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Electronic music

July 2024

  • The 2023 Outline festival.

    Western DJs accused of ‘normalising war’ for playing at Russian techno events

  • Mercury rising … (L-R) Charli xcx, Corinne Bailey Rae and Beth Gibbons.

    Mercury prize 2024: Charli xcx, the Last Dinner Party and Beth Gibbons among nominees

  • Princess Superstar performing in New York, 2006 – the height of the original electro-house boom.

    Watch me work it, I’m perfect! The return of electro-house, pop’s trashiest, brattiest sound

  • Portrait of Alan Sparhawk, who wears a dark denim shirt.

    Low’s Alan Sparhawk on the death of his wife and bandmate Mimi Parker: ‘If you fall in love, you know this could happen’

  • Eno review – exhilarating Brian Eno documentary that’s different at every screening

  • Global album of the month
    Bizhiki: Unbound review – commanding Native American songcraft

  • How we made
    ‘We knew a banjo house record would annoy the techno bores’: how the Grid made Swamp Thing

  • One to watch
    One to watch: Berlioz

  • Kiasmos: II review – will have you crying tears of joy on the dancefloor

June 2024

  • Jimmy Somerville of Bronski Beat in the video for Smalltown Boy

    Why Bronski Beat’s anthem of gay culture resonates 40 years on

  • Landmark moment … Orbital (Phil, left, and Paul Hartnoll) play the Pyramid stage at Glastonbury 1995.

    ‘We were the bridge between indie and dance’: Glastonbury icons Orbital on 30 years of breaking barriers

  • The Zawose Queens.

    ‘Women have always been sidelined. So we’re radical’: the Zawose Queens go from Tanzania to Glastonbury

  • Dua Lipa, Bobby Vylan of Bob Vylan, and Nia Archives.

    From Coldplay to KMRU: who to see at Glastonbury 2024

  • ‘The body was the drums, the brain was the synthesiser’: darkwave, the gothic genre lighting up pop

  • Club culture
    From topping the 90s charts to ‘very controlled and predictable’ today: is the remix dead?

  • Sam Morton: Daffodils & Dirt review – actor’s intoxicating trip-hop debut

  • Best culture of 2024 so far
    The best albums of 2024 so far

  • ‘Don’t worry about AI. People want bodies in a room’: Faithless on the eternal power of rave – and the death of Maxi Jazz

  • How we made
    ‘Nobody believed I sang it’: how Move Your Body blew dancefloors away

  • Peggy Gou: I Hear You review – sparkling 90s-inspired dance

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