French artists, DJs and musicians unite to fight threat of far-right government
Front Électronique acts as ‘world of the night’ to combat rise of Marine Le Pen’s National Rally
June 2024
Club culture
Energy and inclusivity: London’s LGBTQ+ club scene – in pictures
Club culture
From topping the 90s charts to ‘very controlled and predictable’ today: is the remix dead?
How we made
‘Nobody believed I sang it’: how Move Your Body blew dancefloors away
Inside ∄ – the secret Kyiv techno club that ‘does not exist’
May 2024
Bangers and ballet: London’s Ministry of Sound embraces contemporary dance
‘We can live again’: Belgian nursing home residents hit the nightclubs
April 2024
Party with an 8ft pink panther! Ibiza in the 70s and 80s – in pictures
‘Blue Monday is one of the 20th century’s greatest artworks’: Wolfgang Tillmans on swapping his camera for a microphone
March 2024
The Last Year of Darkness review – candid and intimate dive into Chinese club culture
The Audio Long Read
‘Good times and dances might last for ever’: the sound of London’s Black gay scene – podcast
February 2024
The long read
‘Good times and dances might last for ever’: the sound of London’s Black gay scene
Serpentwithfeet: Grip review – glossy, lustful tribute to queer black clubland
Pryzm nightclub boss blames closures on students cutting back
Club culture
Printworks London may reopen by 2026 after developers submit plans
‘You can get home for the 10 o’clock news’: UK ravers fall in love with daytime clubbing
‘Profane’ or ‘innocent’? Row over Canterbury Cathedral silent disco
January 2024
Nightclubs at risk as UK’s biggest operator calls in administrators
Rekom UK, which owns Atik and Pryzm, says larger clubs particularly affected after ‘extremely difficult’ year
I am Deaf and I love raves – I wish more people felt welcome in the dance world
Anna Seymour
Being a Deaf professional dancer can feel isolating – but my experiences in clubs made me realise I could create a dance space that would welcome everyone
‘National treasure? It’s better than crackhead’: Shaun Ryder and Kermit on the return of Black Grape
One is in his dressing gown, the other recommends carrot juice: clearly things have changed among the indie-dance act. They talk us through their hedonistic 90s, plus grief, Farage and fatherhood