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Igor Stravinsky

March 2024

  • Hot property … Klaus Mäkelä pictured in 2023

    Stravinsky: Petrushka; Debussy: Jeux; Prélude à l’Après-midi d’un Faune album review – flat and muted

    Despite first-rate playing, the young conductor with the orchestral world at his feet fails to deliver the drama behind the vivid gestures
  • conductor Simon Rattle leaves the podium to John Adams after the world premiere of the composer’s Frenzy.

    The week in classical: LSO/ Rattle; The Rake’s Progress; The Flying Dutchman; Elena Urioste and Tom Poster – review

    Dread runs through John Adams’s pulsating new ‘short symphony’; Stravinsky’s Rake has plenty of company at ETO; Bryn Terfel returns as the mythical Dutchman; and two lockdown favourites bring the house down
  • Part Rococo, part Dalí … The Rake's Progress at the Hackney Empire.

    The Rake’s Progress review – stylisation tips towards surrealism in ETO’s staging of Stravinsky parable

    Polly Graham’s new staging benefits from consistently fine singing as the indolent Tom Rakewell and the demonic Nick Shadow clash

January 2024

  • Entangled … New Movement Collective in Les Noces.

    Les Noces – The Departure review: absorbingly renewed marriage bonds

    On a catwalk-like stage, the ambitious New Movement Collective celebrate Stravinsky’s peasant wedding with a twist, adding fresh musical compositions to ramp up the atmosphere

September 2023

  • Our Voices at Sadlers Wells.

    English National Ballet: Our Voices review – an apocalyptic maelstrom of movement

  • Bronislava Nijinska in the 'Bolero' by Maurice Ravel, circa 1928.

    ‘Why don’t we know more of her? It’s upsetting’: dance genius Bronislava Nijinska

  • Coco Chanel, in five strands of pearls and with short hair, sits in the corner of a velvet sofa with flowers in front of her, smiling slightly

    How Coco Chanel embroidered her contradictory life story

  • Karl Queensborough and Charlotte Ritchie on a stage decorated with light projections

    Prom 62: The Rite by Heart review – fresh insight into Stravinsky’s complex classic

August 2023

  • The Royal Ballet performing The Rite of Spring in 2011.

    ‘People used to joke, What next from memory? The Rite of Spring?’: Nicholas Collon on his orchestra’s ultimate challenge

    The power, rhythmic complexity and virtuosity of Stravinsky’s 1913 work raised the bar for orchestral music. To perform it requires high-wire concentration. And to perform it from memory…? Aurora Orchestra’s conductor on recapturing the thrill of a piece once deemed unplayable

March 2023

  • Isabelle Faust.

    Stravinsky: Violin Concerto review – period instruments bring clarity and gutsy depth

    Performed on original instruments, the composer’s neoclassical works – particularly his Violin Concerto, brilliantly played by Isabelle Faust, come into sharper focus

January 2023

  • Ensemble Aedes.

    Stravinsky: Les Noces; Ravel: Boléro review – honouring the composer’s complex intentions

    An early unfinished version of the 1923 landmark work, completed by Theo Verbey almost 100 years after Stravinsky conceived it, is earthy, lean and superbly performed

November 2022

  • Exposed fragments … Israel Galván in La Consagración de la Primavera (Rite of Spring) at Sadler's Wells, London.

    Israel Galván: La Consagración de la Primavera review – Stravinsky with a flamenco stamp

    The maverick choreographer makes his mark on The Rite of Spring in this elementally austere exercise in anxiety and loose-cannon footwork

October 2022

  • Conductor Pekka Kuusisto and soloist Vilde Frang.

    Beethoven and Stravinsky Violin Concertos review – Frang and Kuusisto create sweetness, swagger and exhilaration

    In his first recording as conductor, Pekka Kuusisto is insightful and in control, and Vilde Frang brings electricity to both concertos

July 2022

  • Outstanding … Vladimir Jurowski with the LPO.

    Jurowski Conducts Stravinsky Vol 1 review – rich early work and a terrifying Rite

  • Wayne McGregor’s Lore at La Scala, Milan.

    AfteRite + Lore review – Wayne McGregor’s radical Stravinsky double bill

June 2022

  • Pina Bausch’s Rite of Spring.

    Pina Bausch: The Rite of Spring review – gut-wrenching brilliance

    Sadler’s Wells, London
    A company of dancers from African countries deliver Bausch’s shattering vision of Stravinsky with devastating force

May 2022

  • Marc-Andre Hamelin and Leif Ove Andsnes at Wigmore Hall

    Leif Ove Andsnes/Marc-André Hamelin review – duo bring uncompromising brilliance to Stravinsky

  • Circa: Sacre

    Circa: Sacre review – an original and awesome Stravinsky reboot

April 2022

  • Carlos Miguel Prieto conducts the National Youth Orchestra, with Sandeep Das on tabla, in the concert Open Up: Running Riot!

    NYOGB/Prieto review – ferocity, virtuosity and sheer joy

    The National Youth Orchestra of Great Britain’s engaging and wide-ranging programme moved from recent works by Gabriela Ortiz and Dinuk Wijeratne to a ferocious performance of The Rite of Spring

March 2022

  • Maid up … Anush Hovhannisyan and Alexey Dolgov in Mavra.

    The Miserly Knight/Mavra review – Russian opera double-bill sees Scottish Opera shine

    The vocal performances are excellent but it’s Scottish Opera’s orchestra which is the real star of this staging of two contrasting operas based on works by Pushkin
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