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George Benjamin

September 2023

  • Beate Mordal and Cameron Shahbazi in Picture a day like this

    The week in classical: Picture a day like this; Peter Grimes; Carol Williams: Mad Rush – review

    Sparkling musical invention pierces the gloom of George Benjamin’s mysterious new chamber opera; Britten’s masterpiece holds its own at ENO; and one woman, 7,866 pipes and resounding fun
  • Dreamlike logic … Benjamin studying a score he is due to conduct.

    ‘I threw my pop records in the bin’: George Benjamin on his defining moments – and his latest opera

    As Picture a day Like this comes to the London stage, the composer speaks about finding his dream collaborator, entering ‘a different dimension’ with Olivier Messiaen – and the day Disney changed his life
  • George Benjamin - 09 May 2018<br>Editorial use only Mandatory Credit: Photo by Alastair Muir/Shutterstock (9671775a) George Benjamin George Benjamin - 09 May 2018

    Ensemble Modern/Benjamin/Prohaska review – teetering on the edge of the atonal

    Composer George Benjamin reunites with the contemporary music ensemble for an alternately fierce and delicate programme, with soprano Anna Prohaska a hypnotic standout

September 2021

  • Pierre Laurent Aimard and the Mahler Chamber Orchestra at the Proms 2021

    The week in classical: Mahler Chamber Orchestra/Benjamin; Tosca – review

    The only international orchestra at this year’s Proms dazzle in a world premiere dedicated to them. And Puccini and chips with English National Opera

August 2021

  • Quicksilver musical language... George Benjamin conducts the Mahler Chamber Orchestra at the BBC Proms.

    Mahler CO/Benjamin/Aimard review – intricate textures and the sparkle of cut glass

    George Benjamin conducted the belated premiere of his Concerto for Orchestra, part of a programme that also celebrated his friendship with the late Oliver Knussen

March 2020

  • George Benjamin

    Philharmonia/Benjamin review - from shimmering to sombre and joyously brassy

    In this belated birthday celebration, George Benjamin’s programme included his own music plus a sombre memorial to his late friend Oliver Knussen

September 2019

  • From left: The Tempest, The Minotaur, L’amour de loin, Hamlet

    Best culture of the 21st century
    The best classical music works of the 21st century

    Over the coming week, the Guardian will select the greatest culture since 2000, carefully compiled by critics and editors. We begin with a countdown of defining classical music compositions, from X-rated opera to high-tech string quartets

January 2019

  • The best classical music of 2019: Laura Jurd, Elaine Mitchener and Hector Berlioz

    2019 arts preview
    Queens and aces: the best classical music of 2019

    There’s a year-long celebration of female composers, a brand new festival of contemporary music – and it’s birthday time for Berlioz

December 2018

  • Kirill Petrenko and the Berliner Philharmonike, Prom 66 2018 (same as Prom 68)

    Best culture 2018
    Top 10 classical music events of 2018

    Kirill Petrenko gave a foretaste of his time at the Berlin Phil; at 92, Kurtág finally took Beckett to the opera; and young Leeds winner Eric Lu astonished

October 2018

  • Carolyn Sampson

    Home listening
    Home listening: a good week for Carolyn Sampson – and Handel

    The soprano excels on new recordings by the Dunedin and King’s Consorts. Plus, George Benjamin on BBC TV

July 2018

  • George Benjamin and the London Sinfonietta’s Prom at the Roundhouse, Camden, London.

    London Sinfonietta/George Benjamin review – austere first world war meditation

    Benjamin conducts four new pieces with care and intensity but comes into his own with works of ritual mourning by Stravinsky and Messiaen

May 2018

  • Samuel Boden, Ocean Barrington-Cook, Barbara Hannigan, Peter Hoare, Stéphane Degout and Gyula Orendt in Lessons in Love and Violence at the Royal Opera House.

    Lessons in Love and Violence review – a bolder, angrier, more tender George Benjamin

    The transgressive love between Edward II and his courtier takes hold in George Benjamin’s rich, dark new opera
  • trio wanderer

    Home listening
    Home listening: the tricky business of the piano trio

    Fine new releases from Trio Wanderer and the Gould Piano Trio. Elsewhere, George Benjamin and Martin Crimp don’t quite reveal all
  • Embargo on image use until 9.45pm on 10-05-18.<br>Stephane Degout (King) and Gyula Orendt (Gaveston) in Lessons In Love And Violence by George Benjamin @ Royal Opera House. Text by Martin Crimp. Conducted by George Benjamin. Directed by Katie Mitchell. (Opening 10-05-18) ©Tristram Kenton 05/18 (3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com

    Lessons in Love and Violence review – soaring tale of a brutal royal downfall

    George Benjamin’s modern-day retelling of Edward II’s demise is a bleak, lustrous opera that places a gay love story it its centre

October 2017

  • Lauren Fagan as Agnès with Ross Ramgobin as the Protector and conductor Oliver Zeffman in Written on Skin.

    Written on Skin review – spare staging highlights richness of Benjamin's opera

    The Melos Sinfonia’s thrilling concert performance of George Benjamin’s intense, horrifying work was often more dramatic than full productions

August 2017

  • Sit Fast

    Dowland: Lachrymae; Benjamin: Upon Silence CD review – mesmeric songs for viols and lute

March 2017

  • Playwright Martin Crimp.

    Martin Crimp: ‘I wrote a play called Cruel and Tender – I hope to be both’

    Benedict Cumberbatch and Keira Knightley have starred in his bleakly funny, sometimes dowright horrible plays. As The Treatment is revived at the Almeida, Martin Crimp talks about how his work can scandalise and surprise

January 2017

  • Composer George Benjamin

    Royal Opera to premiere new work by George Benjamin

    The British composer, whose Written on Skin is one of the most acclaimed operas of our times, is collaborating with Martin Crimp again for a work that will debut in London in May 2018
  • Sir Simon Rattle conducting Mark-Anthony Turnage's Remembering: 'In Memoriam Evan Scofield' by London Symphony Orchestra @ Barbican Hall. (Opening 19-01-17) ©Tristram Kenton 01/17 (3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com

    LSO/Rattle; The Last Supper; Written on Skin; La traviata review – the sound of a golden age

    Mark-Anthony Turnage led the way in a notable week for British composers
  • Barbara Hannigan as Agnès with Christopher Purves as her husband, the Protector, in Written on Skin by George Benjamin

    Written on Skin review – Hannigan is spellbinding in parable of beauty and violence

    Soprano Barbara Hannigan revisits the role created for her in George Benjamin’s tale of sexual jealousy and artistic revelation, interpreted forensically by Katie Mitchell
About 60 results for George Benjamin
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