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Post-credits scene

Ben Child surveys the fallout from one of the weekend's major releases
  • The Other Guys still

    The Other Guys: star stand-ins or subs-standard?

    Ben Child: If, as Time Out suggests, this Will Ferrell vehicle is the funniest movie of the year, then 2010 is an annus horribilis for comedy
  • the runaways

    The Runaways: Rock chicks' biopic burns out before its begun

    Ben Child: Kristen Stewart and Dakota Fanning can't quite capture the onstage verve of the 70s teenage girl band who blazed a trail and then imploded in a haze of drug-taking and jealousy
  • Dinner For Schmucks

    Dinner for Schmucks: this putz won't win any prizes

    Ben Child: Semantics aside, Steve Carell is in danger of becoming that funny guy who always appears in the really unfunny movies
  • still from Grown Ups

    Grown Ups: Adam Sandler is older, less wise, yet consistently lucrative

    Ben Child: Adam Sandler's reunion of Saturday Night Live alumni has been a US box-office hit – despite being bottom-of-the-barrel material from an infantile mind
  • The Expendables

    The Expendables: old-timers wheel out the one-liners

    Ben Child: Sylvester Stallone and his faded action co-stars have produced the movie equivalent of a momentarily diverting puff of smoke

  • The Last Airbender

    The Last Airbender: Racially dubious, or just not very good?

    The bizarre casting of M Night Shyamalan's new fantasy epic has provoked a race row – but would it have been a stinker in any case?

  • US actor Bradley Cooper with fans

    The A-Team: About as authentic as a Turin shroud beach towel

    Ben Child: A strong cast, a hotshot director, technical knowhow, explosions, locations, muscle. So why is The A-Team a bit, well, Z-list?
  • Black eye ... Angelina Jolie deploys the 'stone-cold stare' she has perfected in Salt.

    Will Angelina Jolie's Salt be a seller?

    Ben Child: After a decent US opening, Angelina Jolie's bid to become an action star proper looks a fairly safe bet. Just mind the holes

  • Toy Story 3

    Toy Story 3: fitting finale or tired rehash?

    Will Woody and Buzz's final outing be a shallow retread of its predecessors or an emotionally fulfilling conclusion to the saga?

  • Brenda Blethyn in London River

    London River: an outsider's journey to the heart of a very London tragedy

    Is Rachid Bouchareb's 7/7-themed drama 'a film no Londoner should miss' or a morally bankrupt enterprise that uses the bombings as a gimmick?
  • Adrien Brody in a scene from Predators

    Predators: Can buff Adrien Brody slay the Twilight vampires?

    Ben Child: Robert Rodriguez and Nimród Antal's remake of the 1987 Arnie-starring gorefest has had hype and glowing reviews, but can it match the original's trashy cool?
  • russell brand

    Post-credits scene: Get Him to the Greek

    Has Russell Brand got what it takes to make the leap to Hollywood stardom?

  • Katherine Heigl and Ashton Kutcher in Killers

    Post-credits scene: Killers

    This tediously unoriginal Katherine Heigl and Ashton Kutcher vehicle should be dead in the water. But Twitter threw it an improbable lifeline
  • Sean Bean in Black Death

    Post-credits scene: Black Death

    Ben Child: It probably won't sell many tickets, but this pulpy medieval thriller could well remind the world about Sean Bean's talent, make its director a star and do well on DVD to boot

  • Adrien Brody, Rachel Weisz and Mark Ruffalo in The Brothers Bloom

    Post-credits scene: The Brothers Bloom

    Rian Johnson struck critical gold with Brick, but where does this follow-up leave his career?

  • Sarah Jessica Parker in Sex and the City

    Post-credits scene: Sex and the City 2

    The critics have spoken, the people have tweeted, and the box office receipts are coming in. Ben Child assesses the fallout from the release of Sex and the City 2

  • Bad Lieutenant - Port of Call: New Orleans

    Post-credits scene: Bad Lieutenant

    Ben Child: Werner Herzog's fruitcake remake of the Abel Ferrera classic opened in the UK last Friday. But how have the rave reviews been received around the web, and at the box office?
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