Venice film festival 2018
Olivia Colman wins best actress award at Venice film festival
Venice 2018 roundup: from old-school masterpiece to delirious horror, it's been a vintage year
The Nightingale review: Babadook director delivers devilish revenge tale
Make way for the matriarchy – has #MeToo changed the movies?
22 July review – Paul Greengrass's searing account of Anders Breivik's mass murder
Vox Lux review – Natalie Portman powers dark portrait of the fame monster
Dragged Across Concrete review – glum Mel Gibson in unflinching and nasty police thriller
At Eternity's Gate review – Willem Dafoe shines in Julian Schnabel's portrait of Van Gogh
Neil Armstrong biopic not unpatriotic, say sons as Aldrin fuels controversy
Sunset review – intrigue and terror as the shadow of war falls on Budapest
The Sisters Brothers review: Jacques Audiard saddles up for a subtle and funny western
Charlie Says review – Matt Smith is magnetic Charles Manson in unpersuasive cult drama
Suspiria review – Luca Guadagnino’s horror remake has sex and style but fails to bewitch
Peterloo review – grit and brilliance in Mike Leigh’s very British massacre
First look review
The Ballad of Buster Scruggs review – the Coens' brutal salute to the westernJames Franco, Liam Neeson and Tom Waits traipse across the prairie in a lovingly crafted collection of vignettes spattered with bloody violence and inky humour
A Star Is Born review – Lady Gaga mesmerises in Streisand's shoes
Bradley Cooper directs and co-stars in this outrageously watchable update of the love story doomed by shifting fame
The Other Side of the Wind review – lost Orson Welles epic is hurricane of anger and wit
Venice film festival 2018: Edited for release 50 years after it was shot, this autobiographical satire is just as wild, dated and brilliant as you’d expect
The Favourite review – Olivia Colman is priceless in punk Restoration romp
Yorgos Lanthimos brings scabrous energy to this dark comedy of 18th-century court intrigue and Colman excels herself
Amanda review – a calm, healing film about life after Islamist terror
A well-meaning but sometimes obtuse French drama about a seven-year-old whose mother is killed in a mass shooting
First look review
Roma review: Alfonso Cuarón returns to Venice – and Mexico – for a heart-rending triumphThe Oscar-winning director has made his best film yet with this exquisite study of class and domestic crisis in 70s Mexico City
About 26 results for Venice film festival 2018