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The Guardian - Back to homeThe Guardian

Indie

July 2024

  • Martin Phillipps and the Chills performing at the Bowen West theatre, Bedford, 1990.

    Martin Phillipps obituary

  • Crack Cloud Press publicity portrait

    Crack Cloud: Red Mile review – aggressively tuneful rock about life’s big questions

  • Interpol, press photo 2022

    The reader interview
    Interpol: ‘I’m very glad we said yes to putting a song in Friends – it was a pretty hardcore moment’

  • Mercury rising … (L-R) Charli xcx, Corinne Bailey Rae and Beth Gibbons.

    Mercury prize 2024: Charli xcx, the Last Dinner Party and Beth Gibbons among nominees

  • One to watch
    One to watch: Bad With Phones

  • The reader interview
    Post your questions for Interpol

  • Festival wristbands are grubby badges of honour – so Balenciaga’s £3,000 version is cringeworthy

    Emma Garland

  • Alexis Petridis's album of the week
    Cassandra Jenkins: My Light, My Destroyer review – a beautiful, brooding delight

  • Pixar, Catholic shame, and urine-drinking podcast bros: the mixed-up rock of MJ Lenderman

  • ‘A folk music wolf in doom metal clothing’: readers’ favourite albums of 2024 so far

  • Kasabian: Happenings review – newfound concision and big choruses

  • Glastonbury live: Sunday with SZA, Shania Twain, Burna Boy and more – as it happened

June 2024

  • The Breeders led by Kim Deal in concert at the Troxy.

    Kitty Empire's artist of the week
    The Breeders review – effortless pop gems from the grunge era

  • Dirty Three Sydney Opera House credit Daniel Boud 006b

    Dirty Three: Love Changes Everything review – aggressive and transcendent

  • (From left) Lizzie Mayland, Aurora Nishevci, Emily Roberts, Abigail Morris and Georgia Davies, AKA the Last Dinner Party

    The Last Dinner Party on misogyny, maximalism and making it big: ‘Men think they’re the arbiters of rock’

  • Weirdly charismatic … Caleb Followill on stage at First Direct Arena, Leeds.

    Kings of Leon review – mesmeric power from masters of the restrained anthem

  • ‘The body was the drums, the brain was the synthesiser’: darkwave, the gothic genre lighting up pop

  • It’s a Hard Life for band changing their name after objection from easyGroup

  • Glastonbury announces full 2024 lineup, adding James, Tems, Squeeze and more

  • Liam Gallagher review – Oasis frontman delivers Definitely Maybe in all its 90s glory

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