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Toronto film festival 2017

25 September 2017

  • The Guardian at Tiff 2017: Darkest Hour producers on Brexit and Churchill – video

    Tim Bevan and Eric Fellner, the co-chairs of celebrated British production outfit Working Title talk to the Guardian’s Peter Bradshaw about their long and varied career.

22 September 2017

  • The Guardian at Tiff 2017: Glenn Close on her new starring role, The Wife – video

    In the second of our live onstage interviews at the Toronto film festival, Peter Bradshaw discusses The Wife with its star Glenn Close

19 September 2017

  • molly2

    The state of the Oscars race: who's in the lead after the big film festivals?

    With Venice and Toronto out of the way, there’s an ultra-competitive best actress race shaping up – but a lack of major best picture contenders

18 September 2017

  • Three Billboards outside Ebbing, Missouri.

    Three Billboards heads for Oscar glory after winning Toronto's People's Choice award

    British director Martin McDonagh’s film about a woman avenging the murder of her daughter received the film festival’s popular vote

17 September 2017

  • Annette Bening and Jamie Bell in Film Stars Don't Die in Liverpool

    Toronto film festival 2017: a surge of woman power

    The 42nd Toronto film festival was notable for its strong showing of female talent – not least an endearing coming-of-age comedy directed by Greta Gerwig

15 September 2017

  • Manhunt directed by John Woo film still

    Manhunt review – John Woo rolls back the years with big pharma bullet-barrage

  • British actor Benedict Cumberbatch attends a press conference to promote his latest movie, Marvel’s “Doctor Strange”, in Hong Kong on October 13, 2016. / AFP PHOTO / Anthony WALLACEANTHONY WALLACE/AFP/Getty Images

    Outrageous portrayals of Gypsy culture are cinema's last acceptable bigotry

    Christina Newland
  • Breathe film still

    Breathe review – Andrew Garfield fronts poignant biopic of wheelchair pioneer

  • ‘Acute and sensitive’ ... Dark River.

    Dark River review - sparkling central duo lift Clio Barnard's social-realist farm yarn

  • Glenn Close: ‘People don’t realise that you keep your sexuality up until you die’

  • The Third Murder review – death-sentence drama leaves you hanging

14 September 2017

  • The Mountain Between Us

    First look review
    The Mountain Between Us review – Kate Winslet and Idris Elba heat up snowy romance

  • Film still: Mary Shelley, starring Elle Fanning

    First look review
    Mary Shelley review – sturdy literary biopic fails to resurrect spirit of author

  • Film still: Kings starring Halle Berry. Directed by Deniz Gamze Ergüven

    First look review
    Kings review – Halle Berry and Daniel Craig fail to ignite baffling LA riots drama

  • 4106_D013_00374_CROP (ctr) Gary Oldman stars as Winston Churchill in director Joe Wright’s DARKEST HOUR, a Focus Features release. Credit: Jack English / Focus Features

    First look review
    Darkest Hour review – Gary Oldman is a tremendous Winston Churchill in high-octane drama

13 September 2017

  • Peter Bradshaw

    Notebook
    Forget Clooney, Jolie, Denzel: here are the real stars of Toronto’s film festival

    Peter Bradshaw
  • 'Jim &amp; Andy: The Great Beyond' premiere, Toronto International Film Festival, Canada - 11 Sep 2017<br>Mandatory Credit: Photo by Anthony Behar/Sipa USA/REX/Shutterstock (9050909g) Seen through a bevelled glass, Jim Carrey 'Jim &amp; Andy: The Great Beyond' premiere, Toronto International Film Festival, Canada - 11 Sep 2017

    Jim and Andy: The Great Beyond review – a delirious peek behind the Carrey-Kaufman curtain

12 September 2017

  • Papillon

    Papillon review - prison break remake plays it too safe for redemption

    Michael Noer’s new rendition of the 1973 classic doesn’t take many chances with its faithful retelling as a pair of jail birds contemplate making a run for it
  • Film still: The Disaster Artist directed by James Franco

    First look review
    The Disaster Artist review – James Franco's ode to bad film-making is a riot

    The story behind cult movie The Room is brought to life with affection and painstaking detail and features a staggering transformation from the lead
  • This image released by Netflix shows Sareum Srey Moch in a scene from “First They Killed My Father: A Daughter of Cambodia Remembers.” (Roland Neveu/Netflix via AP)

    First They Killed My Father review – Angelina Jolie's triumph spotlights casualties of war

    The actor turned director’s passion project is a psychological stunner that shows the effects the Khmer Rouge’s reign left on the people of Cambodia
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