns from Vanessa Kirby and Hayley Atwell, plus a zeitgeisty AI plot, this seventh MI outing is one of the most exhilarating yet
  • Harrison Ford and Phoebe Waller-Bridge in Indiana Jones and the Dial of Destiny.

    Indiana Jones and the Dial of Destiny review – Harrison Ford does the heavy lifting in lightweight sequel

    The octogenarian star gives it his all in James Mangold’s fun but formulaic action adventure co-starring Phoebe Waller-Bridge and a scenery-sucking Mads Mikkelsen
  • Scarlett Johansson in Wes Anderson's Asteroid City

    Asteroid City review – smug Wes Anderson comedy falls to earth

    The writer-director’s knowing meta-tale set in a space-obsessed 1950s desert town has a starry cast and meticulous attention to detail, but its studied quirkiness is often more irritating than amusing
  • Alexandra Burke and Natey Jones in Pretty Red Dress.

    Pretty Red Dress review – toe-tapping London tale of desire and identity

    Natey Jones and Alexandra Burke play a couple tussling with dreams and secret shame in Dionne Edwards’s defiant yet uplifting drama with music at its core
  • Kelvin Harrison Jr, left, as Joseph Bologne in Chevalier. Alamy

    Chevalier review – entertainingly soapy portrait of a Black 18th-century maestro

    Kelvin Harrison Jr commands the screen in Stephen Williams’s brashly anachronistic drama about the French composer, violin virtuoso and champion fencer Joseph Bologne
  • Sydney Sweeney as Reality Winner in Reality.

    Reality review – palm-sweatingly tense whistleblower drama

    Tina Satter’s verbatim film about the FBI’s interrogation of US intelligence leaker Reality Winner is a stranger-than-fiction reflection of our precarious times
  • Ben Affleck as detective Daniel Rourke in Hypnotic.

    Hypnotic review – preposterous tosh from start to finish starring Ben Affleck

    Affleck is in full frowny mode as a haunted cop on the tail of a criminal mastermind in a thriller that seems to revel in its absurdity
  • Joaquin Phoenix in Beau Is Afraid.

    Beau Is Afraid review – Ari Aster’s patience-testing shaggy dog story

    Joaquin Phoenix plays a hapless middle-aged man on a tortuous journey to see his mum in the Midsommar director’s three-hour black comedy of Oedipal angst
  • Michael J Fox and his wife, fellow actor Tracy Pollan

    Still: A Michael J Fox Movie review – an intimate, uplifting star portrait

    Self-effacing and wryly defiant, the Hollywood actor, diagnosed with Parkinson’s disease at 29, reflects on a life of two halves in this revealing documentary
  • Park Ji-min as Freddie in Return to Seoul, looking out of the window of a car which carries reflections of night-time street signs

    Return to Seoul review – Park Ji-min lights up mesmerising tale of identity and alienation

    An adopted woman travels from France to South Korea in search of her roots in Davy Chou’s star-making second film
  • Little Richard, smiling, arms raised, at wembley stadium, london, september 14th, 1974

    Little Richard: I Am Everything review – thrilling documentary about the rock’n’roll pioneer

    Lisa Cortés’s richly enjoyable film examines the alter egos and queer theories surrounding a conflicted star who was way ahead of his time
  • Léa Seydoux and Melvil Poupaud in One Fine Morning.

    One Fine Morning review – Mia Hansen-Løve’s moving tale of love and loss

    In the role of a lifetime, Léa Seydoux plays a widowed single mum caught between new romance and the failing mind of her father in the French director’s deeply personal Cannes prize winner
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