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Elena Ferrante’s Weekend column

The bestselling Italian novelist behind the highly acclaimed Neapolitan series​ writes a weekly column on life, love, the female experience and everything in between​

  • Illustration of woman walking away carrying suitcase

    Elena Ferrante: this is my last column, after a year that has scared and inspired me

    Writing every Saturday has meant the permanent exposure of fragments of myself. But I am indebted to you, my readers
  • Illustration of woman hauling a fishing net from the sea

    Elena Ferrante: A writer’s talent is like a fishing net, catching daily experiences that can educate

    We fall in love with a text partly for the way it unwittingly informs us
  • Illustration of woman holding umbrella in snow globe

    Elena Ferrante on climate change: ‘I've become obsessive. Black skies terrify me'

    I never worried about the weather – until now
  • Illustration of two hands forming a frame and figure in background

    Elena Ferrante: ‘I hate having my photo taken’

    The woman in the frame doesn’t match the one in my mind
  • Illustration of boy in spotlight on a stage

    Elena Ferrante: ‘If people still told their stories in verse, I would be too embarrassed to write’

    Writing prose with the rhythm, the harmony, the images that characterise a poem is a death trap
  • Illustration of bat hanging from swing that has a bird sitting on it

    Elena Ferrante: I like to rewrite stories – swapping men for women. It doesn’t always work

    A woman who decides to give it all up rarely turns back, while men generally, at a certain point, need their Ithaca
  • Illustration of kennel with a red love heart attached to a chain

    Elena Ferrante: ‘I don’t believe people who swear they’re not the jealous type’

    We’ve all experienced it – not necessarily in love, but in every kind of relationship
  • Flower stem in vase, some petals have fallen to the ground

    Elena Ferrante: when a friend died at 38, I thought that would be my allotted time, too

    When I got to 38, things changed. I was pleased I had made it, and thought, ‘Everything after this is a bonus’
  • Illustration of book with spine as clapperboard

    Elena Ferrante on the screen adaptation of her book: 'I want to say, let's give it up'

    Stripped down, the novel suddenly appears to the writer a trick of literary words, a fraud
  • Illustration of painting of a woman who is writing with a quill pen and has knocked over bottle of ink which is pouring on to the floor of the art gallery and a man is walking in it

    This is a great time for writing by women – so why are we still considered second-rate?

    The cliche dies hard: women are emotional; we please
  • Illustration of woman watering plant in pot

    Elena Ferrante: ‘I devote myself to plants. Is it because I am afraid of them?’

    Plants are prisoners, yet they extend, twist, creep their way in
  • Illustration of boat with book as sail

    Elena Ferrante: ‘Maggie Gyllenhaal is filming one of my books. It’s her story to tell now'

    It’s important for me – for her, for all women – that her work be hers and turn out well
  • Illustration of two girls sitting opposite sides of swimming pool in which two sharks circle

    Elena Ferrante: ‘People who are enemies for no reason fascinate me'

    How did the hostility start?
  • Illustration of couple hugging in middle of a boxing ring

    Elena Ferrante: ‘Is there a formula for a lasting relationship?'

    A friend, married for 48 years, says there is
  • Women on a stage between red curtains speaking into a microphone

    Elena Ferrante: ‘I have never given an interview, but journalists have helped me make sense of my life’

    Against the face-to-face encounter, I have preferred – because of my own limitations – a written correspondence
  • Illustration of picture hanging on wall of a couple and their daughter whose face is enclosed in another frame

    Elena Ferrante: ‘Beauty triumphs in childhood photos, along with charm, joy, happy laughter’

    Missing is the distress, tiredness, irritation, fear, tantrums
  • Illustration of  woman floating in space, touching the hand of an astronaut in spaceship through circle of glass

    Elena Ferrante: ‘Solaris is not Tarkovsky’s best film, but it made the greatest impression on me’

    Solaris is astonishing because the book that inspired it doesn’t seem to contain Tarkovsky’s film
  • Illustration of butterfly whose wings are two faces looking at each other

    Elena Ferrante: ‘One morning I looked at myself in the mirror and recognised my mother’

    For a long time, I felt that to stop loving her was the only way I had to love myself
  • Illustration of woman looking along on a long path through a forest carying a miniature house on her back

    Elena Ferrante: ‘I love upheaval. As a child, I would rush out into a storm’

    I am convinced that change has a definite positive side. It helps us realize, for example, that we’ve accumulated a lot of useless things
  • An illustration of a child wearing Pinocchio mask

    ‘I love children who lie for no reason. After all, I used to be one’

    Sometimes, someone would say: it’s too good, it can’t really have happened. And then I was ashamed…
About 45 results for Elena Ferrante’s Weekend column
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