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Disappearing acts

  • vinyl factory making vinyl records

    How to make a vinyl record

    Vinyl may have been overtaken by CDs and downloads but it still has passionate fans, with the UK's last major plant pressing about 25,000 records a week
  • Furniture maker James Winby.

    Making a wooden bureau

    Furniture maker James Winby takes a concept from drawing board to reality, and gets a warm glow when it dovetails nicely
  • Weave designer Eleanor Pritchard

    How to weave a blanket

    Bobbins, heddles, shafts, peg and lags – Melissa Viney gets a lesson in maths and design and tries hard not to lose the thread
  • roof thatcher

    How to thatch a roof

    A roof thatcher's skills may date back to the Bronze Age and the trade is picking up again because of new-builds. But, as Melissa Viney discovers, don't expect it to come cheap
  • fire irons

    How to make a pair of fire irons

    A blacksmith's skills have not changed since prehistoric times, says Jon Henley: they require an artistic eye and a command of red-hot metal
  • A letter press printer

    How to print with letterpress

    A keen eye is needed to perfect an exacting craft that has been around since the mid-1400s

  • Robin Wood

    Heritage crafts at risk

    A campaign to save traditional skills, often kept alive by just one exponent, is being launched today

  • disappearing acts laying a hedge

    How to lay a hedge

    If you want a good stock-proof barrier, it takes hands-on techniques that date back to Roman times. Jon Henley reports

  • Disappearing Acts Mike Rowland Wheelwright and coachbuilders

    Disappearing acts revisited

    The Heritage Crafts Association launches this week, with the intention of lobbying for money to help fund apprenticeship schemes, and ensure the continuation of age-old crafts

  • Stonemason Mark Cutler at work

    How to cut stone

    Stonemasonry is both art and a patient craft – but sooner or later you have to commit and free the shape with a chisel

  • Master calligrapher Paul Antonio

    The art of calligraphy

    From quills and ink to digital technology, Jon Henley finds illumination in the exacting craft of the modern scribe

  • Michael Drake has been making silk ties since 1977

    How to make a silk tie

    In a disused post office depot, Jon Henley finds the skills to make the finest gentlemen's accessories are still making the cut

  • Making a pocket knife

    How to make a Sheffield pocket knife

    Still at the cutting edge of his craft, a 'little mester' shows Jon Henley the skills that once made his city the capital of cutlery

  • Robin Wood wood turner

    How to turn a bowl on a pole lathe

    Once every village had a wood turner; now there's only one man in the country making a living from his lathe

  • Mike Turnock making a sieve in his workshop

    How to make a sieve and riddle

    Hundreds of firms once made these beechwood and wire meshes – now, only one craftsman remains, discovers Jon Henley

  • Alan Evans in the workshops of watchmaker and silversmith Simon Benney, near Marlborough, Wilts

    How to make a watch

    Simon Benney, a designer with three royal warrants, and skilled silversmith Alan Evans know what makes a unique timepiece tick
  • Master craftsman Peter Martin making an oar.

    How to make sculls

    To create beautifully crafted wooden oars once used by Olympic athletes you need strong Canadian spruce and an eye for shaping and smoothing it

  • Violin bow maker and violin repairer Matthew Coltman

    How to make a bow

    To make a violin sing, you need a steady hand, a fine eye and skills as polished as the hardwoods you shape, says Jon Henley

  • Sarah Page makes a trug in her workshop near Hailsham, East Sussex

    How to make a trug

    Used to gather flowers since the time of Henry VIII, these Sussex baskets are made by a tiny band of experts, says Jon Henley

  • Geoffrey Preston, a decorative plasterer, works with stucco

    How to work in stucco

    To hand model highly decorative plaster, you need the finest tools and to be fast – you have just three hours before it sets, says Jon Henley

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