Gilad Atzmon: The Spirit of Trane review – heart and soul homage
March 2017
Gilad Atzmon and Alan Barnes: The Lowest Common Denominator – review
(Woodville)
June 2013
Sarah Gillespie: Glory Days – review
Growing musical independence and a broadening vocal palette augur well for Sarah Gillespie's musical development, writes John Fordham
September 2011
Gilad Atzmon, antisemitism and the left
Andy Newman
Andy Newman: The Palestinian cause is hindered, not helped, when the left fails to notice or confront anti-semitism
January 2011
Sarah Gillespie/Gilad Atzmon: In the Current Climate – review
Although her repertoire is still forming, Sarah Gillespie sounds like a mature performer on this album referencing everything from extraordinary rendition to coalition politics, writes John Fordham
October 2010
Robert Wyatt/Ros Stephen/Gilad Atzmon: For the Ghosts Within - review
This will rank among the best of Robert Wyatt's albums, with imaginative arrangements by violinist Ros Stephen and Gilad Atzmon's poetic alto sax and clarinet, says John Fordham
Gilad Atzmon Orient House Ensemble - review
Ronnie Scott's, London An infallibly shrewd pacer of live shows, Atzmon steered this performance from the unsettling to the optimistic without a hint of cheesiness, writes John Fordham
This week's new live music
This week's new live music
Of Montreal | Male Bonding | Junip | Strange News | The Duenna | Gilad Atzmon
September 2010
Gilad Atzmon Orient House Ensemble: The Tide Has Changed
Celebrating 10 years with his entertaining world-jazz group, Gilad Atzmon presents a typically riotous set of cavorting, stormy sounds, writes John Fordham
