Blond Eckbert review – Judith Weir’s bare-bones opera kicks off Aldeburgh festival
Despite excellent performances from the singers and chamber ensemble, this stripped-back version of the folkloric opera failed to convey the horror of its story
March 2024
The Rake’s Progress review – stylisation tips towards surrealism in ETO’s staging of Stravinsky parable
The week in classical: The Magic Flute; Manon Lescaut review – the trials of love