My favourite Hitchcock film
My favourite Hitchcock: Foreign Correspondent
Saptarshi Ray: Hitchcock's breathless tale of an American pressman in a Europe on the brink of war was labelled a 'masterpiece of propaganda' by Josef Goebbels
My favourite Hitchcock: Frenzy
As the My favourite Hitchcock series continues, we asked members of the the Guardian/film community to tell us about their preferred films from the master of suspense. Today's contribution is from Nia Jones, a freelance writer for Inside Media Track and The Spooky Isles.
My favourite Hitchcock: Lifeboat
As the My favourite Hitchcock series continues, we asked members of the the Guardian/film community to tell us about their preferred films from the master of suspense. Today's contribution is from Norman Walton
My favourite Hitchcock: Shadow of a Doubt
We asked members of the the Guardian/film community to tell us about their preferred films from the master of suspense. Today's contribution is from Dallas King, who blogs about film at Championship Celluloid
My favourite Hitchcock: Under Capricorn
As the My Favourite Hitchcock series continues, we asked members of the the Guardian/film community to tell us about their preferred films from the master of suspense. Today's contribution is from Joe Walsh, who regularly writes about film at Little White Lies, CineVue and New Empress
My favourite Hitchcock: Marnie
As the My Favourite Hitchcock series continues, we asked members of the the Guardian/film community to tell us about their preferred films from the master of suspense
My favourite Hitchcock: Vertigo
Rhik Samadder: The trouble with being the best movie of all time is that Vertigo is now an easy target for criticism. But this strange, frustrating story of a haunted pervert will always evade definition
My Favourite Hitchcock: I Confess
Philip Oltermann: A forgotten albeit flawed masterpiece, this thriller about a priest accused of murder – bound to keep secret the confession made to him by the real killer – smoulders gloriously
My favourite Hitchcock: Rebecca
Michael Hann: The director had to remove the one murder that takes place in Daphne du Maurier's story – but still created one of his creepiest, most oppressive films
My favourite Hitchcock: Dial M for Murder
Henry Barnes: With its romping plot and gloriously slimy villain, it is surprising that this tale of a bungled killing is one the director all but disowned
My favourite Hitchcock: North by Northwest
David Shariatmadari: Cary Grant, Saul Bass's titles, Bernard Hermann's score, that all-conquering crop-dusting scene. Why is it that Hitchcock's biggest crowd-pleaser makes critics sniffy?
My favourite Hitchcock: Strangers on a Train
Hitchcock's study of the guilt that taints the human condition is just one cinematic masterstroke after another, writes Catherine Shoard
My favourite Hitchcock: The Birds
Xan Brooks: Here is a film that provides no answers and no escape. Chaos reigns from top to tail. Might this be the essential Hitchcock?
My favourite Hitchcock: The Lodger
Andrew Pulver: This electrifying early feature starring an ambiguously appealing Ivor Novello shows the young director marshalling a new medium's visual power
My favourite Hitchcock: Rope
A master of suspense, Hitchcock delights in toying with his audience, repelling and luring his viewers into the scene of a crime – and nowhere more audaciously than in Rope
My Favourite Hitchcock: The 39 Steps
Tony Paley: Before Psycho and North by Northwest, Hitchcock's 1935 thriller The 39 Steps was serving up some of cinema's most seminal moments. Here is a handful of highlights from the film
My favourite Hitchcock: Rear Window
Killian Fox: Hitchcock made a career out of indulging our voyeuristic tendencies, and never better than in Rear Window
My favourite Hitchcock: The Lady Vanishes
Philip French: On top of a mesmerising plot, perfect casting and the greatest comic duo in British cinema, this comedy thriller derives special urgency from the troubled times in which it was made
My favourite Hitchcock: Psycho
Peter Bradshaw: At 61, Hitchcock was reaching what many saw as the end of an illustrious career. Then he took a quantum leap to further greatness
My favourite Hitchcock film: The Birds by Geoff Dyer
A film 'replete with the visual and linguistic trappings of imprisonment' is let down by its creaky special effects, writes Geoff Dyer
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