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Peter Bradshaw's film of the week

The Guardian film critic's lead review from each week's G2 Film & Music
  • Festival of awkwardness … Izaac Wang (second from left) as Chris in Dìdi.

    Dìdi review – impressive Asian-American teen-angst drama takes the unconventional route

    Sean Wang’s semi-autobiographical film offers a cool approach, swerving the usual coming-of-age tropes
  • Night fever … Lee Sun-kyun and Jung Yu-mi in Sleep.

    Sleep review – marriage unravels in gleeful Korean somnambulist psycho-chiller

    Lee Sun-kyun appears posthumously in one of his best performances as an actor struggling to control his night-time excursions in this elegant and intimate horror
  • Mia Goth, left, and Halsey in MaXXXine.

    MaXXXine review – a horribly watchable Hollywood tale of sex, death, fear and gore

    Mia Goth returns for the third chapter of the X trilogy as an adult film star trying to take a crack at horror while a serial killer stalks the city’s sex workers
  • Vicky Krieps in The Dead Don't Hurt

    The Dead Don’t Hurt review – love blossoms amid violence in Viggo Mortensen’s western

    The star directs, writes, composes and acts in this beautifully shot and sombre film about an old-school hero in a 19th-century frontier community fraught with tragedy
  • Adria Arjona as Madison Masters and Glen Powell as Gary Johnson in a scene from Hit Man

    Hit Man review – Richard Linklater’s thoroughly entertaining fake-killer caper

    Glen Powell plays a mild-mannered professor posing as a contract killer to catch would-be criminals in this diverting noir comedy loosely based on a true story
  • Still from Kinds of Kindness, with close-ups of (left to right) Margaret Qualley, Jesse Plemons and Willem Dafoe

    Kinds of Kindness review – sex, death and Emma Stone in Lanthimos’s disturbing triptych

    Yorgos Lanthimos reinforces how the universe keeps on doing the same awful things with a multistranded yarn starring Emma Stone, Willem Dafoe and Jesse Plemons
  • Kristen Stewart in Love Lies Bleeding.

    Love Lies Bleeding review – Kristen Stewart lifts brilliant bodybuilding noir

    Violent story of extreme sport, forbidden love and a lot of murder could be a new grindhouse classic, but Stewart’s fierce subtlety pushes it up a level
  • USA. Zendaya , Josh O'Connor in Challengers

    Challengers review – Zendaya aces uproariously sexy tennis-set love triangle

    Luca Guadagnino’s terrifically absorbing screwball dramedy features a devastatingly cool leading lady, Josh O’Connor on rallying form and zinging extended dialogue rallies to match
  • Civil War film. Director: Alex Garland

    Civil War review – Alex Garland’s delirious dive into divided US society

    Fratricidal warfare has exploded in North America, and war photographers including Lee (Kirsten Dunst) are eager to capture the money shot in this delirious action thriller
  • All at sea … Io Capitano.

    Io Capitano review – chilling indictment of the refugee exploitation economy

    Two teenage boys star in Matteo Garrone’s passionate exposé of how greed, trauma and corruption drive the modern-day slave trade in would-be migrants
  • Inside the Yellow Cocoon Shell film still

    Inside the Yellow Cocoon Shell review – jewel of slow cinema is a wondrous meditation on faith and death

    Much is open-ended about this realist yet dreamlike exploration of midlife crisis and regret set in Vietnam
  • Peter Sarsgaard and Jessica Chastain in Memory, looking at each other in a forest.

    Memory review – survivors grapple with an unstable past in a delicate, painful duet

    Jessica Chastain and Peter Sarsgaard excel in Michel Franco’s absorbing story about the unnerving reunion of a care worker and a friend from her past
  • Sasquatch Sunset by David and Nathan Zellner.

    Sasquatch Sunset review – Riley Keough and Jesse Eisenberg suit up for ingenious Bigfoot comedy

    Four mythical hairy creatures, communicating in grunts, inhabit what could be a post-apocalyptic world in the Zellner brothers’ witty and unnerving film
  • Andrew Scott and Paul Mescal in All of Us Strangers.

    All of Us Strangers review – Paul Mescal and Andrew Scott tremendous in a beautiful fantasy-romance

    Scott, Mescal and Claire Foy shine in a drama about a screenwriter who visits his childhood home to find his parents, who were killed in a car crash, still living there
  •  Da'Vine Joy Randolph, Paul Giamatti and Dominic Sessa in The Holdovers.

    The Holdovers review – brilliant Paul Giamatti hits the happy/sad sweet spot

    Alexander Payne's story of a cantankerous teacher holed up for Christmas with a wayward teen and the school cook is expertly told with gentle, grownup comedy
  • Bittersweet … Dan Levy, Ruth Negga and Himesh Patel in Good Grief.

    Good Grief review – Richard Curtis style romcom from Schitt’s Creek’s Dan Levy

    The debut feature from the Schitt’s Creek co-creator is well-intentioned but bogged down by artificial dialogue and unfunny jokes
  • Reluctant hero … Anthony Hopkins as Nicholas Winton in One Life.

    One Life review – Anthony Hopkins in extraordinary true story of ‘British Schindler’

    Hopkins stars as Nicholas Winton, who rescued 669 Jewish children from the Nazis – alongside Helena Bonham Carter on mighty form
  • Pontius Pilate (James McAvoy) meets Clarence (Lakeith Stanfield) in The Book of Clarence.

    The Book of Clarence review – there’s no messiah in here

    Jeymes Samuel’s wacky counter-gospel action adventure delivers some good turns but drifts into piety
  • The Miracle Club Press publicity film still supplied by PR

    The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

    Laura Linney is upstaged by older co-stars Smith and Kathy Bates in this sentimental tale about a group of Dublin women who go on a spiritual journey together
  • Austin Butler as Benny in director Jeff Nichols' THE BIKERIDERS, a Focus Features release. Credit: Kyle Kaplan/Focus Features. © 2024 Focus Features. All Rights Reserved.

    The Bikeriders review – potent ode to the violent lives of 60s biker gangs

    Jodie Comer, Austin Butler and Tom Hardy are magnetic in this power struggle-cum-love triangle inspired by Danny Lyon’s 1968 photographic study of Chicago bikers
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