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Dmitri Shostakovich

June 2024

  • ‘She was game for all of it’ … Eva-Maria Westbroek wearing prosthetic breasts in Anna Nicole.

    Anguished arias and Anna Nicole Smith: Antonio Pappano’s heart-stopping Royal Opera highs

  • Tom Hulce, as Mozart, seen conducting in front of a packed theatre, in Milos Forman’s Amadeus. The 1984 film won eight Oscars.

    Rock on, Shostakovich, Handel, Ravel: lives of great composers hit the screens

October 2023

  • BSO Music DirectorAndris Nelsons

    Shostakovich: Symphonies 2, 3, 12 and 13 album review – Nelsons ends his cycle as convincingly as it began

    Although for some of these performances revolutionary zeal is replaced by routine, the 13th stands apart

December 2022

  • Oleksandr Tkachenko, the Ukrainian minister of culture

    Silencing Russian music plays into Putin’s hands

    Letters: Readers on the Ukrainian culture minister’s call for a boycott of Russian culture, in protest at the invasion of Ukraine

October 2022

  • Rhydian Jenkins (left) and Dafydd Allen with the cast of Cherry Town, Moscow.

    Cherry Town, Moscow review – Shostakovich’s operetta becomes a zany romp but outstays its welcome

    Welsh National Youth Opera attack the subversive satire with verve and enthusiasm, maximising the theatricality and cheerfully taking the Mikhail out of it all

August 2022

  • Carolina Eyck performs Kalevi Aho’s theremin concerto.

    Prom 25: BBCPhil/Storgårds/Eyck review – Aho’s theremin casts a spell

    Carolina Eyck was mesmerising in Kalevi Aho’s theremin concerto, while Kaija Saariaho’s Vista and Shostakovich’s 15th symphony were superbly played by the BBC Philharmonic

March 2022

  • Allan Clayton and Cruz Fitz in Peter Grimes at the Royal Opera House.

    The week in classical: Peter Grimes; Emerson Quartet; RPO/Petrenko

    An all-star production of Britten’s opera thrilled; Soviet-era melancholy flowed through Shostakovich’s quartets; and the RPO rose to their game-changing new conductor

February 2022

  • Sustainable high energy particles flow through a tokamak or doughnut-shaped device.

    Time to face up to the fusion illusion?

    Brief letters: No such thing as time | Cushioning the blow | Out for the count | Reclaiming San Serriffe | Marine disaster

November 2021

  • Susan Bullock and Gerald Finley in Bluebeard's Castle at Stone Nest.

    The week in classical: Life, Letters & Friendship; Bluebeard’s Castle – review

    The Carducci Quartet get to the heart of Shostakovich, while two very different interpretations of Bartók’s only opera enthral

September 2021

  • Quiet mastery ... Igor Levit performing in 2021.

    On DSCH: Works by Shostakovich and Stevenson review – Levit’s spectacular wild ride

    Pairing Stevenson’s Passacaglia on DSCH with Shostakovich’s equally epic 24 Preludes is a unique combination of rarity and virtuosity
  • Emotionally charged … Mark Wigglesworth conducts the Proms Festival Orchestra.

    Proms Festival Orch/Wigglesworth review – freelance orchestra’s Mahler brings hope and celebration

    A jubilant and light-on-its-feet performance of Mahler’s monumental 5th symphony made this Prom an emotionally charged occasion
  • Igor Oistrakh’s recordings of the major solo violin concertos included those by Brahms, Elgar and the first by Shostakovich.

    Igor Oistrakh obituary

    Violinist who followed in the steps of his celebrated father David, and joined him in works by Bach and Mozart

June 2021

  • Joanna Marie Skillett (Fiordiligi), Martha Jones (Dorabella), Frederick Long (Guglielmo), Thomas Elwin (Ferrando), Jenny Stafford (Despina) and Stephen Loges (Don Alfonso) in Cosi Fan Tutte by English Touring Opera at London's Hackney Empire in 2020

    Online concerts need more audience support

    Letters: Mick Murray shares the response he got from the director of English Touring Opera on the need for the public to connect with artists

March 2021

  • Jess Gillam, right, and Zeynep Özsuca at Vauxhall.

    Lockdown culture
    The week in classical: Classical Vauxhall; L'Heure Espagnole – review

    Fresh performances of Shostakovich and Beethoven open Classical Vauxhall’s mini-festival, while GPO turns its hand to Ravel’s clock-shop comedy

February 2021

  • Photo by Fine Art Images/Heritage Images/Getty Images. Dmitri Shostakovich, Russian composer, during the Siege of Leningrad, 1941

    Reverberate
    Reverberate, episode 4: the bloody symphony of Leningrad – podcast

    Crippled by Hitler’s forces during history’s deadliest siege, Leningrad rallied under the most unlikely of anthems – Shostakovich’s Seventh Symphony

September 2020

  • Dmitri Shostakovich<br>(Eingeschränkte Rechte für bestimmte redaktionelle Kunden in Deutschland. Limited rights for specific editorial clients in Germany.) *25.09.1906-09.08.1975+Soviet Russian composer and pianist- around 1954 (Photo by ullstein bild/ullstein bild via Getty Images)

    Know the score
    Shostakovich: where to start with his music

    In the eye of Russia’s revolutionary storm, he wrote some of the most powerful – and cryptic – music of the 20th century. Whether he is judged a Soviet lackey or heroic dissident, the wealth of his musical legacy is beyond doubt

May 2020

  • Scorpions On Stage In NurembergRudolf Schenker and Klaus Meine of the Scorpions perform on stage at the Frankenhalle in Nuremberg, Germany in December 1990.

    ‘Rockers and spies’ – how the CIA used culture to shred the iron curtain

    Musicians and artists were all enlisted to assert US power in the cold war. A new podcast explores the part the agency played

September 2019

  • Dmitri Shostakovich (left) with Britten.

    Rebels with a cause: the friendship of Britten and Shostakovich

    The two composers were separated by the Iron Curtain and language but united by their art and their deep admiration for each others’ music. A new bi-cultural orchestra inspired by their friendship pays tribute to their common cause

May 2019

  • Melancholy, lyricism, satire and farce … San Francisco Ballet in Alexei Ratmansky’s Shostakovich Trilogy.

    Ballet legend Alexei Ratmansky: how Shostakovich shook me up

  • Piotr Anderszewski, pianist

    Belcea Quartet review – fierce and fearsome Shostakovich

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