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Harrison Birtwistle

The latest news and comment on Harrison Birtwistle

June 2024

  • ‘She was game for all of it’ … Eva-Maria Westbroek wearing prosthetic breasts in Anna Nicole.

    Anguished arias and Anna Nicole Smith: Antonio Pappano’s heart-stopping Royal Opera highs

    From the pole-dancing, expletive-strewn Anna Nicole to the lung-popping underwater wonders of Wozzeck, the Royal Opera House’s music director relives five sublime shows from 22 rollercoaster years

March 2024

  • Claire Booth sings with the Nash Ensemble at Wigmore Hall.

    Nash Ensemble: A Birtwistle Celebration review – an intense and poetic tribute

    The Nash and BBC Singers selected poignant vocal and instrumental works in memory of the late composer, as well as the premiere of a new Simon Holt work honouring sculptor Richard Serra

March 2023

  • Sincerity … Martyn Brabbins conducts the London Sinfonietta with the Londinium Choir, Abigail Sinclair, soprano, and Lisa Dafydd, soprano.

    Harrison Birtwistle tribute – music of power and beauty as Sinfonietta remember a great friendship

    This London Sinfonietta tribute concert, conducted by Martyn Brabbins, was a poignant occasion that showcased both the excoriating power and tranquillity of Birtwistle’s music

August 2022

  • Zubin Mehta conducts the Australian World Orchestra at the Royal Albert Hall.Photo by Mark Allan

    The week in classical: Australian World Orchestra/Mehta; Harrison Birtwistle Day – review

    A lifetime’s experience tells as Zubin Mehta graces the Proms along with Australia’s finest, while a stellar tag team of friends and colleagues pay tribute to Harrison Birtwistle

April 2022

  • Harrison Birtwistle standing in front of his writing desk  in 2013.

    ‘His great gift was to see the world as a place of wonder’ – in praise of Harrison Birtwistle

    The Observer’s classical music critic pays tribute to a composer whose exacting work was hard-won, but who marvelled at everything from homegrown plums to Dusty Springfield
  • FILE - Composer Harrison Birtwistle, from Britain, congratulates Conductor Pierre Boulez from France and the Lucerne Festival Academy Orchestra, on Thursday, Sept 16, 2004, at the Lucerne Festival in the KKL Culture and Congress Centre in Lucerne, Switzerland. Birtwistle, widely recognized as one of Britain’s greatest contemporary composers, has died. He was 87. Birtwistle’s publisher, Boosey & Hawkes, said he died Monday, April 18, 2022, at his home in Mere, southwest England. No cause of death was given. Birtwistle created daringly experimental music that sometimes tried the patience of listeners. (AP Photo/Keystone, Sigi Tischler, File)

    Celebrating the singular sound of Harrison Birtwistle’s compositions

    Letters: None of his stuff is pleasant listening, but that’s rather the point, writes Simon Lawton-Smith; Meirion Bowen found him illuminating while Kay Smith was moved by a magical, mystical piece
    • Harrison Birtwistle: an utterly distinctive composer who wrote music of delicate beauty

      Andrew Clements
    • Sir Harrison Birtwistle obituary

    • Composer Harrison Birtwistle dies aged 87

November 2020

  • Total authority and clarity ... Nicolas Hodges.

    A Bag of Bagatelles: Piano Works by Birtwistle and Beethoven review – authority and clarity

    Hodges’s cool virtuosity emphasises the links between two composers of muscular intricacy and resonance

November 2019

  • Richard Brooks

    The jury's out on ENO's bold Orpheus-fest

    Richard Brooks
    Empty seats force ENO to cut ticket prices, Chris Mason excels on Any Questions, and Dispatches unwraps Amazon

October 2019

  • Picture EmbaMarta Fontanals-Simmons (Eurydice the Woman) in The Mask of Orpheus by Sir Harrison Birtwistle @ London Coliseum. An English National Opera New Production.

    The week in classical: The Mask of Orpheus; Reich/Richter – review

    Harrison Birtwistle’s monumental early opera is revived in an epic tussle between myth, meaning, the lustrous and the lurid
  • ‘Instead of austere, penetrating ritual all we get  is camp and bling’ ... Peter Hoare as Orpheus the Man (centre)

    The Mask of Orpheus review – travesty of a production is nothing to laugh about

    It’s been three decades since Harrison Birtwistle’s challenging opera has been staged. Musically this might be excellent, but the gaudy and self-indulgent staging does nothing to illuminate the work’s complexities
  • Unforgettable panache … Patricia Kopatchinskaja and Pekka Kuusisto perform the world premiere of a work by Harrison Birtwistle.

    HarrisonParrott: 50 Years in a Day review – starry celebration with old-fashioned feel

    The classical agency marked its half century with three marathon pick’n’mix-style concerts

September 2019

  • From left: The Tempest, The Minotaur, L’amour de loin, Hamlet

    Best culture of the 21st century
    The best classical music works of the 21st century

    Over the coming week, the Guardian will select the greatest culture since 2000, carefully compiled by critics and editors. We begin with a countdown of defining classical music compositions, from X-rated opera to high-tech string quartets

May 2019

  • The LSO conducted by Sir Simon Rattle perform Sibelius: Symphony No7, Hans Abrahamson: Let Me Tell You (B Barbara Hannigan:soprano) and Nelson: Symphony No4, ‘Inextinguisahable’ in the Barbican Hall on Thursday 10 Jan. 2019. The LSO are joined by 12 Keston MAX Fellows Photo by Mark Allan

    LSO/Rattle review – unexpected connections, irresistible immediacy

    This chalk-and-cheese bill of modern titans Stravinsky, Birtwistle and Adams was brought to life with exceptional clarity and precision

June 2018

  • Tamara Stefanovich and Pierre-Laurent Aimard perform Vassos Nicolaou at Aldeburgh Festival (photo by Shoël Stadlen, 18June2018)

    Birtwistle premieres review – explosive duets and fragile beauty

    Oliver Knussen conducted, with Birtwistle challenging the astonishing virtuosity of pianists Tamara Stefanovich and Pierre-Laurent Aimard

July 2017

  • Daniel Barenboim conducts the Staatskapelle Berlin at the Royal Albert Hall, London, during this year’s Proms.

    Staatskapelle Berlin/Barenboim review – magnificent UK Birtwistle premiere

    Daniel Barenboim led the peerless German orchestra through two Proms concerts, including a spectacular performance of Harrison Birtwistle’s new work Deep Time

January 2017

  • Daniel Barenboim returns to the Southbank Centre in 2017.

    Barenboim, Bernstein and the Berlin Phil: Southbank Centre launches 2017-18 season

  • Sir Simon Rattle conducting Mark-Anthony Turnage's Remembering: 'In Memoriam Evan Scofield' by London Symphony Orchestra @ Barbican Hall. (Opening 19-01-17) ©Tristram Kenton 01/17 (3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com

    LSO/Rattle; The Last Supper; Written on Skin; La traviata review – the sound of a golden age

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