Skip to main content
Skip to navigation
Print subscriptions
Sign in
Search jobs
Search
International edition
International edition
UK edition
US edition
Australia edition
Europe edition
The Guardian - Back to home
The Guardian
News
Opinion
Sport
Culture
Lifestyle
Show
More
Show More
News
View all News
World news
UK news
Climate crisis
Ukraine
Environment
Science
Global development
Football
Tech
Business
Obituaries
Opinion
View all Opinion
The Guardian view
Columnists
Cartoons
Opinion videos
Letters
Sport
View all Sport
Olympics 2024
Football
Cricket
Rugby union
Tennis
Cycling
F1
Golf
US sports
Culture
View all Culture
Books
Music
TV & radio
Art & design
Film
Games
Classical
Stage
Lifestyle
View all Lifestyle
Fashion
Food
Recipes
Love & sex
Health & fitness
Home & garden
Women
Men
Family
Travel
Money
Search input
google-search
Search
Support us
Print subscriptions
International edition
UK edition
US edition
Australia edition
Europe edition
Search jobs
Holidays
Digital Archive
Guardian Licensing
About Us
The Guardian app
Video
Podcasts
Pictures
Newsletters
Today's paper
Inside the Guardian
The Observer
Guardian Weekly
Crosswords
Wordiply
Corrections
Search jobs
Holidays
Digital Archive
Guardian Licensing
About Us
World cinema
July 2024
Werckmeister Harmonies review – Béla Tarr’s brooding masterpiece of a town sleepwalking into tyranny
Wendy Ide's film of the week
About Dry Grasses review – rich, engrossing Turkish epic with a twist
Coma review – vital signs are weak in Bertrand Bonello’s mopey lockdown drama
Crossing review – terrific Istanbul-set culture-clash drama
Shayda review – tense Australian-Iranian domestic abuse drama
‘My slogan is very simple: no education, just liberation!’ – Béla Tarr on how film can fight the political right in Hungary
A Prince review – queer erotic drama of sexual enlightenment through gardening
June 2024
The Imaginary review – beguiling fantasy from Japan’s Studio Ponoc
‘In Europe, everyone’s screaming kill, kill, kill’: Stellan Skarsgård on Sweden, ‘silly’ Scandi noir and security
Wendy Ide's film of the week
Green Border review – an angry and urgent masterpiece about Europe’s migrant crisis
Anouk Aimée was an entrancing 60s movie icon with an air of glamorous unknowability
Peter Bradshaw
Anouk Aimée, star of La Dolce Vita and A Man and a Woman, dies aged 92
Àma Gloria review – French coming-of-age drama is a modest gem
Hounds review – grim and quirky Moroccan crime drama
Here review – low-key love in Brussels
Wendy Ide's film of the week
The Beast review – Léa Seydoux mesmerises in wildly ambitious sci-fi romance
May 2024
Slow review – terrific Lithuanian drama of an atypical romance
In Flames review – unsavoury revelations in patriarchy horror thriller from Pakistan
Cannes 2024 week two roundup – scuffles, screwballs and spellbinders
All We Imagine As Light review – dreamlike and gentle modern Mumbai tale is a triumph
About 3,887 results for World cinema
1
2
3
4
...
Explore more on these topics
Drama films
Europe
France
Romance films
Hungary