Prom 24: Bournemouth SO/Karabits – memorable Rachmaninov defines the show
A work by the conductor’s father Ivan Karabits celebrated Kyiv, and Felix Klieser’s brought zest and panache to Mozart, but the sheer skill and audacity of the BSO in Rachmaninov’s Second Symphony was awe-inspiring
February 2023
Bournemouth SO review – I’ve not heard Karabits and his orchestra do anything better
The Ukrainian conductor led his orchestra through a programme of Ukrainian and Russian music, culminating in a near perfect performance of Shostakovich’s Fourth
January 2023
BBCSO/Karabits review – Ukraine speaks out through its music
The BBC Symphony Orchestra’s guest conductor Kirill Karabits and pianist Anna Fedorova brought music from their homeland to an enthusiastic audience
October 2022
Bournemouth SO/Karabits review – Ukraine’s musical past takes centre stage
A century after its composition, Feodor Akimenko’s Cello Concerto finally had its premiere, in an outstanding concert that also featured Stravinsky and Mahler
April 2022
The week in classical: The Handmaid’s Tale; Le Chemin de la Croix; Bournemouth SO/ Karabits
Strong performances offset the misery in ENO’s new production of Poul Ruders’s opera. Elsewhere, Easter organ music and a cosmic world premiere
March 2022
Bournemouth SO/Karabits review – unanswerable conviction and a standing ovation
The Ukranian-born chief conductor brought the crowd to their feet before and after a powerful programme of Sibelius, Bax and Elizabeth Ogonek
December 2021
LSO/Karabits review – stand-in for Rattle proves himself more than equal to the task
With Kirill Karabits replacing Simon Rattle on the podium, works by Bartók and Miklós Rózsa were brilliantly played. It’s hard to imagine a better performance of the latter’s virtuosic violin concerto
August 2021
Proms: BBCNOW/Bancroft; Bournemouth SO/Karabits review – new works mark Albert Hall’s founding ambitions
Proms on consecutive evenings featured premieres of Augusta Read Thomas’s Dance Foldings and Mason Bates’s Auditorium. Both full of interest, the former work felt the more successful
March 2021
Lockdown culture
BSO/Karabits review – a finely judged reflection on the past year
Kirill Karabits was hypnotic as the Bournemouth Symphony marked the first anniversary of Krzysztof Penderecki’s death
October 2019
Bournemouth Symphony Orchestra/Karabits review – Sumptuous Strauss sees off a lacklustre Liszt
Lighthouse, Poole Liszt’s poetic work merits a listen, but was easily outshone by Hummel and a ravishing Rosenkavalier
February 2019
Franz Liszt: Sardanapalo, Mazeppa review – lost opera of glittering scope
Musicologist David Trippet skilfully reconstructs a Liszt opera fragment, illustrating the composer’s fertile musical mind
January 2019
The week in classical: Winterreise; LSO/Rattle; NYO/Karabits – review
NYO/Karabits review – inspired solos and sci-fi reveries
October 2018
The week in classical: Salome; Siegfried/Götterdämmerung; Bournemouth SO/Karabits – review
Blood and guts meet a kinky Santa in Adena Jacobs’s provocative new ENO production of Strauss’s opera. And Royal Opera’s Ring ends on a high
August 2018
Liszt’s lost opera: 'beautiful' work finally brought to life after 170 years
Sardanapalo to premiere in Germany after Cambridge academic translates and deciphers neglected sketchbook
October 2017
Karayev: The Seven Beauties, etc CD review – Karabits celebrates the vivid colours of a master orchestrator
Kara Karayev was a patriotic, Soviet-approved composer who drew on the folk music of his fatherland, as well as the musical worlds of Tchaikovsky and Rimsky-Korsakov
Cape Town Opera’s musical tribute to South Africa’s great leader returns in a buoyant new touring production
June 2016
Shostakovich/Glazunov: Violin Concertos CD review – agile, commanding Benedetti
January 2016
Bournemouth SO/Karabits review – exquisite Dutilleux and impressive Tchaikovsky
Kirill Karabits leads the BSO in Dutilleux’s cello concerto Tout un Monde Lointain with civilised refinement, giving way to the broad-brush bold colours of Tchaikovsky’s Manfred Symphony